66 posts tagged "Christian Louboutin"
We all need a little levity in our lives. Luckily, this season designers had a flair for the flamboyant. From Delfina Delettrez’s rainbow rubber jewels to Olympia Le-Tan’s witty ode to all things pop, Spring’s must-have accessories are whimsical and, at times, a bit wacky. With equal measures eccentricity and elegance, let these expressive extras do the talking. Shop our playful picks from Yazbukey, Marc Jacobs, and more, below.
1. Olympia Le-Tan sac, $1,274, available at www.colette.fr
2. Christian Louboutin bag, $2,195, available at www.net-a-porter.com
3. Yazbukey mirror, $135, available at www.kirnazabete.com
4. Delfina Delettrez cuff, $924, available at www.matchesfashion.com
5. Marc Jacobs pumps, $694, available at www.colette.fr
When your world tour is called Diamonds, the wardrobe had better sparkle. Luckily, Rihanna had stylist Mel Ottenberg on hand to ensure that her looks do just that. Featuring a total of—count ‘em—seven costumes, each of which was custom made by a megawatt designer (think Riccardo Tisci, Raf Simons, Alber Elbaz, and Adam Selman—Rihanna’s River Island collaborator), the pop star’s onstage wares boast everything from holographs to “orgy” embroidery (courtesy of Givenchy, naturally). “The most amazing thing about Rihanna is what a chameleon she is,” said Ottenberg, who’s worked with Riri for two years. “She’s always up for something new. She’s fearless, she knows what she likes, and it’s fun to see which ideas she’ll jump for.”
The Diamonds lineup begins with a bespoke black Givenchy Couture cape, embroidered coat, shorts, bra, and boots, and ends with a shimmering tailor-made Lanvin jumpsuit. “Riccardo blew it out of the park,” said Ottenberg. “And Givenchy went above and beyond with the level of customization, and dealing with all the pop-world craziness.” (Adding to said craziness was the fact that the entire wardrobe had to be put together in the middle of fashion week.) “And with Lanvin, I knew that, more than anybody, [Alber] would just murder a strong sparkly look to work with the idea of Diamonds.” Each outfit, Ottenberg tells us, plays off creative director Willo Perron’s multi-themed tour concept. For instance, one section, during which Rihanna sings “Rude Boy” and “Man Down,” has a hip-hop-cum-dance-hall vibe. This is where Raf Simons’ graphic oversize T-shirt dress (which is worn with Louboutin boots and a Michael Schmidt nameplate necklace) comes in. For a more rock ‘n’ roll section, Selman created a red-and-yellow leather bra and pants ensemble that’s finished off with white Manolo Blahnik boots. “It was eighties David Lee Roth bouncing around on stage mixed with a sleek Lamborghini/Ferrari situation,” Ottenberg laughs. And Selman’s much-talked-about holographic money-print dress and coat—which Rihanna wears during a rave portion of the show—actually began with a pair of Pierre Hardy sneakers made just for the tour. “The whole thing is very Thug Life Tupac mixed with nineties candy raver,” Ottenberg explained. Forget the music (well no, don’t—it’s pretty great). Rihanna’s tour is a sartorial odyssey not to be missed.
Click for a slideshow of performance snaps and exclusive sketches by Givenchy’s Riccardo Tisci, Dior’s Raf Simons, Lanvin’s Alber Elbaz, and Adam Selman.
Prada is reported to be in talks for an India entry. Alexander McQueen, Dolce & Gabbana, and Stella McCartney are exploring real estate for stand-alone stores. After opening his first boutique in New Delhi last year, Christian Louboutin is readying himself for a Mumbai launch. This year marks the tenth anniversary of Louis Vuitton’s presence in India—it was the first luxury brand to set foot in the country. Is India finally reawakening to luxury? Historically, it’s a country familiar with all things luxe. After all, in 1925, India’s Sir Bhupinder Singh, the Maharaja of Patiala, granted Cartier its single largest commission: the remodeling of his crown jewels, a collection that included an exquisite 234.69-carat De Beers diamond. Vuitton’s gilded links with India go back well over a century, when the Maharajas of Jammu and Kashmir, Bikaner and Baroda, ordered customized trunks from the company.
Then came freedom. For almost forty-four years after Independence, socialist India snapped all ties with luxury. It’s only in the last decade that the romance has rekindled. And it has to do with math. With a population surpassing 1.22 billion, and 81 million households falling into the upper middle class and high-income bracket, India is a serious market for luxury players. In fact, statistics show that India is one of the fastest-growing and largest luxury markets, with sales expected to touch $15 billion by 2015—nearly double what they are today. In November last year, Gucci opened its fifth and largest India store, spanning 4,220 square feet across two floors in Gurgaon, Delhi’s satellite city. Patrizio di Marco, president and CEO, noted, “The flagship store underscores Gucci’s commitment to India. This is our fifth store in this unique country, where we have been operating directly since the end of 2009, and it is a testament to the importance that we are placing on this fast-growing and competitive market.”
