40 posts tagged "Dasha Zhukova"
“It’s always fun to work with friends,” said Illesteva’s Daniel Silberman and Jus Ske. The CFDA-nominated designers’ affinity for creative camaraderie has led them to team up with magazine maven, purveyor of cool, and new mother Dasha Zhukova for a second round of collaborative, limited-edition sunglasses. “I’ve been a fan of what Jus Ske and Daniel are doing with Illesteva for a long time now,” said the Garage editor. “To be able to creatively collaborate with them on a project has been an amazing experience.” Priced at $300, the acetate shades—handcrafted en France—come in baby pink or sky blue and are available now at The Webster, Colette, and on Illesteva’s Web site.
Thanks to Suzy Menkes’ recent T magazine article “The Circus of Fashion,” and the mobs of shutterbugs outside the Fall ’13 runway shows, the hysteria that is street-style culture was a hot topic this fashion month. What’s the obsession? How did we get here? And how is it affecting, and indicative of, the state of the fashion industry? In a new film titled Take My Picture, Dasha Zhukova’s Garage magazine examines all this and more. Through footage of the ever-growing sea of bloggers at fashion week, and commentary from the likes of Proenza Schouler’s Jack McCollough and Lazaro Hernandez, Susie Bubble, Phil Oh (who describes street-style snapping as “trench warfare”), and Style.com’s own Tim Blanks, Garage dissects what makes bloggers, and their increasingly wildly dressed subjects, tick. The mini-doc debuts exclusively above, and will be up on GarageMag.com this weekend.
Vanity is the theme behind the fourth issue of Dasha Zhukova’s acclaimed Garage magazine. Perhaps not the most surprising subject for a fashion glossy, but the editor’s approach to the concept is definitely original. Garage‘s cover and corresponding spread were shot by Patrick Demarchelier and feature a gaggle of models provocatively posed in looks by Balenciaga, Saint Laurent, McQueen, and Dolce & Gabbana. What’s the twist? Each girl is accessorized with a Cindy Sherman mask created via ThatsMyFace.com. “Cindy Sherman’s work raises such important and challenging questions about the representation of women, both in media and society. There was no better likeness to illustrate issues of identity and facelessness in the fashion industry,” says Zhukova. The artist gave Garage her blessing to create the masks, all of which are based on Untitled #461 (the work was shown in Sherman’s recent MoMA exhibition). However, it would seem Sherman hasn’t yet seen the new issue, which, in addition to the fantastically creepy editorial, includes conversations between Urs Fischer and Neville Wakefield and Boris Mikhailov and Juergen Teller, as well as Aimee Mullins paper dolls and contributions from Theaster Gates, Michael Craig-Martin, and more. “I hope she likes it!” says Zhukova. We suppose we’ll have to wait until the magazine hits newsstands, on February 9, to find out. Unless, of course, she sees the spread’s exclusive debut here, on Style.com.
Don’t wear pink. It’s one of fashion’s golden rules. Even those of us who grew up with a Barbie doll in each hand have written off the color as too froufrou or girly. We’ve always been anti-, until a recent spate of rosy dresses made us reconsider the hue. Pink became the unofficial shade of Miami Art Basel; Anouck Lepère and Dasha Zhukova were just two of the partygoers photographed in bubblegum-colored frocks last week. Softer blush tones have been turning up on red carpets, too. Elle Fanning looked like a princess at the British Independent Film Awards in an Oscar de la Renta confection, while Kristen McMenamy, who generally favors a more gothic (read: all black) look, made an argument for pink at a dinner for the new Valentino: Master of Couture exhibit.
CLICK FOR A SLIDESHOW of Spring’s rosy wares.
When Dasha Zhukova released her debut issue of Garage magazine during fashion week last September, The New York Times called it “one of the most intriguing magazines to come along in years.” To jog your memory, recall that cover (there were three different ones) lensed by Hedi Slimane, featuring the lower half of a nude model with a peel-off Damien Hirst sticker on her crotch. One year later, she’s got issue number three ready to hit newsstands September 10. The theme, it would appear, is a little less provocative: time.
“Our themes in the past were not risqué just for the sake of it—it was more that we focused on subject matter that we thought resonated,” she tells Style.com. “We decided to focus on ‘time’ as our theme as it seems to be the one thing that everyone is either trying to buy more of or rush their way through with the increasing presence of technology in our everyday lives. From our obsession with defying the effects of aging to the stress of deadlines that loom in our careers to things as seemingly trivial as arriving ‘fashionably late,’ time touches all aspects of our lives.”
Zhukova brought on the likes of photographers Nick Knight and Juergen Teller to interpret time for the five different covers, all linked to an editorial inside the issue. Knight did a Lichtenstein-inspired shoot with Lindsey Wixson, with text captions by Perez Hilton. “Nick Knight’s shoot and collaboration with Perez takes traditional pop art to the contemporary extreme. It takes an aesthetic that feels almost classical to today’s generation and frames it timelessly with the use of today’s digital shorthand,” she explains. Teller, for his part, photographed the oldest tree in the world with Spanish actress Rossy de Palma as his model. The other three covers include works by artists Michael Elmgreen and Ingar Dragset, John Currin, and a limited-edition vinyl record with a conversation between Marc Jacobs and Currin. Here, Style.com has an exclusive first look at the Knight (pictured, above) and the Teller (pictured, below) covers.