16 posts tagged "Edie Campbell"
We can always count on Paris for high-wattage casts, but we never expected to see so many supermodels this early in the week. None other than Gisele Bündchen kicked things off today by closing Balenciaga (the last time she set foot on a runway was Alexander Wang’s Fall ’12 show two years ago), where she was notably joined by familiar faces Mariacarla Boscono and Natasha Poly. Several hours later, Balmain continued to raise the bar with a lineup full of A-listers, including Angela Lindvall, Anja Rubik, Emily DiDonato, Izabel Goulart, and closer Rosie Huntington-Whiteley (who also walked in the label’s Spring show). Compared to those all-stars, the other major girls in the mix—Karlie Kloss, Joan Smalls, Jourdan Dunn, and Edie Campbell—all but faded into the background. And then leave it to Rick Owens to throw a wrench into the works. Following his step dancers last season, the designer turned heads again by interspersing old-school veterans such as Kirsten Owen and Diana Dondoe with real, mature women (many of whom, we’re happy to say, were not sample size). But this was no street-casting job. Rather, Owens’s casting directors, Angus Munro and Noah Shelley, told Style.com that “most of the ‘women’ were part of the Owens organization.” Owens kept it fresh by keeping it in the family. Speaking of keeping it in the family, we were pleasantly surprised to see Harry Brant follow supermodel mom Stephanie Seymour when he made his runway debut at IRFE. Sadly, his older brother, Peter Brant Jr., didn’t make the cut. There’s always next season, Peter.
It’s virtually impossible to flip through a glossy these days without coming across at least one picture of Karen Elson, whose career has been in overdrive lately with recent ads for Jason Wu, Sonia Rykiel, Paule Ka, Kurt Geiger, and a new campaign for Louis Vuitton, which was announced today. In the brand’s new “Spirit of Travel” series, Peter Lindbergh went on safari in South Africa with Elson and fellow English rose Edie Campbell, and captured them feeding giraffes and riding zebras, respectively. (Campbell is known for her equestrian skills.) Keeping up her red-hot momentum, Elson has made plenty of appearances during the Fall ’14 shows, too—both in the front row and on the runway. So far, she’s turned up on catwalks including Tom Ford, Michael Kors, Donna Karan, and Diane von Furstenberg, and rubbed elbows with the celebs and editors at Alexander Wang and Rodarte. We wouldn’t be surprised to see more of her during the Paris shows.
We’ve just passed the midway point of fashion month with the Milan shows well under way, and there have been plenty of memorable modeling moments thus far, particularly for newcomers. In general, the top-tier, A-list catwalkers have been more selective with their schedules, leaving room for fresh faces to ascend the ranks. Perhaps the easiest way to break down our favorite rookies is by hair color. By and large, it’s been the season of the platinum blond, with familiar faces Julia Nobis, Ashleigh Good, Juliana Schurig, Sasha Luss, and Devon Windsor making a strong case for bleached tresses (reminiscent of Khaleesi from Game of Thrones). Several new models have been riding Fall’s peroxide wave, too. First is ethereal Polish beauty Ola Rudnicka, who debuted at Prada’s Spring show and landed a spot in the label’s latest campaign. She’s turned up on just about every major runway in each city so far. Rudnicka kicked things off on a high note in New York, walking Jason Wu, Michael Kors, Proenza Schouler, and Marc Jacobs. She went on to do Burberry and Christopher Kane in London, and continued to take Milan by storm, bookending No. 21 on Tuesday in addition to walking Max Mara and Moschino yesterday. Another noteworthy newcomer rocking a flaxen mane is Harleth Kuusik (who currently stars in Proenza Schouler’s Spring ads). In New York, she did turns at Rag & Bone, Victoria Beckham, and Proenza Schouler, then followed those up with J.W. Anderson and Erdem in London. We plan to see a lot more of both Rudnicka and Kuusik next week.
Next up is the fiery-tressed group of redheads led by sophomores such as Lera Tribel and Nika Cole (who can forget her teased-out, lamp-shade ’do from Schiaparelli’s Couture show?). They are joined by Quebec native Sophie Touchet, who made an early impact at Thakoon, 3.1 Phillip Lim, MBMJ (a.k.a. Marc by Marc Jacobs), and Burberry Prorsum, then moved on to open Alberta Ferretti and walk in Fendi yesterday. Finally, we’ve got a mixed bag of brunettes, ranging from Dutch stunner Imaan Hammam (she won the genetic lottery with a Moroccan mother and a father from Egypt, and her exotic looks have helped earn her key spots in top-tier casts including Prada, Proenza Schouler, Narciso Rodriguez, and Fendi) to fierce-looking Ronja Furrer (that strong jawline gave her an edge at Altuzarra, Alexander Wang, Christopher Kane, and more). And how about this season’s most buzzed-about newcomer? Waleska Gorczevski has a hell of a name and a hell of a presence. During NYFW, the Brazilian model was the first girl out at Marc Jacobs. She also opened Yigal Azrouël and bookended Victoria Beckham, and has continued to rack up an impressive show list including Calvin Klein Collection, Hugo Boss, Proenza Schouler, Christopher Kane, and Fendi. No doubt Paris will take to her serene, slightly quirky appeal.