But Kalyani Chawla, vice president of marketing and communications at Christian Dior, insists India is taking baby steps. And she is right. The Western notion of luxury hit Indian shores only ten years ago. It’s still a country of salwar kameezes and saris. But the Indian buyer has grown interested in fashion, investing small but precious sums in brands. “Dior has seen a steady and encouraging growth. As is the case globally with most brands, accessories are doing very well [and] clothing is picking up,” she says, noting that this is partly due to the fact that Western wear has finally slipped into a bride’s wedding trousseau. And for Indians, marriage is the occasion for which discerning buyers splurge. Dior launched in 2006, and has three stores across the country. Continue Reading “Is India The Next Big Player in Luxury Retail?” »
These days, leopard print is practically a neutral. But Technicolor zebra stripes? Not so much. This spring, designers are offering a chance to stand out with zebra-patterned wares in shocking hues. Separate yourself from the fashion tribe and shop our looks from By Malene Birger, Current/Elliott, Kenzo, and more, below.
1. By Malene Birger sweater, $445, available at www.net-a-porter.com
2. Current/Elliott jeans, $235, available at www.stylebop.com
3. Pierre Hardy backpack, $2,070, available at www.colette.fr
4. Christian Louboutin shoes, $1,995, available at www.net-a-porter.com
5. Kenzo shoes, $295, available at www.net-a-porter.com.
To view more looks, click here
What is it about women and shoes? According to Dr. Valerie Steele, the director and chief curator of The Museum at FIT and the author of Shoes: A Lexicon of Style (among many other fashion books), the fixation dates back to Cinderella and her glass slippers. But that doesn’t necessarily explain women’s willingness to defy death, gravity, and blisters with the super-stacked platforms and needle-thin spikes of modern day. Shoe Obsession, The Museum at FIT’s upcoming exhibition (which, running from February 8 through April 13, was curated by Dr. Steele, Colleen Hill, and Fred Dennis), explores the female shoe fetish via some of the most iconic, outrageous, and exceptional styles that have come out this century.
Including shoes from established houses (Christian Louboutin’s Pigalle stilettos, Roger Vivier’s feather Eyelash pumps, Prada’s flame shoes, and Chanel’s gun heels), up-and-coming talents (Nicholas Kirkwood’s graffitied Keith Haring platforms, Charlotte Olympia’s Kiss Me Dolores pumps), and experimental designers (Masaya Kushino’s sculptural human hair, Cyprus wood, and lace platforms; Noritaka Tatehana’s eighteen-inch ballerina shoes), Shoe Obsession presents every type of high heel you can imagine—and several that you can’t. Here, Dr. Steele talks to Style.com about the fascination with extravagant shoes, the evolution of contemporary footwear, and the upcoming exhibition.
Let’s cut to the chase. Why are so many women obsessed with shoes?
Well, I think there are a couple of layers. First off, shoes are an intimate extension of the physical body. And they seem to say a lot about our personality, our sexual attitudes, and our social status. And high heels in particular seem to be the focus of a lot of our thoughts about gender, sexuality, eroticism, and femininity. I think there’s definitely an element of sexual fetishism involved in men’s fascination with women’s high-heel shoes. But for women, I think it’s not fetishism so much as it is an obsession with fashion and with shoes as the ultimate sartorial symbol of erotic femininity.
Have women always been obsessed with shoes, or was there a point in fashion history when the infatuation really took off?
It goes way back to Cinderella. Shoes have played an important role in cultural thought for a long time. In Qui êtes-vous, Polly Maggoo?, a film from the sixties about French fashion, there’s a wonderful scene when a TV reporter is interviewing some pompous French sociology professor who says that the Cinderella story is all about the importance of tiny feet and beautiful shoes. Then he says, “So there you are: fetishism, mutilation, pain. Fashion in a nutshell.” [Laughs] But I do think that our show is unique, because we’re not just looking at the social and psychosexual reasons why we all love shoes. We’re focusing on the twenty-first century and calling attention to the fact that in the last twelve years or so, after the end of Sex and the City, the obsession with high-end designer shoes has spread from something that only a few people were really obsessed with to being something that everybody’s obsessed with.
Why have heels risen to such hilariously high heights in the past few decades? And what dictates heel height?
I think the key element there is the acceptance of hypersexual shoe design as part of fashion, as opposed to just a corner of the pornographic industry. Before he died, Helmut Newton said in an interview that in the seventies, you had to go to fetish and porn stores to get the kind of shoes he wanted for his fashion photographs. But by the early nineties, he could go to any high fashion designer—Chanel, Dior, they were all doing fetish-y shoes. So that’s one thing, which I think is crucial to the recent growth of heels. Another is the popularity of platforms on shoes. If you’ve got a two-inch platform, automatically your heel can go from three to five inches, or from four to six, or whatever you want.
What makes women willing to shell out so much money for a pair of shoes that they may or may not be able to walk in?
Part of it is that shoe shopping is probably the highest form of fashion shopping. It’s the most pleasurable. I mean, who doesn’t look good in a pair of beautiful shoes? And compare it with something like bathing-suit shopping, which is the nadir of horror. Also, you can get a lot more fashion bang for your buck with a pair of shoes. You know, it might be a thousand dollars, but if you’re going to buy a jacket or a dress by that same or a comparable designer, you’d be talking three, four thousand dollars or up. And right now, people are, in a way, dressing in more of a uniform. For instance, many people just wear a well-cut pair of jeans and a great black jacket. But with shoes, they can play and transform themselves—they can change the style image that they’re creating. Continue Reading “FIT’s Foot Fetish” »