40 posts tagged "Emilio Pucci"
Fashion folk are a curious bunch, and we’ve found that they tend to collect equally curious things. In our “Take Five” feature, we get the lowdown on our favorite industry personalities’ most treasured trinkets.
There won’t be enough sun-filled English days in this lifetime for Tracy Sedino to wear each pair of vintage shades in the Linda Farrow archive. “Oh, my god, I must have thousands,” she said last week at a dinner in New York. Sedino was behind the revival of the Linda Farrow brand, whose namesake designer worked with houses such as Yves Saint Laurent and Emilio Pucci to create glasses in the seventies and eighties. Farrow closed her business to start a family in the late eighties, and her crates of luxurious lenses were stored away in a London warehouse.
Over a decade later, Sedino—then a student at the London College of Fashion—began dating (and has since married) Farrow’s son, Simon Jablon. “His father had some warehouses,” Sedino recalled. “And he asked Simon to get rid of all the stock, because they were getting turned into residential properties. So I went with him, and we found original Pucci and YSL sunglasses piled three-floors high.” Obviously, their discovery couldn’t go to waste, so she and Jablon used it as a jumping-off point and rebooted the house of Linda Farrow. They sold some of the vintage styles but, more notably, began partnering with young talents to turn out glamorous—and often outrageous—designs. (Remember those Jeremy Scott Minnie Mouse shades? That was their doing). Today, the husband-and-wife team continues the company in Farrow’s spirit and makes glasses for everyone from Dries Van Noten, 3.1 Phillip Lim, and Suno to Alexander Wang, Peter Pilotto, and The Row. “We thought there was a massive gap in the market,” said Sedino of her and Jablon’s decision to relaunch Linda Farrow. “You have these big luxury houses that sign licensing deals, but other designers, like Dries, will never do that, because they value their brands too much. We wanted to reinforce what Simon’s mother did in the seventies by working with designers to create eyewear as a fashion accessory, rather than a licensed product.”
Sedino and Jablon celebrated their company’s (and their relationship’s) tenth anniversary this year. And to mark the milestone, the duo have not only offered up a ten-year capsule collection but also opened a pop-up shop in collaboration with BOFFO, right here in NYC. The store, which is located at the Chelsea SuperPier, and open through December 24, boasts a bevy of Linda Farrow’s most covetable products. As for that archive of vintage sunnies, Sedino told us that it’s a constant point of reference. “We don’t want our collections to be too vintage, so we take inspiration from the vintage styles, and incorporate new technology and materials,” she said. Here, Sedino talks us through her five favorite pairs of old-school Linda Farrow frames.
1. “These are acetate Linda Farrow glasses from the eighties. They’re my holiday pair. I love them because the idea and design are fun, and they’re quite comfortable on my face. Ironically, it’s hard for me to find sunglasses that fit—for Asians, it’s difficult to find pairs that sit on the nose bridge. I’ve been wearing these for the last two years, and I’m particularly inspired their shape, because they’re almost like a big chunky Wayfarer. You can really wear them whenever.”
2. “These are Yves Saint Laurent glasses from the early seventies. They’re kind of a round Jackie O style. They’re handmade in acetate, with metal arms. This pair is a one-off, so we don’t have stock anymore. They’re one of my favorite styles, because they’re the perfect size. But I don’t really wear them, because I’m afraid of losing them.”
3. “These are Linda Farrow glasses from the eighties, and they were kind of inspired by Lolita. Whenever stylists call in for Lolita-style frames, we send them these. I wear them all the time in the summer.”
4. “These are amazing. This is another YSL pair from the seventies. They’re not one-of-a-kind—we still have a few—but not many. The lenses are polarized, and because of the orange, they’re my autumn glasses.”
5. “This is the most iconic Linda Farrow style. I love how the sides are beveled. We’ve actually launched a fine-jewelry collection of 18-karat-gold-and-diamond sunglasses, and this is one of the styles we used.”
