93 posts tagged "Dior"
While the red-carpet circuit began with a slow start over the weekend, the premieres and parties kicked into overdrive as the week continued. Thor: The Dark World‘s leading lady, Natalie Portman, was a vision in white at the film’s Berlin premiere on Sunday, walking the red carpet in a strapless Christian Dior haute couture gown with a full skirt accented with a black ribbon around the waist. On Tuesday evening, Diane Kruger also opted for a haute couture number, choosing a black sequined cocktail dress embroidered with florals from Chanel’s Haute Couture Spring ’13 runway at the brand’s Little Black Jacket event in Brazil.
As the premiere circuit continued into the week, Hailee Steinfeld donned a Saint Laurent ensemble straight from the Spring ’14 runway, pairing a white one-shoulder top covered in sequined red lips with tailored black pants at the Hollywood premiere of her film, Ender’s Game. The same evening, Kate Bosworth chose a black Christopher Kane gown accented with crystal flowers at the neckline and waist from the Spring ’14 collection for the New York premiere of her flick Big Sur. And Naomi Watts took to the red carpet at the New York premiere of Diana, in which she plays the title role, in a blue-and-white floor-grazing dress that was ruched at the waist below a keyhole cutout from Michael Kors’ Spring ’14 runway.
The Galliano world tour continues—this time without Galliano. The former Dior couturier—not in person, but in puppet form—will be the star of a twenty-minute play put on by the French fashion magazine Vestoj to celebrate its new issue, WWD reports. “Little John” is adapted from Galliano’s now-famous apology interview with Charlie Rose (who will also appear as a puppet). It debuts at Silencio in Paris on December 10, followed by a second performance in February at the London College of Fashion. (Galliano himself is an alum of rival London fashion school Central Saint Martins.)
As for a costume, what could be more appropriate for a pint-size reproduction than a Napoleonic outfit? Puppeteer Etienne Bideau-Rey based the puppet’s garb off the nineteenth-century look Galliano wore to the Spring 2007 Dior Haute Couture show.
It was a whirlwind month for this season’s freshman class of models, who ended things on a high note in Paris by making their final first impressions at the shows that really count. We were ecstatic to see many of the fresh faces we’ve had our eye on since early September go on to solidify their spots on our top newcomer list. After making the grade in New York, London, and Milan, Malaika Firth demonstrated the poise of a veteran in the City of Light, where she bookended Valentino and walked sixteen other runways including Anthony Vaccarello, Céline, Giambattista Valli, Miu Miu, and Stella McCartney. Altogether, Firth totaled an impressive fifty-five shows for Spring ’14, and we can’t wait to see her in upcoming ad campaigns and editorial spreads. Several of the other front-runners who’ve been in the spotlight from the start picked up the pace for the final segment. Alexander Wang opener Anna Ewers finished with thirty-seven catwalk appearances and did turns at Balenciaga, Céline, Chanel, and Isabel Marant in Paris, among others. Our personal favorite, Binx Walton (bottom right), took the city by storm—Acne Studios, Alexander McQueen, Céline, Chanel, Louis Vuitton, and Saint Laurent were just a few of her credits.
Moving along, we simply cannot get enough of Kate Goodling (top left). She’s the total package, with a combination of all-American good looks, editorial appeal, and a killer runway body. Well managed by Ford NY across the Atlantic, Goodling also racked up thirty-seven shows, hitting top-tier catwalks in Paris like Balenciaga, Chanel, Chloé, Dior, Givenchy, Lanvin, and Nina Ricci. We were also dazzled by Lexi Boling, another Ford NY girl, who turned up at Balenciaga, Louis Vuitton, Chanel, Céline, and Chloé. French belle Elodia Prieto (top right), who opened and closed Calvin Klein in New York, took advantage of her hometown advantage and finished up at Alexander McQueen, Balmain, Céline, Dior, Givenchy, Haider Ackermann, and Nina Ricci. Finally, check out Svetlana Zakharova’s (bottom left) mesmerizing gaze and bone structure. She was an Alexander Wang exclusive in New York, and blew us away in Paris at Chlo#233;, Balmain, Giambattista Valli, and Isabel Marant. We could go on and on raving about this season’s successful rookies—and there were plenty other notables, including Irina Liss, Ine Neefs, Ophelie Guillermand, Devon Windsor, and Sabrina Loffreda, who made the Spring ’14 runways all the more vibrant.
The Past Is Present: Azzedine Alaïa and Carla Sozzani on His New Store, His Forthcoming Fashion Foundation, And Their Decades-Long Friendship
They say that behind every great man is a woman. In Azzedine Alaïa’s case, that woman is 10 Corso Como’s Carla Sozzani—the designer’s friend since 1979, and business adviser since 1999. Sozzani joined Alaïa for the opening of his striking new three-story Paris boutique this weekend. Set in an eighteenth-century maison on Rue de Marignan in the eighth arrondissement, the shop is nothing less than we’d expect from Alaïa: clean and minimal, with paintings by Christoph von Weyhe and luxe decor by the likes of Charlotte Perriand, Angelo Mangiarotti, Marc Newson, and Pierre Paulin. Indeed, bringing the shop to life was no small feat. But even though he’s had a busy Paris fashion week (in addition to the store opening, Alaïa is the subject of a retrospective at the Musée Galliera, which opened on September 28), Alaïa shows no signs of slowing. Instead, he’s looking to the future and planning to launch a foundation to help preserve and celebrate fashion history. Here, Sozzani and Alaïa speak to Style.com about their relationship, the designer’s expansive vintage collection, and the new boutique.
Can you tell us a bit about your relationship?
Carla Sozzani: For me, there are two Azzedines. There’s the one who’s my chosen family—we’ll be friends all our life. And then there is the artist, the master. I love them both, for different reasons.
Azzedine Alaïa: Carla was behind this boutique; it’s thanks to her. But putting fashion aside, she is a great friend and a rare woman.
How did you choose this space?
CS: Azzedine wants to make his home in the Marais a foundation and museum for his clothes, his work, and his collections. He has compiled a huge amount of Vionnet, Balenciaga, Margiela, Comme des Garçons, African art. He agreed to this space, which is really like a house, because there are no shop windows. There’s a garden. It lets him be free. Azzedine always says that the best thing France ever gave him was citizenship, so he’s always happy to give back.
How did you begin collecting?
A.A.: In the beginning, I never considered myself a collector. It’s just that when I discover something I like, I want to learn more about it. It just so happened that when Balenciaga closed [in 1968], I realized that, for fashion’s sake, I had to do something. Everything was being marked down and sold, people were leaving. And I thought it was just stupid that this heritage would disappear and be lost. That’s when I started making a selection of pieces in function of whom I like, and I still do. Always. I pick things from each of Rei [Kawakubo]‘s collections. I have Vionnet, Dior. But Rei stands apart. Continue Reading “The Past Is Present: Azzedine Alaïa and Carla Sozzani on His New Store, His Forthcoming Fashion Foundation, And Their Decades-Long Friendship” »