Aside from Fall’s freshman class of catwalkers, we’ve witnessed plenty of noteworthy cameos by old-school veterans, too. For example, Alexander Wang’s finale featured the likes of Angela Lindvall, Bridget Hall, Candice Swanepoel, Caroline Trentini, Anne V., Hilary Rhoda, and Jacquetta Wheeler. Meanwhile, Karen Elson has been going at full throttle this year, and she continued to dazzle at Tom Ford, Donna Karan, and Diane von Furstenberg. On the other hand, we’ve got Karolina Kurkova, who surprised us by opening Cushnie et Ochs and turning up at Christopher Kane (where she was easily the most experienced model in the lineup). Other highlights included: Kirsten Owen opening and closing Mary Katrantzou; Mini Anden at Proenza Schouler; Liberty Ross and Stella Tennant at Tom Ford; and the triple threat of Carolyn Murphy, Frankie Rayder, and Liisa Winkler at Michael Kors. Last but not least was the brilliant cast at Burberry Prorsum, which featured Edie Campbell in addition to her two younger sisters, Olympia and Jean. Mark our words, those Campbell girls are stars in the making. And speaking of stars, you can’t deny that Kendall Jenner was a total natural on the runways at Marc Jacobs and Giles.
“Sleeping is so last season,” laughed Jason Wu from his New York studio. He was only half kidding. Since Wu was appointed as the new artistic director of womenswear at Hugo Boss last June, he’s had to learn to balance—and separate—designing for the German brand and his eponymous range. “I had apprehensions about being able to juggle both, showing both in New York, being able to make them look different…I thought it was a big challenge,” conceded Wu, who will present his first Boss effort in New York on Wednesday, February 12. “But at this point in my career, it felt really right to embark on this new journey, to challenge myself to do something unexpected.”
Given Boss’ history of stern, precise menswear and Wu’s penchant for directional, feminine designs (he’s not one to shy away from a frill here, or a ruffle there), Wu may have seemed an unlikely choice for Boss, whose women’s range has failed to take off since it was launched in 2000. But his fresh eye, artistic spirit, and understanding of women’s bodies—and wants—might provide just the edge Boss needs. Case in point, his first film for the house, which debuts exclusively here. Styled by Joe McKenna and lensed by Inez & Vinoodh, who also shoot Wu’s own campaigns, the film is aptly dubbed This Is Boss, and stars the new face of the brand, Edie Campbell. “With this film, I wanted to answer the question on a lot of people’s minds: What are we trying to do here?” said Wu, adding that Campbell is the embodiment his hypothetical Boss woman. “She’s modern, she’s someone you want to get to know, she’s well-traveled, cultured, successful…she’s the right person to represent my new vision.”
This Is Boss was shot at the Philip Johnson Glass House in Connecticut, largely because the locale reminded Wu of Boss’s Metzingen, Germany, campus, which happens to have inspired his Fall ’14 collection. “The campus is made up of three huge glass buildings, but it’s set in this picturesque countryside. It’s a complete opposition of beautiful, natural elements and these hard lines of steel and concrete, yet they blend together perfectly. And when I saw it, I said, ‘That is where I’m going to find my womenswear inspiration.’” This concept of opposites appears in the short, too. As Campbell is shown running through the snow in a sharply cut black overcoat (an unexpected blizzard nearly foiled Wu’s shoot), fractured images of cityscapes and blossoming roses flash across the screen. “All the elements are odd together, yet intriguing, and great at the same time,” Wu said. “The film incorporates not only Boss’ DNA, but also expresses everything that the Boss woman is, and wants to be. It’s all her thoughts in one picture.”
As for what we can expect on Wednesday, Wu revealed that we’ll see disciplined menswear influences with a feminine kick, as well as notes of Bauhaus. So is Wu nervous about the big show? “I don’t have time to be nervous!” he chuckled. “I just have time to create and make it all happen.”