New It bags and It shoes regularly enter the fashion orbit, but this season’s unexpected must-have accessory is the humble—or not so humble—belt. Back in September, we clocked Céline’s Thanksgiving-appropriate pilgrim buckle on Anna Dello Russo, Giovanna Battaglia, and Elina Halimi, and noticed plenty of statement-making cinching on the Spring runways, too. Michael Kors, Haider Ackermann, and Tom Ford created a wasp-waist silhouette with classic men’s leather belts, while other designers assumed a more-is-more approach. Lanvin’s Alber Elbaz featured sweet cummerbunds decorated with bedazzled hearts; Peter Dundas sent out medallion-spangled bands worthy of a boxing champion at Emilio Pucci; and Vera Wang was snapped wearing an ultrawide style that swallowed up her entire torso.
With the haute couture, menswear, and Resort shows finally wrapping up this week, high summer is officially here—just in time for the fashion set to enjoy the long holiday weekend ahead. To celebrate, many will be taking off for vacation destination spots and breaking out their statement-making bathing suits for the shore or the pool. While there were plenty of crop tops, bikinis, and sporty rash guards in the latest pre-spring lineups, it was the sophisticated maillots (no cover-ups required) in the mix that really piqued our interest. Classic, flattering one-pieces turned up at Chanel, Dior, Dion Lee, and Bottega Veneta, while designers including Jason Wu, Emilio Pucci’s Peter Dundas, and the Cushnie et Ochs girls turned up the heat with sexy cutouts. Unfortunately, these water-ready numbers won’t be hitting stores until the new deliveries arrive this fall, but they’ll give us ideas for the balmy months ahead.
Beyoncé—superstar, tastemaker, Givenchy flame wearer—kicks off the U.S. leg of her Mrs. Carter Show World Tour in L.A. tonight. She already debuted a wealth of flashy wares in Europe, like custom costumes by The Blonds, David Koma, Dsquared², and Emilio Pucci. But, for her Stateside performances, Mrs. Carter is adding a few sartorial surprises. And she tapped emerging Israeli designer Alon Livné to make them.
The pair ignited their creative relationship back in February after Beyoncé’s stylists, Ty Hunter and Raquel Smith, attended the 27-year-old’s debut New York Fashion Week presentation. Smith reported back to Bey, who quickly fell in love with with one of Livné’s metal-embellished Pre-Fall gowns, and requested customized versions—in red—for her and her backup dancers to wear on the tour.
Based in Tel Aviv, where he owns two stores, Livné returned to New York earlier this month to show his Resort ’14 collection to retailers. And not long after his arrival, he got a call. “They asked me if I could do something special,” Livné told Style.com—the “they” being Beyoncé’s stylists, and her mother, Tina. “I said yes, of course.” There was one problem, though: he had nowhere to work. But when you’re designing for pop culture’s reigning queen, nothing is impossible. Beyoncé’s camp set him up in an office with an industrial sewing machine, and he got to it. “I think the fact that they were willing to help me make these dresses, and to give me a studio, was so amazing,” offered Livné. “I mean, it’s Beyoncé. She can go anywhere from Chanel to Givenchy and pick whatever she likes, and she helped me.”
The fruit of his labor is a scarlet corset sprinkled with SWAROVSKI ELEMENTS crystals, the sketch of which debuts exclusively above. The look will serve as Ms. Knowles’ show opener this evening. Livné also made the star a printed gown with metal details, and a bevy of costumes for her backup dancers.
Not surprisingly, the Beyoncé connection has done wonders for Livné’s budding career. “Obviously, in Israel, it was huge, huge, huge amazing news,” he said. “Everyone was talking about the Israeli designer that dressed Beyoncé, the biggest star in the world.” But it’s helped him in New York, too—which is key, since he’s packing up his atelier and moving to Chelsea this summer. The designer, who interned at Alexander McQueen and worked with Roberto Cavalli before launching his dark, dramatic signature line nearly four years ago, just got picked up by Neiman Marcus and Saks Fifth Avenue. He’ll also put on a runway show at Lincoln Center this September. “I want to live my dream and work on the biggest stage that I can,” he said before catching his plane back to Tel Aviv on Thursday night. “So coming to New York is a dream come true.”