39 posts tagged "Courtney Love"
Even those lucky ladies leading the most charmed of lives—filled with cocktail parties and red-carpet events every night of the week—have their dressed-down moments. And now, designers Georgina Chapman and Keren Craig are addressing their glamorous customers’ day-to-day needs with a new contemporary collection, Marchesa Voyage, which they officially launched last night with a celebration on the Gramercy Park Hotel rooftop. “We always wanted Marchesa to be a lifestyle brand,” Chapman told Style.com. Craig added, “For us, Voyage is all about creating clothes for the global-minded woman and the global-minded traveler, whether she’s going somewhere exotic or just venturing to the office.” The designers mingled with a posh crowd, including Courtney Love, Sami Gayle, Michele Hicks, Rachel Roy, and Lorraine Schwartz, all of whom sipped cocktails and checked out select looks from the premiere Fall and Resort ’14 collections. Many of the wares, like the sequined shift Chapman herself was wearing, are arriving in stores such as Saks, Bloomingdale’s, and Neiman Marcus this week (prices will range from $260 to $1,000). Other highlights displayed on mannequins included a cool biker jacket and matching kilt skirt with allover artisanal embroidery, as well as a bohemian pleated silk maxi dress, printed with celestial moons and stars, paired with a tailored tuxedo jacket. Chapman’s jovial studio-exec hubby Harvey Weinstein also made the rounds. “I actually inspired the entire collection,” he joked, adding, “I love seeing Georgina being able to finally do the kinds of clothes she really wears most of the time.”
Today we launched Style Map, a new guide to the global scene, with over sixty contributors, including Courtney Love, Zachary Quinto, Kimberly and Tyson Chandler, Rose Byrne, Rinko Kikuchi, Brady Cunningham and Jason Schwartzman, and many more. Meet all the contributors, above, and read our editor’s introduction to Style Map here.
Hedi Slimane sent out dresses that called to mind the “kinderwhore” fashion pioneered by Courtney Love and company during grunge’s nascent years. But the Saint Laurent designer wasn’t the only one who embraced baby dolls for Fall. At Valentino, Maria Grazia Chiuri and Pierpaolo Piccioli updated the youthful silhouette with couture-level craftsmanship, while Emilio Pucci’s Peter Dundas and Undercover’s Jun Takahashi showed wispy lingerie-inspired takes on the trend. For proof that the abbreviated shape has legs off the catwalk, look no further than Alexa Chung, who can rock a mini like no other—those pins! Sky Ferreira, meanwhile, could’ve passed for Love’s sophisticated little sis in the sparkly Saint Laurent number she wore to the Met Gala.
Only for Hedi Slimane is it par for the course to dress a Rolling Stone. The designer—who opened the doors to Saint Laurent’s swanky new Avenue Montaigne flagship today—has created Keith Richards’ onstage duds for the Stones’ 50 Years and Counting tour. Considering the designer’s musical ties (most recently, he created Daft Punk’s helmeted Coachella costumes, his pals include Sky Ferreira and Alison Mosshart, and, of course, his latest ad campaigns feature the likes of Beck, Courtney Love, and Marilyn Manson), and the fact that he dressed the Stones while at Dior Homme, Slimane was, perhaps, the obvious choice for Richards (front man Mick Jagger, however, turned to girlfriend L’Wren Scott for his looks). The rocker’s ensemble will consist of silk scarves, T-shirts, a vest, and a café racer jacket. The latter—aptly named the Keith jacket—will be available for a mere $4,850 as part of the forthcoming Saint Laurent Stage Wear by Hedi Slimane collection, which will hit stores in June. Not surprisingly, Saint Laurent reports that Slimane has more sartorial stage projects in the pipeline.
You can’t miss a Panos Yiapanis photograph. Since beginning his career in the late nineties—working alongside photographer Corinne Day—the 38-year-old stylist has honed a dark, gritty, raw-to-the-bone aesthetic that is distinctly his own. His particular vision has led to a longstanding creative relationship with Rick Owens, as well as countless spreads in such magazines as i-D, W, and Vogue Italia shot by the likes of Steven Meisel, Inez & Vinoodh, and Mert & Marcus. To add to his accomplishments, last week, Katie Grand tapped him to become Love‘s fashion director-at-large. Here, Yiapanis talks to Style.com about the new gig, the state of fashion, and staying true to his look.
Why did now feel like the right time to join a magazine?
I feel like I’ve come full circle in terms of what I do. I’ve kind of been nomadic, which is putting it nicely. I’ve been a gypsy, going from one magazine to another. I feel like I’m back to where I was aesthetically when I first started out in terms of what I want to say, so having this position now gives me a new way of conveying that message. When I first started out, a lot of what I did was very personal and I had evolved away from doing that. People would say, “Well, maybe that’s a little too creative for us,” so I started to clean up what I did, which didn ‘t work for me. I’m happier doing what I enjoy, so it felt right to go back to my messier aesthetic.
How do you balance art and commerciality?
I don’t think you have to. I always argue that the best results are when both of them are at their height. I always yap about the nineties, when brands were willing to put out campaigns that captured the spirit of the brand as opposed to the product. That seems to have gotten lost somewhere along the way. So I don’t think creativity and commercialism are mutually exclusive. I honestly think they’re best when they both collide. But that doesn’t seem to be a thought that’s shared widely right now.
Your aesthetic is usually described as dark and moody. Do you feel that’s accurate?
It’s funny because when the Love announcement was made, I saw this tweet that said, “Love just got darker.” And I don’t know if that’s necessarily true; maybe I just got a bit brighter. There is a darkness to what I do, but it’s never macabre or unpleasant and I always try to adapt to the situation. The clients I’ve worked with vary from pure brands like Calvin to flashy brands like Cavalli. And I enjoy that diversity. I enjoy sitting in a room full of embroidery and fur and gold trimmings one day, and then going into a different setting the following day where it’s all about stripping things away. Love is a very positive publication. So on the one hand, it kind of works to go against that and give it another voice, but at the same time, I’m not going in there to paint the walls black. Continue Reading “Back to the Dark Side: Panos Yiapanis on Love and His Creative Evolution” »