5 posts tagged "Emilia Wickstead"
Chinese designer Huishan Zhang, who landed on our radar this past summer, is the latest recipient of the Dorchester Collection Fashion Prize, which, includes a £25,000 award and mentorship. The 30-year-old Central Saint Martins alum was among four other finalists—Emilia Wickstead, Barbara Casasola, and Fyodor Golan—who presented their Spring 2014 collections to a panel of judges at the Dorchester Hotel on Tuesday night. “I was enjoying my night already, no matter what,” Zhang told WWD. “I thought I’d have another glass of Champagne then go home but now we might have to open a bottle!” Previous winners include Thomas Tait, Anndra Neen, and Augustin Teboul.
There’s no shortage of deejays on the fashion scene, with your Misshapes and your Harleys and your Alexas and what have you. But Mimi Xu—who goes by the name of Misty Rabbit when she’s on the decks—has a particularly impressive knack for blending unexpected musical genres (think Berlin’s ambient electro mixed with classical jazz fading into a cool spin of disco-funk) into cohesive and oh-so-catchy sets. She’s an eager bunny, and knows just how to get the party going for the likes of Miu Miu, Prada, Fendi, Acne Studios, and too many others to name. This season, the Shanghai- and Copenhagen-raised but London-based sound designer is as busy as ever. She mixed the soundtracks for Yigal Azrouël, Catherine Malandrino, Tome, and Ostwald Helgason in New York, developed runway music for Topshop, Julien Macdonald, and Emilia Wickstead in London, and dropped a special Fall/Winter mix for Mytheresa.com just last week. Next up? A hotly anticipated party for Moncler’s Pharrell Williams collaboration in Paris this evening, and a personal design project, which will undoubtedly become the requisite accessory for music-loving cool girls come holiday season. Here, Xu talks to Style.com about her Mytheresa.com mix, the difference between playing parties and runways, and her favorite new artists.
You’ve done a lot of shows this season. How does deejaying a fashion show differ from deejaying a party?
Deejaying is about a spontaneous, fun, and playful way of sharing music. It’s about getting the party going. When you do a soundtrack, it’s very nerdy and unglamorous—you’re behind the scenes, you’re really working with the designer, and you’re creating something with the designer to really reflect his collection. It’s not about what I like. Of course, it’s about my influences and my take on music. But I’m there to showcase the collection. I love doing both, but they’re very different. Show soundtracks take a lot longer. It’s a much more technical process—it’s much more creative, and it’s more intellectual. And with soundtracks, everything’s set in stone previously. On the day of the catwalk, you don’t have to do anything besides cuing the show. But when you deejay, things never go to plan. Anything can happen on the dance floor. I can fill up the stage—who knows?
What have designers been asking you to play this season?
There are no specific trends this season. Each designer had their own inspirations. Musically, I went from Mississippi blues to Brazilian seventies experimental Tropicalia movement to psychedelic rave to classical theatrical to French electro. It’s a big range, so you need to be very erudite in your music knowledge. Designers need that.
What are you going to play for the Moncler-and-Pharrell Williams party?
I’ve been thinking today that we’re gonna do something quite hip-hop-y. But I don’t know! You can’t play Pharrell Williams tracks. I’d be embarrassed to play someone’s track when they’re in the room. So I’m not sure yet…. Obviously, I’m gonna have a lot of R&B and hip-hop, but it’s gonna go into disco and a few electronica-sounding tracks, too. I need to get people dancing, so I’ll see tonight how it will go. Continue Reading “Misty Rabbit Talks Spinning Fashion’s Soundtracks” »
The royal baby isn’t the only big news out of London this week. This morning, in the Big Smoke, the Dorchester Collection announced the nominees for its 2013 Fashion Prize, all of whom happen to be London-based. Fyodor Golan, Barbara Casasola, Emilia Wickstead (left), and Huishan Zhang will now compete for the grand prize: a 25,000 pound bursary and mentorship, plus a two-night stay at one of the Collection’s über-luxe hotels. The big winner will be revealed on October 29, pending the results of a private catwalk presentation before a panel of judges, including stylist Caroline Issa and designer Daniella Helayel. The prestigious accolade was conceived to help designers in their professional infancy. To be eligible, brands must be between two and five years old. Previous recipients of the award include Thomas Tait and Anndra Neen.
Today in London, it was announced that shoe designer Nicholas Kirkwood won the 2013 BFC/Vogue Designer Fashion Fund award, beating out nominees Mary Katrantzou, Roksanda Ilincic, Peter Pilotto, and Emilia Wickstead. Kirkwood walks away with a £200,000 prize and mentorship from industry insiders. This marks the start to a big year for Kirkwood, who launched his first men’s range during the London menswear shows earlier this month. Considering previous winners have included Christopher Kane, Jonathan Saunders, and Erdem Moralioglu, Kirkwood’s got some big shoes to fill, but we have a feeling he’s up for it.
Before last September, the name Emilia Wickstead was one of those slightly privileged pieces of information passed around amongst the chic set—including Samantha Cameron—in Belgravia, Chelsea and other tony London nabes. But during this past London fashion week, the 28 year-old Central Saint Martins grad went from quietly doing made-to-measure in her three floor atelier on Cadogan Place to a ready-to-wear debut in a full runway show.
“It was one of the most stressful things I’ve ever done,” said Wickstead last week over a breakfast of eggs and soldiers at Café Cluny. And this is from a girl who recently not only designed her own gown for her Tuscan wedding—photographed by British Vogue for its November issue—but also custom-designed ten different dresses for her ten bridesmaids. Stress aside, with an exclusive at Matches for her Spring collection, and a late of meetings with stores in New York to lay the groundwork for next Fall, things chez Wickstead are off to a promising start.
Now that edgy London’s much more of a lady’s town (see Erdem, Saunders, Ilincic, Katrantzou), Wickstead’s unadorned brand of elegance fits right in. Still, her clean-lined pieces like sharply pleated skirts and dresses and lantern-sleeved tops and crisp tailored pants aren’t stuffy. Rather they have a delicate but cool romance that recalls Chloé. You can also detect a hint of American and Italian sportswear that’s evidence of Wickstead’s transcontinental resume which includes stints at Proenza Schouler, Narciso Rodriguez, and Giorgio Armani. Fittingly, Wickstead reports that more than half of her client base is made up of New Yorkers, among them ex-pats Elizabeth Saltzman and Lillian von Stauffenberg. For them, she’ll still be running up custom dresses made by her in-house machinists and patternmakers. The ready-to-wear, however, will impressively be made in Italy. “I use Prada’s pleaters,” says Wickstead. Consider our ears perked.