15 posts tagged "Decades"
The Next Dimension Of Miranda Kerr, The Perfect Cuff For Suedeheads, Closets Of The Rich And Fabulous, And More…
Are we seeing more Miranda Kerr than usual? Actually, with the Australian Angel’s new Steven Meisel-shot Vogue Italia cover (pictured), we are—it’s the first fashion mag in 3-D! [Vogue Italia]
Louis Vuitton’s “Core Values” ad campaign soldiers on with three new stars: Bono, wife Ali Hewson, and (gasp!) some non-LV apparel. Hewson and Bono wear items from their eco-friendly (and LVMH-owned) Edun line in the new shots, along with Vuitton’s own goods (and the first-ever made-in-Africa Vuitton piece—the dangling charm hanging off Hewson’s bag). [WWD]
Does anyone need a Tom Binns cuff emblazoned with the complete lyrics to the Smiths’ “How Soon Is Now?” Probably not. But are we glad Racked turned it up? Absolutely. [Racked]
Take a tour through the L.A. home of Decades’ Cameron Silver. Try not to be too jealous of his shoe closet. Just try. [Opening Ceremony via Refinery 29]
Decades owner Cameron Silver led a delegation of L.A. fashion types to see his friend Dita Von Teese debut her Live at the Crazy Horse act in Vegas last night. He was kind enough to send back his report on the evening. Some bugle beads, alas, were harmed in the making of this production.
A Dita Von Teese performance may appear to be all about the art of stripping, but it’s just as much about the art of dressing. Dita wears—at the beginning of her act, at least—couture costumes by Elie Saab and John Galliano, and her fan base is equally fashion-conscious. I flew in from L.A. for her Vegas opening last night with a crew of style mavens—Susan Casden (in Alexander McQueen), Rose Apodaca (in a Thomas Wylde kimono), British burlesque star Immodesty Blaize (in Jil Sander), and Michael Schmidt. We were all wowed by the spectacle—not to mention the Crazy Horse dancers, who, with their precise moves and perfect bodies, look like a living embodiment of Guy Bourdin’s seminal Charles Jourdan ads from the seventies. (“Those dancers are hot stuff, and really can inspire a girl to try some new tricks!” filmmaker Liz Goldwyn told me.) I must say, though, as someone who deals day in and day out with immaculate couture, I winced a little each time one of Dita’s shucked-off pieces hit the floor. “Well, that’s an element of the decadence of burlesque,” she told me. “Dropping, flinging, tossing aside these beautiful things. It always hurts me a little to hear the bugle beads and Swarovski crystal crashing to the floor, but that is part of the fantasy, the excessiveness of the show. And anyway,” she added, “we just send it off to repair, and trusted cleaners.”
Live at the Crazy Horse runs through April 7. For more information and tickets, visit www.mgmgrand.com.
Burlesque mistress Dita Von Teese rarely performs in the U.S., but the va-va-voom starlet is bringing her high-fashion ecdysiasm (read: strippin’) to Vegas in a reprise of her much-beloved Paris show, Live at The Crazy Horse. (There’s a Crazy Horse outpost in Vegas’ MGM Grand.) Decades’ Cameron Silver is one of the many style-world pals flying in for the occasion, and we’ll have his take on the evening tomorrow. But before then, Style.com’s Derek Blasberg took a few minutes to chat with Dita about her love for the historic Crazy Horse, the perils of corsets, and why burlesque is best appreciated live.
Hi, Dita! Tell me a little bit about Paris’ Crazy Horse. Why there?
When I was a teenager, I saw one little picture in Playboy of these beautiful, nearly nude “toy soldiers” lined up, and I was desperate to find out more about this mysterious place. There was no Internet yet, and I couldn’t find out anything about it. I didn’t even have the name of it, just this image that was in my head for all those years. So when I was finally in Paris in my early twenties, I kept asking people about these naked toy soldiers, and I finally saw the show, and I was amazed. I went to the show every night I was in Paris, and for the next decade I would go see the show every chance I got. I also befriended a Crazy Horse historian and so I would get to see all the archives and meet former dancers. A few years ago I did a photo shoot there, which is something they never allowed, in order to preserve the mystery of the place. Little by little, I became more involved, and I became the first guest star in the history of The Crazy, so that was exciting. Everyone who was anyone went there, since 1951, and for me, just to be in that theater to see the same stage that all these stars went, from Marlene Dietrich, Mae West, Marilyn Monroe, John F. Kennedy, Gypsy Rose Lee, Salvador Dalí…the guest list is impressive, and well, I just think it’s incredible to think that there was once a time when a show like this was revered like that. It’s the art of nude, the glorification of the female form, absolute perfection. There is no show like it on earth, and the history and mystery of this place is amazing.
Xtina isn’t the only good thing to come out of Staten Island. Witness Sophie Dahl’s winning cocktail number at last night’s Golden Globes. Sourced at Decades, the platinum, bugle-beaded dress was designed by Ceil Chapman, who was known, in her day, as Marilyn Monroe’s favorite designer. The native New Yorker created one of the gowns worn by Monroe for her very first performance for a live audience—entertaining the U.S. troops in Korea. Beloved by Hollywood beauties like Elizabeth Taylor and Deborah Kerr, Chapman was a sort of Marchesa of the fifties and early sixties. [Ed.’s note: Maybe she was a distant relation to Georgina?] Although it was Drew Barrymore who most overtly channeled Marilyn on the red carpet with her poofy ‘do, we’re guessing that Sophie, in her shimmy-ready dress, didn’t have too many Dahl, er, dull, moments.