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July 25 2014

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25 posts tagged "Erdem Moralioglu"

Runway to Red Carpet: A Pop Art Ka-Pow! and an Erdem Hat Trick

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Tom Hanks and Rita WilsonOne designer won the hearts of red-carpet walkers this week, and that was Erdem Moralioglu. First up was Hailee Steinfeld, who arrived at a photo call for her new film, Ender’s Game, in Berlin on Sunday afternoon in a playful Erdem Resort ’14 frock layered with black lace and white floral appliqués. On Monday, Clémence Poésy donned a black Erdem dress adorned with floral appliqués and ostrich feathers, from his Fall ’13 runway, to the MIPCOM 2013 party in Cannes. And the following evening, Naomi Watts chose a fitted floral number from Erdem for the 2013 Take Home a Nude Benefit Art Auction in New York.

But other designers had a chance to shine in front of the step-and-repeats, too. On Wednesday night, Rita Wilson joined her husband, Tom Hanks, at the London premiere of his new film, Captain Phillips, in a black Fall ’13 Tom Ford dress with a Pop art ka-pow! motif. Nicole Kidman showed some skin in a black Prada halter gown at the Huading Image Awards in Macao, China, on Monday, where she was awarded the statue for Best Global Actress in Motion Pictures. The supersexy dress featured a keyhole cutout on the bodice, and spangly orange flowers that spilled out of the skirt’s side slit. In case anyone was wondering: She’s still got it.

Here, more of this week’s red-carpet highlights.

Photo: Tim P. Whitby/ Getty Images

Smythson Celebrates the Art of the Panama

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Smythson Quentin Jones GIF

Smythson’s Panama diary has some seriously impressive cred. Launched in 1908, it’s been used by everyone from Sigmund Freud and Katharine Hepburn to Jonathan Saunders and Dita Von Teese. For Spring ’14, Smythson is releasing a full-on Panama collection, comprising diaries, address books, manuscript books, and beyond. In celebration of the new range, the brand has called in young British artist Quentin Jones to create a series of pretty wild works. The set of ten pieces will feature the aforementioned influencers, as well as Hardy Amies, Waris Ahluwalia, Erdem Moralioglu, Bryan Ferry, Kylie Minogue, and Laura Bailey. The works—done in Jones’ signature, surreal style of mixed media—will explore the subjects’ relationships with their Panamas. An exhibition of the art, as well as the new Panama line, will be unveiled during a special event at Smythson’s New Bond Street store today, and the show will be open to the public from Monday. In the meantime, get your Smythson x Jones fix with a gif teasing the star-studded artworks, which debuts exclusively here.

Fit for a Queen

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 Princess Margaret's kaftan and turban

Fashion Rules—a new exhibition at London’s Kensington Palace showcasing twenty-one gowns once worn by Queen Elizabeth II, Princess Margaret, and Princess Diana—provides a peek at the royals’ wardrobes. “These three women were perhaps the most high-profile dressers of their time,” offered the show’s curator, Cassie Davies-Strodder. “Whatever they wore was photographed by international press and seen worldwide. The influence they had on fashion was bar none, and from a historical perspective, we felt it was critical to highlight that.” Now open to the public, the show comes before the much-anticipated September release of Oliver Hirschbiegel’s Diana biopic, in which Naomi Watts stars as the People’s Princess.

Sponsored by Estée Lauder, the exhibition’s opening party was held on Thursday evening at the Palace (once home to Queen Victoria, Princess Diana, and now the Duchess of Cambridge and Wills). And while the historic home’s new renovations—including a majestic stone hall with a thoroughly modern blue light sculpture by Loop.pH, quirky wallpaper boasting illustrations of Diana by artist Julie Verhoeven, and brick walls adorned with Mario Testino-lensed portraits of Princess Di—nearly overshadowed the dresses, several stood out. Key pieces include a gold caftan and turban worn by the party-loving Princess Margaret for a fete in Mustique (above), five gowns worn by the Queen in the fifties (below), and several Bruce Oldfield looks for Princess Diana. Oldfield himself was in attendance, joined by Poppy Delevingne, Tali Lennox, Minnie Driver, and Mr. Selfridge‘s Jeremy Piven. Designers Manolo Blahnik, Erdem Moralioglu, Richard Nicoll, Henry Holland, and Marios Schwab also stopped by to survey the scene. Continue Reading “Fit for a Queen” »

Lacy In the Sky

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Lace looks from Joseph Altuzarra, Band of Outsiders, and Erdem

Lace—both the literal and trompe l’oeil varieties—has emerged as a notable trend during the Resort ’14 presentations. And while it started out racy—a see-through panel on a Dior gown, a waist-high slit on a Versus skirt—crocheting has now crossed over to a purer sort of application, invoking heavenly associations in hues of cloud-white and sky-blue. On the casual front, Band of Outsiders’ Scott Sternberg showed a dégradé anorak that went from pure blanc at the shoulder to what resembled a lacy bramble of baby-blue vines at the hem (above, center). It lent a soft dichotomy to the collection’s otherwise bold prints by artist Guy Yanai.

Joseph Altuzarra took a more formal approach, webbing ornate, ivory-colored filigrees across powdery cyan skirts, jackets, and dresses (above, left). The effect was doily-dainty in tone, but visually impactful nonetheless. “The idea came from vintage French monogrammed napkins,” Altuzarra told Style.com. “I wanted to reference Gloria Vanderbilt and an air of the seventies.” And Erdem Moralioglu effectively implemented delicate white lace in his mid-century British-seaside-inspired lineup, employing it as an overlay on a pair of blueberry pants, which were paired with a lace top covered in sheer black organza (above, right). The stuff also appeared on a long-sleeve dress shown over a periwinkle slip—a look that inspired a hint of breezy nostalgia.

Photos: Simon Cave/ Courtesy of Altuzarra; Courtesy of Band of Outsiders; Courtesy of Erdem

Hello, Moto

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Ornate moto jackets from 3.1 Phillip Lim, Jonathan Simkhai, and Erdem

Black might be the motorcycle jacket’s de facto hue, but a number of designers have rendered ornate, polychrome twists on the wardrobe staple for Resort ’14. Take, for instance, 2013 CFDA Accessories Designer of the Year winner, Phillip Lim, who offered up an asymmetrical, cropped iteration of the moto jacket, replete with banded shoulders and an aerodynamic pattern that cut across the front (above, left). Combining a graphic eighties punch with a downtown sort of futurism, the topper was a prime example of Lim’s clean, sporty brand of quirkiness. Meanwhile, Erdem Moralioglu (above, right) showed an option that was thick, greasy, and yes, noir, but printed with a venerable thicket of English seaside flora (for inspiration, the designer looked through his mother’s old photographs from vacations to the British littoral). And up-and-coming New York-based designer Jonathan Simkhai turned out a custom-printed pony-hair jacket with sleeves in contrasting leather (above, center). “We wanted to create a Western feel, but with a techy spin,” the designer told Style.com when asked about the splatter motif. “It’s meant to be a futuristic cowhide.” And for the woman wondering how to pull off such an item, Simkhai offers: “Pair a statement jacket with soft silk track pants—it makes for a comfortable yet stylish transitional outfit.”

Photos: Courtesy of 3.1 Phillip Lim, Courtesy of Jonathan Simkhai, Courtesy of Erdem