9 posts tagged "Elle Macpherson"
In case any further proof was needed that cleavage is back, here’s LOVE‘s first video for its iPad app, debuting any day now from the iTunes store, alongside its fourth issue, “The Gorgeous Issue” (out now). Katie Grand styled Elle Macpherson in Bottega Veneta, Chanel, Dolce & Gabbana, Nina Ricci, and Macpherson’s own line of lingerie. Macpherson channels sixties sweater girls in a hip-shaking short shot by Sharif Hamza, who’s lensed editorials for Interview and international editions of Vogue, and videos for Dior Homme and Dazed + Confused. Aside from reminding us all why Elle’s now and forever “The Body,” it’s also one of the better arguments we’ve seen for the rat’s-nest bouffant. Check out the exclusive debut, below.
In case you were getting bored with the Box’s usual lineup (Siamese twin pole dancers? again?), fear not, change is afoot. [Page Six]
First skinny jeans, now this. Fellows are sporting “Afros, mohawks, dreadlocks, and pompadours” all over town. [NYT]
Images of Jil Sanders’ debut line for Uniqlo hit the Internet on Monday, but details were lacking. Here’s the deal: J+ launches in the U.S. on October 1 and prices range from $21 to $155. [WWD]
For Paul Rowland, “pretty” is not enough. Not that he has anything against a good-looking girl—Rowland is, after all, the founder of the modeling agencies Women and Supreme. Over the past 20 years he’s helped launch the careers of models Naomi Campbell, Kate Moss, Elle Macpherson, and Carmen Kass, to name a few familiar faces. So he sees “pretty” all the time, but it’s the stuff going on behind those cheekbones that gets Rowland’s heart racing—especially when he’s taking pictures. Building on his work as Supreme’s house photographer, Rowland has carved out a second career for himself behind the camera: As well as shooting Supreme’s keepsake show packages each season, his work has been featured in V and EXIT, and in December Rowland mounted his first-ever solo show at Miami Art Basel. Titled Transformations, the show spotlighted his obsession with getting his subjects to tell a story before the lens. “Models can be very hard to photograph,” Rowland notes. “Their job is to make clothes look good, and more often than not, all they can give the camera is a pose. My challenge is to coax a girl into giving something of herself.” Tonight, Transformations takes up temporary residence in New York City, opening at the Women/Supreme space in west Chelsea. In advance of his debut before the hometown crowd, Rowland talked to Style.com about the art that goes into making faces.
I understand you moved to New York city to be a painter. How did you wind up one of the grand pooh-bahs of the modeling business, instead?
Oh, you know how these things happen—you move to the city to do one thing, and then you wind up waiting tables. I wasn’t crazy about being a waiter, so when I got to know some fashion people and the fashion people told me I should model, I jumped. The modeling led to booking, and the booking led to my opening Women, and so on. There was never a grand plan. For a long time I just figured I was stashing money away so I could paint.
Both Women and Supreme have earned reputations as go-to agencies for girls with an unusual look. Was that happenstance, as well?
No, that much was purposeful. I’m not really interested in apple pie, all-American beauty. I appreciate it, but it doesn’t compel me. Whereas I have this art background seared in my head, so when I look at a girl and there’s that instant reference—like, she’s got a Modigliani face—that’s the beauty that takes me in. At the time I launched Women, unconventional beauty needed a champion. Now, I look around at who’s working, and it’s clear that I’ve managed to change our ideas about what’s beautiful, at least a little bit. But you can always push the envelope. That’s why I opened Supreme. We take some very edgy girls there.
The best accessory to have this London fashion week is a great body, all the better to show off an Hervé Léger bandage dress, which is fast emerging as the outfit to be seen in. Lizzie Jagger sported a red one at the Jaeger show, a newly thin Jo Wood wore a pastel version, and the Body herself, Elle Macpherson, has appeared in one, too, part of what could be considered one in a series of “take that, Arki and Uma” ensembles that she’s appeared in lately. If you want to get in a parting shot, there’s no better way to do it than in Léger.