12 posts tagged "Christy Turlington"
After twenty years in the jewelry biz, TenThousandThings’ David Rees and Ron Anderson have a lot to be thankful for. The pair got their big break in 1993, when Kate Moss donned their signature cross pearl earrings in her now-iconic Calvin Klein ads. (Not a bad start, eh?) Since, the designers have racked up a seriously star-studded clientele that includes Julianne Moore, Cyndi Lauper, Christy Turlington, and Susan Sarandon. And they’re using their twentieth anniversary to show their patrons some gratitude.
Over the past two years, Rees and Anderson have worked on a multifaceted project they call Love & Adorn, for which they crafted a collection of one-of-a-kind precious and semiprecious wares inspired by their favorite customers. Inez & Vinoodh photographed sixteen of TTT’s clients, such as Freja Beha Erichsen, Kristen Stewart, Olivier Theyskens, and ballerina Heather Watts, wearing the anniversary range, which is up for auction on CharityBuzz.com through February 27. One hundred percent of the proceeds from each piece will be donated to the wearer’s charity of choice (the True Colors Fund, Doctors Without Borders, and Every Mother Counts among them). “The people who have supported us throughout the years are very important to us. Our way of celebrating our twentieth was to honor their patronage by supporting something they really care about,” said Rees. As for how Inez & Vinoodh got on board, Rees admits it was all Ms. Moore’s idea. “Julianne was the first person I spoke to who absolutely wanted to be involved, and when I asked her who she wanted to be photographed by, she said, ‘Inez & Vinoodh!’ I just thought, Oh God, how am I going to get them?” Lo and behold, Rees’ friend Lisa Immordino Vreeland introduced them at a dinner party. “They said yes in a second, because they’re cool and incredibly generous.” Continue Reading “TenThousandThings Pays It Forward” »
The Spring 2013 issue of Du Jour, the online and print magazine that caters to Gilt Groupe‘s top spenders, has an unlikely cover girl. Out today online and the first week of March in print, the new issue features Kim Kardashian, who, shot by Bruce Weber, appears in her first pregnancy photo shoot. Weber lensed two covers: The first, which debuts above, shows Kardashian dressed up like a Tahitian princess (although, with a floral Du Jour crown hovering about her head, she looks uncannily like a Madonna), while the second depicts her, sans makeup, emerging from a pool. The pared-down photographs were taken at Weber’s Miami home. “We had come off this moment where we launched with Christy Turlington and were lucky enough to have Nicole Kidman on the second cover, with Patrick Demarchelier shooting, and we wanted to try something a little bit different,” says Nicole Vecchiarelli, who serves as the magazine’s co-editor in chief, along with Keith Pollock.
Now one might not think a reality-TV star would appeal to the magazine’s high-net-worth readers, but Vecchiarelli believes Kardashian will capture their interest. “We realized that everyone has an opinion about her. Our idea was that any audience would be able to appreciate seeing someone who they may view in a certain way reshape her image. It was an artistic endeavor, and I think there’s a lot for our audience to really delve in to, whether they’re personally into her or not.” Vecchiarelli adds that the interview with Kardashian, written by Du Jour‘s editor at large Alyssa Giacobbe, reveals that as she approaches motherhood, the reality queen is rethinking her approach to privacy and how she connects with her fans. What’s more is that Weber chose do draw visual comparisons to Kardashian and Elizabeth Taylor (there are even a few images of Kardashian leafing through books about the actress). “Could she ever be an Elizabeth Taylor or Marilyn Monroe personality of her generation? If she [were to become that] it would be because she’s continued down the road that she did with Bruce—opening herself up to different ideas and pairing herself with different kinds of people.”
Two of fashion’s favorite image makers, Inez van Lamsweerde and Vinoodh Matadin, have always been different from most photographers in their approach to models: “They’re people!” van Lamsweerde told Style.com in an interview about their recent tome, Pretty Much Everything. “It’s an exchange of inspiration, of trust. You spend a day together and definitely anyone that poses for anyone is in a very vulnerable position. It’s not nothing to let yourself be photographed,” she explained. Some of their most trusting subjects are fashion’s biggest names: Kate Moss, Christy Turlington, Raquel Zimmermann, and Shalom Harlow. And though the duo generally keeps its lens focused on famous faces of that caliber these days, they have recently found inspiration in a new, unknown face—meet 19-year-old French model LouLou (no last name).
