21 posts tagged "Erdem Moralioglu"
Following Emma Hill’s departure from the house earlier this year, Mulberry has announced that it will not be sending its Fall ’14 collection down the catwalk during London Fashion Week in February. The British brand told WWD that it has “not finalized its creative director search,” and that it will still participate in LFW, on a smaller scale. Word on the street is that Mary Katrantzou, Roland Mouret, Erdem Moralioglu, and Sophie Hulme—whose handbags have generated quite a buzz among editors and consumers alike—are all potentially up for the gig.
Smythson’s Panama diary has some seriously impressive cred. Launched in 1908, it’s been used by everyone from Sigmund Freud and Katharine Hepburn to Jonathan Saunders and Dita Von Teese. For Spring ’14, Smythson is releasing a full-on Panama collection, comprising diaries, address books, manuscript books, and beyond. In celebration of the new range, the brand has called in young British artist Quentin Jones to create a series of pretty wild works. The set of ten pieces will feature the aforementioned influencers, as well as Hardy Amies, Waris Ahluwalia, Erdem Moralioglu, Bryan Ferry, Kylie Minogue, and Laura Bailey. The works—done in Jones’ signature, surreal style of mixed media—will explore the subjects’ relationships with their Panamas. An exhibition of the art, as well as the new Panama line, will be unveiled during a special event at Smythson’s New Bond Street store today, and the show will be open to the public from Monday. In the meantime, get your Smythson x Jones fix with a gif teasing the star-studded artworks, which debuts exclusively here.
Fashion Rules—a new exhibition at London’s Kensington Palace showcasing twenty-one gowns once worn by Queen Elizabeth II, Princess Margaret, and Princess Diana—provides a peek at the royals’ wardrobes. “These three women were perhaps the most high-profile dressers of their time,” offered the show’s curator, Cassie Davies-Strodder. “Whatever they wore was photographed by international press and seen worldwide. The influence they had on fashion was bar none, and from a historical perspective, we felt it was critical to highlight that.” Now open to the public, the show comes before the much-anticipated September release of Oliver Hirschbiegel’s Diana biopic, in which Naomi Watts stars as the People’s Princess.
Sponsored by Estée Lauder, the exhibition’s opening party was held on Thursday evening at the Palace (once home to Queen Victoria, Princess Diana, and now the Duchess of Cambridge and Wills). And while the historic home’s new renovations—including a majestic stone hall with a thoroughly modern blue light sculpture by Loop.pH, quirky wallpaper boasting illustrations of Diana by artist Julie Verhoeven, and brick walls adorned with Mario Testino-lensed portraits of Princess Di—nearly overshadowed the dresses, several stood out. Key pieces include a gold caftan and turban worn by the party-loving Princess Margaret for a fete in Mustique (above), five gowns worn by the Queen in the fifties (below), and several Bruce Oldfield looks for Princess Diana. Oldfield himself was in attendance, joined by Poppy Delevingne, Tali Lennox, Minnie Driver, and Mr. Selfridge‘s Jeremy Piven. Designers Manolo Blahnik, Erdem Moralioglu, Richard Nicoll, Henry Holland, and Marios Schwab also stopped by to survey the scene. Continue Reading “Fit for a Queen” »
Lace—both the literal and trompe l’oeil varieties—has emerged as a notable trend during the Resort ’14 presentations. And while it started out racy—a see-through panel on a Dior gown, a waist-high slit on a Versus skirt—crocheting has now crossed over to a purer sort of application, invoking heavenly associations in hues of cloud-white and sky-blue. On the casual front, Band of Outsiders’ Scott Sternberg showed a dégradé anorak that went from pure blanc at the shoulder to what resembled a lacy bramble of baby-blue vines at the hem (above, center). It lent a soft dichotomy to the collection’s otherwise bold prints by artist Guy Yanai.
Joseph Altuzarra took a more formal approach, webbing ornate, ivory-colored filigrees across powdery cyan skirts, jackets, and dresses (above, left). The effect was doily-dainty in tone, but visually impactful nonetheless. “The idea came from vintage French monogrammed napkins,” Altuzarra told Style.com. “I wanted to reference Gloria Vanderbilt and an air of the seventies.” And Erdem Moralioglu effectively implemented delicate white lace in his mid-century British-seaside-inspired lineup, employing it as an overlay on a pair of blueberry pants, which were paired with a lace top covered in sheer black organza (above, right). The stuff also appeared on a long-sleeve dress shown over a periwinkle slip—a look that inspired a hint of breezy nostalgia.