August 20 2014

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2 posts tagged "E.V. Day"

Ladies & Gents, Unsexed


The concept of blurred gender lines isn’t anything new. But it’s been at the front of our minds over the last few months, after seeing gaggles of girls dressed like boys (Saskia de Brauw in Saint Laurent’s Spring menswear campaign, Tamy Glauser, Jenny Shimizu, and Ashleigh Good on Givenchy’s Fall ’13 men’s runway) and boys dressed like girls (thank you, J.W. Anderson and Meadham Kirchhoff ). The art world seems to be pondering the topic, too. Evidence? Last night’s opening of Ladies & Gents—an exhibition at Salomon Contemporary that aims to cheekily explore our perception of the sexes. Featuring sixteen works, like Kiki Smith’s Daisy Chain (a long metal chain with a woman’s head and feet, made in 1992), Deborah Kass’ Four Barbras, Six Red Barbras, Four Barbras (a 1993 Barbra Streisand-centric silk-screen series), and Judith Hudson’s Bribe (an irreverent 2009 watercolor of a topless, pearl-adorned woman), the show lightheartedly juxtaposes masculinity and femininity, and sometimes fuses both. Take, for instance, E.V. Day’s work Spidey / Striptease (2012). Known for deconstructing fashion items (like a Chanel jacket, an Hervé Léger bandage dress, and pink panties) and stringing them up into complicated webs, Day presented a piece that combined a shredded Spider-Man costume, fishnets, and red stiletto heels. “I love Spider-Man, because his web looks just like a fishnet stocking,” said Day. “And that brought me to the realization that there’s a feminine idea about him,” she added.

Nir Hod—who showed Genius, a new painting that depicts a jaded, judgmental child wearing what looks like Elizabethan clothes while he smokes a cigarette—insisted that his work is about pure beauty. “That’s beyond gender. If you asked me if this was a boy or a girl, I couldn’t even tell you.” Continue Reading “Ladies & Gents, Unsexed” »

Adam Lippes, Patron Of The Arts


On the terrace of his West Village penthouse last night, designer Adam Lippes was wearing a white V-neck. Hey, it’s his place, he can wear what he wants—especially if it helps highlight the series of artist T-shirts he just did for the Whitney Museum of American Art.

Lippes collaborated with four of the Whitney’s Biennal artists—Matthew Brannon, Phoebe Washburn, Ellen Harvey, and E.V. Day, the last of whom stretched a fishnet stocking diagonally across the front of her T-shirt and sprayed it stencil-style with red paint—on two designs for men and two for women, and made a thousand of each; the shirts go on sale (for 36 hours) tomorrow at Gilt Groupe, which teamed up with Lippes last night to throw a laid-back launch party. A chunk of the profits will benefit the museum.

Made in L.A. and hand-numbered in New York, the shirts have a bicoastal pedigree. The idea is that they be as contemporary as the institution they benefit, Lippes said. “The Whitney as a museum is pretty progressive,” he pointed out. “You know, they were the first major institution to collect living artists instead of dead artists—who would have thought?”

Photo: Chance Yeh/Patrick McMullan