20 posts tagged "Christy Turlington"
Stylist Carlyne Cerf de Dudzeele knows a thing or two about fashion imagery. You know all those photographs from the late eighties and nineties of supermodels like Linda Evangelista, Christy Turlington, Naomi Campbell, and Claudia Schiffer decked out in Versace, Chanel, and piles upon piles of gilded baubles? Well, we have her to thank for those.
De Dudzeele’s reputation for creating vivacious, lasting images is undoubtedly one of the reasons Bottega Veneta tapped her to sit on the judging panel of its 2013 New Exposure Photography Competition (she’s joined by heavy hitters such as Craig McDean, Guido Palau, Andrew Bolton, and Bottega’s own Tomas Maier). Launched last year in an effort to discover and support emerging talents, the competition features five standout finalists this year. And tonight, at New York’s Openhouse Gallery, Collin Kelly, Emma Powell, Masha Sardari, Matin Zad, or Shae DeTar will be announced as the 2013 victor. The finalists’ photographs debut here. And below, in between shoots and shows, de Dudzeele weighs in on photography in the digital age, discusses the overuse of Photoshop, and offers aspiring image-makers some invaluable advice.
How has the process of image-making changed throughout the course of your career? And what’s remained the same?
Good ones are good ones! The talented people will still stay the same—they have it in their [guts]. What’s changed is that the focus on set has gone from looking at the subject…to looking at a monitor. Nowadays, people sometimes forget to have fun and to have their own point of view. Fashion photography still has, and needs a lot of, original ideas. The digital is just a tool.
What qualities do you feel make a successful image in this digital age?
Energy, capturing a moment, composition, authenticity, creativity!
What traits did you look for while judging the Bottega competition?
I was looking for a personal eye, a unique image, a sensitivity, and honesty… not a reproduction of something done before.
Is there anything you miss about a more classic approach to photography? And, conversely, is there anything you really love about images?
I miss the happy surprise! I miss the focus on the subject and the attention to details. It used to be that nothing could get “removed” or fixed afterwards. When you had it, you knew it. Digital is good to build a story, as you can work on layout and cropping, then. Technology can help a bad photographer get better, but ultimately, good photography does not need to be reworked.
Is Photoshop used too much today? When do you feel it’s appropriate?
Yes! Moving around the filter and switching heads, hands, arms, everything, this is not the essence of a unique photograph. This is not real talent. Photoshopping is appropriate to enhance a beauty that’s already there—to help the dream come true.
Have your aesthetic values changed since the digital embrace?
My aesthetic has not changed. I love the girls, the fashion, the joy, the energy, and the ideas. Creating fun, iconic images still is the goal.
What advice would you give to emerging image-makers, whether they’re stylists or photographers, today?
Be you! Don’t over-reference. And love it! Sometimes, what people think is bad…is good.
Is there anything you’d like to add?
It’s only fashion!
In recent years, fashion designers, casting directors, and model agencies alike have been scrutinized for using underage models. But while the phenomenon is still troublingly widespread, so is a happier trend from the opposite end of the spectrum: the ongoing prominence of the comparatively mature model—which, in the fishbowl of fashion, means north of (gasp!) 29. But beauty, of course, doesn’t end with your twenties. Who can forget the buzz that Naomi Campbell—looking as good as ever at 43—stirred up when she opened and closed Atelier Versace back in July? Throughout the Couture shows were appearances by Yasmin Warsame and Alek Wek at Christian Dior, as well as 30-year-old Chinese super Du Juan closing at Giambattista Valli.
Veteran models fared well at the Fall ’13 shows, too. Carolyn Murphy turned up at Calvin Klein Collection, and Alexander Wang put Malgosia Béla in the lineups for both his namesake collection and his Balenciaga debut. Meanwhile, Tom Ford brought back Liya Kebede and Julia Stegner for his first major runway spectacle, and Miuccia Prada mixed cult favorites—including Kirsten Owen, Liisa Winkler, and Esther de Jong—in with the newcomers at her Fall show. Going into the Spring ’14 season, here’s hoping we’ll see more of these familiar faces return to the runways. At the top of our list is Christy Turlington, who currently stars in Fall ad campaigns for Prada, Calvin Klein, and Jason Wu. Christy, the catwalk is calling you back.
