25 posts tagged "Cynthia Rowley"
Baby Beyoncé Was Born, Cynthia Rowley And Olaf Breuning Collaborate On A Damien Hirst Dress, Tom Ford’s Spring ’12 Campaign, And More…
Beyoncé finally gave birth to a baby girl over the weekend at New York’s Lenox Hill Hospital. There have been numerous names floating around, but Gwyneth Paltrow confirmed the name is Blue Ivy Carter. [Styelite]
In her new book, Elizabeth the Queen: The Life of a Modern Monarch, Sally Bedell Smith reveals a completely different side to Her Royal Highness than most are familiar with. The book, in stores Tuesday, includes stories of the Queen blowing bubbles at a birthday party, using a toolkit to decorate diamond tiaras, and crawling on her stomach to stalk stags in the Scottish Highlands. [WWD]
In celebration of the Damien Hirst retrospective, The Complete Spot Paintings 1986-2011, which opens January 12 at all 11 Gagosian galleries, Cynthia Rowley and artist Olaf Breuning created a Damien Hirst-inspired dress. The silk jersey T-shirt dress, available exclusively at Colette, has a screen-printed image of a nude figure with Hirst’s signature colorful spots, which Breuning portrayed in his recent exhibition The Art Freaks. [@Cynthia_Rowley]
Tom Ford decided to get behind the camera again to shoot models Mirte Maas and Mathias Bergh in Palms Springs for his Spring 2012 ad campaign. The “playful, ubeat images” will be in magazines in March. [WWD]
Nobody forgets their first time. But not everybody feels compelled to recall it in print. Credit where credit’s due, then, to the contributors to the latest issue of Dossier, Skye Parrott and Katherine Krause’s glossy biannual, which rounded up a cast of characters—from Alexis Bittar and Cynthia Rowley to Miranda July and arty nouveau-pornographer Richard Kern—to muse, in pictures and text, on their first forays in the bedroom. (One brave soul even conducted a phone interview with his deflowerer, who estimated that they’d last spoken their junior year of college.) Was anything too raw to see the light of day? “We have a policy of printing everything we like,” Parrott said with a laugh at the packed launch party last night, which drew Rogan Gregory, Monique Péan, Timo Weiland, and Suno’s Max Osterweis to the New Museum.
Cobbled together in updated-zine style—with help from Buero’s Alex Wiederin, the magazine’s recently appointed creative consultant, who co-founded Another Magazine and revamped Ten and Vogue Hommes International—it’s a testament of sorts to letting it all hang out. And letting it all hang out is exactly what Andrej Pejic does in an editorial shot by Collier Schorr (who, Parrott says, is planning to use some of the images in an upcoming show). The androgynous beauty, shot in various states of undress, is in good company among the magazine’s cover girls. The previous issues have featured Freja Beha Erichsen and Daria Werbowy, and while the three aren’t the strangest of bedfellows, Pejic is definitely a departure of sorts. “We had Freja and Daria,” Parrott said of the decision. “As far as models go, how could you go bigger than that?” As any of the issue’s contributors could tell you, there’s a first time for everything.