“We saw LouLou on the cover of Treats! magazine and flew her over from Paris (where she studies) to New York to meet us,” the duo, who photographed her for the upcoming Sports Issue of V Magazine, tells Style.com. “Her face resembles a young Penélope Cruz and her body is like that of Kate Moss. Our work is so much about the girl in the clothes and she provides us with so many new inspirations.”
For the editorial, they shot their latest muse (styled by Carlyne Cerf de Dudzeele) in a studio and then had their technician drop the images into some of their most iconic images. Before V76 hits newsstands next month, Style.com has the exclusive first look at some of the photos, here. As for LouLou, look out for her in more I&V work soon: “We are shooting her for Bulgari at the moment, and next week we will post a new series with her on our site, InezandVinoodh.com.”
Karlie Kloss, Jourdan Dunn, Hilary Rhoda, Coco Rocha, Ataui Deng—with all of these top catwalkers in the same room just hours before the shows at Lincoln Center begin, you wouldn’t be off the mark if you thought they were at a last-minute casting call or fitting. But these girls, along with supes Christy Turlington and Doutzen Kroes, were at the Dream Downtown this morning for a reason more altruistic than peddling designer duds. They came out to support Iman, who is raising awareness for the ongoing famine in East Africa.
Iman (originally from Somalia), who was wearing her new Thakoon Masai plaid scarf, told Style.com: “It’s heartbreaking to hear about mothers who have to choose which of their children to save and which to leave behind in their search for food.” The legendary model decided to take action and created a bracelet, benefiting Save the Children, with the help of Modelinia and Noir jewelry.
“The easiest way to make an impact is to use your voice,” explained Turlington (who also supports Africa with her maternal health organization Every Mother Counts). “Making yourself heard is something we have the ability to do in the U.S. that many other women around the world don’t have.” Showing off her new bracelet, Kloss promised Iman (who is a “huge fan of Karlie”), “We’ll all be wearing these backstage this week.”
Modelinia Beautiful Friends Forever bracelets are available at www.noirjewelry.com, $35 each.
Arthur Elgort—who, tonight, will receive the CFDA Board of Directors’ Special Tribute award—is an industry legend. Over the course of a 40-year career, Elgort has shot for everyone from Vogue and Vanity Fair to Valentino and Karl Lagerfeld. After a stroke last year left him unable to move his limbs, Elgort’s career very nearly ended, but following frustrating months of recovery, the photographer beat the odds and regained movement in his hands and arms. He’s back at work in his large, sunny studio in Soho and recently shot a spread for Vogue‘s April issue with his close friend Grace Coddington, who will present him with his tribute at tonight’s CFDA Awards ceremony.
Here, Elgort speaks with Style.com about the changing style of fashion photography, models versus ballerinas, and the new Madonna—his fellow CFDA honoree.
How did you react when you found out about your CFDA award?
I was listening to a Tchaikovsky piece, I think it was Trio no. 7 or something, and they told me Diane von Furstenberg was on the phone. When they said that, I said, “What is she calling about? I don’t think she wants to give me a job, so maybe she’s got an award for me.”
Your recovery from your recent stroke is an incredible story of perseverance. What was it like to learn your craft all over again?
Terrible, obviously. You know, I couldn’t even hold a camera. I had to start all over again. I shoot differently now. I still take pictures all the time, but it’s not exactly the same. That’s the way it is—I could be dead, so this is a lot better than that.
What would you say makes a great fashion photo?
Well, it can last [a] long ]time] and it’s still good. Would I wear the clothes myself? No. But something about it is nice.
Your candid, “snapshot” style helped to transform the genre.
Well, so they say, yes. I think there were other people there too but they weren’t as lucky as me. I didn’t do it alone, really. I was at the right place at the right time. Continue Reading “Legendary Lensman Arthur Elgort
On His Life In Fashion Photography” »