Fashion’s love affair with nineties supermodel Christy Turlington never really ended, but in recent months, the 44-year-old has resurfaced in all her leggy, glossy glory. Calvin Klein, a label Turlington began working with in the eighties, tapped her to be the face of its Fall ’13 underwear campaign in May. That was followed by a megawatt June/July Harper’s Bazaar cover, and today we can report that Jason Wu has made her the star of his Inez & Vinoodh–lensed Fall ’13 ads, one of which debuts exclusively above. “Inez, Vinoodh, and I loved the concept of capturing a moment in what we imagine to be a glimpse into a supermodel’s life,” said Wu, who notably featured another nineties bombshell—Stephanie Seymour—in his Spring ’13 campaign. The Fall ads, Wu explained, are a continuation of the story he began to tell with his Spring snaps: “The idea is to create the next chapter through a set of instantly iconic images that depict a larger-than-life personality in a New York institution.”
While Seymour’s campaign was shot at uptown (in every sense of the word) French eatery La Grenouille, Turlington posed at Mr. Chow on East 57th Street. Perched atop a black booth, she dons a saucy scarlet Fall frock, which, we should add, is complemented by an untouched order of lobster on the table. When asked about his affinity for famous nineties faces, Wu said, “I gravitate toward personalities and will continue to work with women who bring their own sense of style to my designs.” After seeing Turlington’s shots, we’re hoping he stays the course and turns out chapter three for Spring ’14.
After twenty years in the jewelry biz, TenThousandThings’ David Rees and Ron Anderson have a lot to be thankful for. The pair got their big break in 1993, when Kate Moss donned their signature cross pearl earrings in her now-iconic Calvin Klein ads. (Not a bad start, eh?) Since, the designers have racked up a seriously star-studded clientele that includes Julianne Moore, Cyndi Lauper, Christy Turlington, and Susan Sarandon. And they’re using their twentieth anniversary to show their patrons some gratitude.
Over the past two years, Rees and Anderson have worked on a multifaceted project they call Love & Adorn, for which they crafted a collection of one-of-a-kind precious and semiprecious wares inspired by their favorite customers. Inez & Vinoodh photographed sixteen of TTT’s clients, such as Freja Beha Erichsen, Kristen Stewart, Olivier Theyskens, and ballerina Heather Watts, wearing the anniversary range, which is up for auction on CharityBuzz.com through February 27. One hundred percent of the proceeds from each piece will be donated to the wearer’s charity of choice (the True Colors Fund, Doctors Without Borders, and Every Mother Counts among them). “The people who have supported us throughout the years are very important to us. Our way of celebrating our twentieth was to honor their patronage by supporting something they really care about,” said Rees. As for how Inez & Vinoodh got on board, Rees admits it was all Ms. Moore’s idea. “Julianne was the first person I spoke to who absolutely wanted to be involved, and when I asked her who she wanted to be photographed by, she said, ‘Inez & Vinoodh!’ I just thought, Oh God, how am I going to get them?” Lo and behold, Rees’ friend Lisa Immordino Vreeland introduced them at a dinner party. “They said yes in a second, because they’re cool and incredibly generous.” Continue Reading “TenThousandThings Pays It Forward” »
The Spring 2013 issue of Du Jour, the online and print magazine that caters to Gilt Groupe‘s top spenders, has an unlikely cover girl. Out today online and the first week of March in print, the new issue features Kim Kardashian, who, shot by Bruce Weber, appears in her first pregnancy photo shoot. Weber lensed two covers: The first, which debuts above, shows Kardashian dressed up like a Tahitian princess (although, with a floral Du Jour crown hovering about her head, she looks uncannily like a Madonna), while the second depicts her, sans makeup, emerging from a pool. The pared-down photographs were taken at Weber’s Miami home. “We had come off this moment where we launched with Christy Turlington and were lucky enough to have Nicole Kidman on the second cover, with Patrick Demarchelier shooting, and we wanted to try something a little bit different,” says Nicole Vecchiarelli, who serves as the magazine’s co-editor in chief, along with Keith Pollock.
Now one might not think a reality-TV star would appeal to the magazine’s high-net-worth readers, but Vecchiarelli believes Kardashian will capture their interest. “We realized that everyone has an opinion about her. Our idea was that any audience would be able to appreciate seeing someone who they may view in a certain way reshape her image. It was an artistic endeavor, and I think there’s a lot for our audience to really delve in to, whether they’re personally into her or not.” Vecchiarelli adds that the interview with Kardashian, written by Du Jour‘s editor at large Alyssa Giacobbe, reveals that as she approaches motherhood, the reality queen is rethinking her approach to privacy and how she connects with her fans. What’s more is that Weber chose do draw visual comparisons to Kardashian and Elizabeth Taylor (there are even a few images of Kardashian leafing through books about the actress). “Could she ever be an Elizabeth Taylor or Marilyn Monroe personality of her generation? If she [were to become that] it would be because she’s continued down the road that she did with Bruce—opening herself up to different ideas and pairing herself with different kinds of people.”