Cynthia Rowley—whose brand extensions have run the gamut from Band-Aids to diapers—sits down to discuss her latest venture, Pretty Penny, which basically seeds funding to organizations she and her advisers think worthy. Their first beneficiary? Exhibition A, the online art-sale site created by her business manager, Laura Martin. [WWD]
The latest issue of Glamour names the mag’s 50 most glamorous celebrities of 2011, a list topped by Kate Winslet. Ms. W may be plenty glam, but she’s got no problem roughing it, either: “I love it when a character requires me to look less than my red-carpet best,” she said. “It’s more fun playing a character that requires you to look like dog shit.” [Glamour]
Stephen Colbert is Wagging His Finger™ at (his words) “the skinnification of the American jeanscape.” Catching his particular ire? Levi’s new “ex-girlfriend jean,” the male equivalent of the boyfriend jean, an ultra-skinny style that looks borrowed (or, as Colbert imagines, robbed) from his ex. [Racked]
Dutch beauty Saskia de Brauw (left) has been around the block once or twice, but she’s certainly having a moment now: The beauty landed not one but two international Vogue covers for March, Paris Vogue and Vogue Italia. [Fashionologie]
And famously reclusive Azzedine Alaïa emerges to interview famed stylist Carlyne Cerf de Dudzeele, a woman who helped mold the image of the nineties supermodel, in this month’s Interview. Don’t expect her to take too much credit. “Stylists should remain behind the scenes,” she says. “A great stylist, like a great designer, lets the work speak for itself.” [Interview]
Bold strokes of black acrylic paint and built-up fluorescent polymer gel isn’t what you would expect from a painter based in the French countryside, but Hermann Amann isn’t one for conventionality. “He’s such an interesting man; you can’t even have a conversation with him without him suddenly talking about colors or going over his work out loud,” curator Alexis Dahan said at last night’s opening for the 76-year-old artist. Up for the next three weeks at Half Gallery, Fluorescence is the first U.S. show for Amann, but Dahan, a photographer whose own work has been featured in Purple and W magazines, was attracted to Hermann’s oeuvre early on. “I was his secretary when I was 17,” Dahan explained. “I realized then that I couldn’t be a painter myself. I saw what it took; you can’t just make painting your hobby.”
With wintry conditions on both sides of the Atlantic, the German-born painter couldn’t make his own show, but had he made the hop, he would have been greeted by admirers such as Justin Giunta, Cynthia Rowley, and model Coco Young. “Those bold colors are what caught my eye first,” Half Gallery owner Bill Powers began. “I was walking past Alexis’ office and he had one of Hermann’s paintings up. That’s how the show idea came about.” Young, who’s served as painter John Currin’s muse, offered a like-minded observation: “It’s nice to see a bright pop of color in the middle of winter.”
Fluorescence runs until January 22 at Half Gallery, 208 Forsyth St., NYC, www.halfgallery.com.
Soon you, too, can own a Richard Phillips—even if you can’t afford his usual six-figure prices. The new Exhibition A (members’ only, technically, but with open registration) offers editions, printed on canvas, of works by artists like Phillips (whose Spectrum painting famously reached a new audience recently after appearing on Gossip Girl), Hanna Liden, and Terence Koh—for between $100 and $500. Gallerist Bill Powers (left, with wife Cynthia Rowley), who co-founded the site, explained that his goal was to help turn young art appreciators into bona fide collectors. “Really the idea sprung up because of my niece who goes to Cal Arts,” he explained. “It’s affordable enough that she can buy something. And it can be a point of entry for new collectors. Sometimes people don’t know how to get started.”
Powers, who currently runs Half Gallery in the city, teamed with Rowley, Laura Martin, and Gabby Munoz on the project. The key to the low prices isn’t the membership (signing up is gratis), but rather the unique open-edition format: Works are available for sale for a limited time rather than by numbered edition, which also keeps the artists’ galleries happy. For the opening, participants like Liden, Phillips, Rene Ricard, and photographer Mark Borthwick (designer Maria Cornejo’s other half) all made the rounds. “Bill chose the canvases, which worked out perfectly for me,” Borthwick said of his pieces, available now on the site. “I’m a typical Libra. I don’t ever wish to choose.” Those willing to wait it out until the new year will have even more options, including pieces by Jim Drain, Olivier Zahm, and Terence Koh. Koh, in typical enfant terrible form, riffed off his notorious Big White Cock (a white neon light in the shape of a rooster) by screening the outline onto black canvas.
If it wasn’t your usual fashion crowd, designer Cynthia Rowley felt right at home with the industry crossover. “Before I was ever in fashion, I was in art schoolᾹI was a painter,” she said. “Now I draw mostly. But doing things like this…it’s like getting to hang out with all my friends.”