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August 30 2014

styledotcom Four street style photographers on what they hope to see this #NYFW: stylem.ag/1tSZ66G @Le21eme pic.twitter.com/QNsiKlaoQ4

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24 posts tagged "Christy Turlington"

A Dinner Date With Jason Wu

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Jason Wu Spring '14

For the past two seasons, Jason Wu’s ads have explored New York’s most iconic eateries. With Inez & Vinoodh behind the lens, he took Stephanie Seymour to La Grenouille for Spring ’13 and dined with Christy Turlington at Mr. Chow last Fall. The restaurant tour continues for Spring ’14, as Wu’s latest campaign depicts show opener Karen Elson posing against the famed leafy wallpaper at Indochine. “There is something so unapologetically glamorous about these images that seem to embody everything that I adore and want to express through my clothes,” said Wu of the ongoing narrative.

Jason Wu Spring '14The restaurant, which has hosted more art and fashion fetes than we have room to list since opening in 1984, is a fitting backdrop for Wu’s moody Spring snaps. And the designer has some particularly fond memories of the enduring hot spot. “I first went to Indochine when I was a student at Parsons. I snuck into a party there during fashion week and met Cindy Crawford. I was so starstruck!” Wu recalled. “As a child of the 90s, I’ve always idolized supermodels, and that was the first time I had ever met one. It was a religious experience.” The insider mainstay has since become one of Wu’s favorite places to grab a bite. “There’s never a dull night there! I always meet the most interesting people,” he said. These days, it’s safe to bet that Wu is always on the list.

Take a first look at Jason Wu’s Inez & Vinoodh-lensed Spring ’14 campaign here, exclusively on Style.com.

Photo: Inez & Vinoodh

Bono, Ive, and Newson Paint the Town (Red)

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Bono“Welcome to the fine art of separating people from their money,” joked Bono at the Saturday-night opening of Jony Ive and Marc Newson’s auction for Project (RED)—the seven-year-old charity dedicated to fighting HIV and AIDS in Africa. “The amount of money we raise tonight is important—it pays for lifesaving pills—but tonight is also about [generating] heat and excitement,” the rock-star-cum-philanthropist told Style.com. “We really could see the beginning of the end of AIDS in the next couple years, but only if we keep concentration.”

Held at Sotheby’s, the [Project] (RED) auction drew the likes of Harrison Ford, Helena Christensen, Jenna and Barbara Bush, Misha Nonoo, and a few regulars such as Larry Gagosian and Peter Brant. Indeed, the bidders brought the heat, raising over $26 million—in a matter of hours—for the fund. Predictions had forecast closer to $2 million.

“People don’t know who they are!” exclaimed Bono of Ive—the man behind the iPod, iPhone and Mac Pro Air—and famed industrial designer Newson. “These are people who changed the world, and these are two of the most important artists and designers in the world—they really like to do difficult things. This is their drug of choice.”

An Ive-and-Newson-customized Steinway went for $1.92 million—but not before Chris Martin took the stage to pound out “Beautiful Day,” with Bono on vocals (“Just to see if it works,” quipped Martin). Christy Turlington modeled a pink ruffled Azzedine Alaïa—”Just so we’re clear, we’re bidding on the dress,” joked the auctioneer. And a few items—a razor-thin, polished-steel desk ($1.7 million), a pair of solid rose-gold Apple EarPods ($380,000)—were designed specifically by Ive and Newson for the event.

A raucous party, with performances by Nile Rodgers (“Le Freak,” anyone?), Angélique Kidjo, and Bono and the Edge followed the auction. “By the time I wanted to bid, the prices were already too high!” shared André Saraiva from his post near the very well-stocked bar. Tough luck for Mr. André, but at least he was priced out for a very good cause.

Photo: Getty Images

Christy Turlington Is Still Super

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Christy Turlington in H&M

Christy Turlington is having quite a year. After nabbing a Harper’s Bazaar cover and starring in campaigns for Prada, Jason Wu, and Calvin Klein Underwear, the 44-year-old super is now featured in H&M’s holiday ads. Turlington (who, in all her spare time, ran the New York Marathon yesterday), poses alongside Doutzen Kroes, Liu Wen, and Cora Emmanuel in the snaps. Needless to say, trimming the tree has never looked so good.

Photos: Alexi Lubomirski

Katie Grand Still Loves Hogan

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If the Fall ’13 campaigns and Spring ’14 runways have left you craving more surprise appearances from nineties supers (Christy Turlington starred in Fall ads for Calvin Klein Underwear, Jason Wu, and Prada; Naomi Campbell strutted her stuff down DVF’s Spring runway; Kate Moss was printed across Giles Deacon’s Spring dresses, etc.), look no further than Katie Grand’s latest Hogan short for your next fix. To showcase her Spring ’14 collaboration with the label (the third installment of the ongoing series), Grand asked Dan Jackson to direct a film featuring Linda Evangelista and Stephanie Seymour, as well as Joan Smalls, Sam Rollinson, Edie Campbell, Georgia May Jagger, Liu Wen, and more, dancing about in the new collection. As for the Spring range, it boasts soft leather jackets and accessories kissed with Grand’s signature Pop aesthetic. The lineup, which Grand describes as “slick, sexy, straight-to-the-point practicality,” includes stark white creepers, polka-dot pouches, slim stilettos, and duffel bags and iPhone cases embellished with the collaboration’s heart motif—a nod to Grand’s Love magazine. See it all in the flick’s exclusive debut, above.

Carlyne Cerf de Dudzeele Talks Image-Making in the Digital Age

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Matin Zad

Stylist Carlyne Cerf de Dudzeele knows a thing or two about fashion imagery. You know all those photographs from the late eighties and nineties of supermodels like Linda Evangelista, Christy Turlington, Naomi Campbell, and Claudia Schiffer decked out in Versace, Chanel, and piles upon piles of gilded baubles? Well, we have her to thank for those.

De Dudzeele’s reputation for creating vivacious, lasting images is undoubtedly one of the reasons Bottega Veneta tapped her to sit on the judging panel of its 2013 New Exposure Photography Competition (she’s joined by heavy hitters such as Craig McDean, Guido Palau, Andrew Bolton, and Bottega’s own Tomas Maier). Launched last year in an effort to discover and support emerging talents, the competition features five standout finalists this year. And tonight, at New York’s Openhouse Gallery, Collin Kelly, Emma Powell, Masha Sardari, Matin Zad, or Shae DeTar will be announced as the 2013 victor. The finalists’ photographs debut here. And below, in between shoots and shows, de Dudzeele weighs in on photography in the digital age, discusses the overuse of Photoshop, and offers aspiring image-makers some invaluable advice.

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How has the process of image-making changed throughout the course of your career? And what’s remained the same?

Good ones are good ones! The talented people will still stay the same—they have it in their [guts]. What’s changed is that the focus on set has gone from looking at the subject…to looking at a monitor. Nowadays, people sometimes forget to have fun and to have their own point of view. Fashion photography still has, and needs a lot of, original ideas. The digital is just a tool.

What qualities do you feel make a successful image in this digital age?

Energy, capturing a moment, composition, authenticity, creativity!

What traits did you look for while judging the Bottega competition?

I was looking for a personal eye, a unique image, a sensitivity, and honesty… not a reproduction of something done before.

Is there anything you miss about a more classic approach to photography? And, conversely, is there anything you really love about images?

I miss the happy surprise! I miss the focus on the subject and the attention to details. It used to be that nothing could get “removed” or fixed afterwards. When you had it, you knew it. Digital is good to build a story, as you can work on layout and cropping, then. Technology can help a bad photographer get better, but ultimately, good photography does not need to be reworked.

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Is Photoshop used too much today? When do you feel it’s appropriate?

Yes! Moving around the filter and switching heads, hands, arms, everything, this is not the essence of a unique photograph. This is not real talent. Photoshopping is appropriate to enhance a beauty that’s already there—to help the dream come true.

Have your aesthetic values changed since the digital embrace?
My aesthetic has not changed. I love the girls, the fashion, the joy, the energy, and the ideas. Creating fun, iconic images still is the goal.

What advice would you give to emerging image-makers, whether they’re stylists or photographers, today?
Be you! Don’t over-reference. And love it! Sometimes, what people think is bad…is good.

Is there anything you’d like to add?
It’s only fashion!

Photos: Matin Zad, Emma Powell, Collin Kelly, Shat DeTar, Masha Sardari