15 posts tagged "Eva Herzigova"
Last time Brian Atwood tried to do a film, it was banned. Which wasn’t really surprising, considering the Mert & Marcus-lensed Fall 2012 short featured a completely naked Candice Swanepoel (save a sometimes-there corset and some killer Atwood boots) watching porn and rolling around with two muscular male models. But now that he’s worked out the kinks, Atwood is back for round two. The designer teamed up with the famed photographers again for his Spring ’13 film, which, inspired by Marilyn Monroe’s iconic pool scene in Something’s Got To Give, stars Eva Herzigova. Despite the fact that she’s nude (come on, what did you expect?), the film is a playful and, dare we say, tasteful expression of the seductive femininity around which Atwood’s shoes are built. “I think our last film and campaign was very sexual. It pushed the boundaries. But this is more feminine,” Atwood told Style.com. The video has a distinct Old Hollywood feel and shows Herzigova swimming around in a pair of floral heels (which Atwood thought resembled vintage swimming caps). “Yes, there is a man [you only see his arm as he reaches over the pool to give Herzigova a martini], but it’s all about her,” added the designer, who notes that Monroe’s “unapologetic sex appeal” is a constant source of inspiration. “She was mesmerizing—she had this power over men and women. And I think we captured that in a modern and very luxurious way.” Indeed, what could be more luxurious than wearing emeralds and sky-high sandals in a private pool? “Every woman wants to be that woman.” And Herzigova does a more than credible Marilyn impression. “When we were filming, I told Eva that I didn’t realize she was so curvaceous,” Atwood said. “And she leaned over to my ear and said, ‘I’m three months pregnant.’ ” Watch the debut of Atwood’s Spring ’13 film, above, exclusively on Style.com.
There wasn’t anything inherently minimal about the metallic leather judo socks and Japanese floral-print furs, bags and frocks in Miuccia Prada’s Spring 2013 collection. But simplicity—extreme simplicity—is precisely the concept behind the house’s Spring campaign, which debuts today exclusively on Style.com. Featuring some of our favorite women—like Eva Herzigova, Sasha Pivovarova, Amber Valletta, Raquel Zimmermann and more—the images, shot by Steven Meisel, do away with frills and thrills, letting Prada’s strong Spring stars (and clothes) shine.
CFDA Unveils A China Exchange Program, Edun Does Its First L.A. Show, Model Caroline Trentini Weds In Theyskens, And More…
The CFDA has just announced the launch of its China Exchange program, with financial support courtesy of Silas Chou. The CFDA/Vogue Fashion Fund program is expected to become an ongoing one, but it will launch with Proenza’s Jack McCollough and Lazaro Hernandez shipping out to Shanghai and Uma Wang visiting New York this spring. [WWD]
Czech model Eva Herzigova, famously the body of Wonderbra, is in a new film entitled Cha Cha Cha. The model has made brief appearances in a half dozen films, but her role in this Italian movie is not yet known. [Telegraph]
Ali Hewson and Bono hosted Edun’s first Los Angeles runway show on Saturday night. Colin Farrell, Gela Nash-Taylor, and John Taylor all turned out to celebrate the line’s launch at Neiman Marcus. [WWD]
Model Caroline Trentini married photographer Fabio Bartelt over the weekend in an Olivier Theyskens-designed gown. The dress, with its lace V-neck, sweetheart bodice, and full skirt, bears a strong resemblance to Kate Middleton’s iconic McQueen wedding dress. [Styleite]
“I Thought, Well, If We’re Going to Use Models, Why Don’t We Use Supermodels Whom We’ve All Known for Many Years?”
Duran Duran’s much-blogged-about video for “Girl Panic!” went live on the Internet today. In the nine-minute clip directed by Jonas Akerlund of Lady Gaga’s “Telephone” fame, Simon, John, Nick, and co. are played by the supermodels they partied with way back when: Naomi Campbell, Cindy Crawford, Eva Herzigova, Helena Christensen, and Simon’s wife, Yasmin LeBon, lip-synch, strum guitars, pound on drums, and vamp for the paparazzi just like the boys did in their 1980s heyday. Style.com spoke with Nick Rhodes via phone from London about the new video and the band’s longtime love of fashion. They were sitting front-row at Versace’s Fall show in February, but they’ve been palling around backstage with the likes of Azzedine Alaïa for decades.
Tell me about genesis of the project.
Awhile back I had an idea to have some models play Duran Duran in a video, to get look-alikes and to style them like we were when we started out. But then I thought, Well, actually if we’re going to use models, why don’t we use supermodels whom we’ve all known for many years? I thought it was fitting that we all came up through the same period. There’s a little bit of an eighties feel to ‘Girl Panic!’ It references some of the sound we had back then, it just all seemed to marry very well. And when I brought the idea to the band, there wasn’t even a heartbeat, everyone said, ‘Yes, perfect!’ We started on a crusade to get the right girls. That’s where it got more complicated. They all have very busy schedules, and we also had fairly busy schedules. The director [Jonas Ackerlund] has a phenomenally busy schedule, and trying to coordinate it all was a task as complicated as anything that we’ve ever done.
So, did you handpick Eva Herzigova to play you in the video?
Mine was the last one to fall into place, actually. The beautiful irony is that Eva was on our very first list. We put Eva down, but she was unable to do it because she was pregnant. But because it took another six months to organize the video, she had had the baby. It was really quite fortuitous how long it took.
How did the supermodels do representing you?
We didn’t want to do a remake of the Robert Palmer “Addicted to Love” video, with the girls in the Alaïa dresses with the red lips. We wanted it to look like they were really delivering the song. That’s asking a little bit more from girls who aren’t natural musicians, but they were all so up for it that they wanted lessons. Eva was fantastic. Helena chose drums. Cindy wanted to do the bass. I have to say, with all the reputations, there’s a reason they’re so super. They’re so professional, so patient, and easy to work with.
In the making-of video that Style.com launched last week, Naomi Campbell remembers waiting for the band outside of the BBC. Do you have any early memories of her?
We met Naomi very early, when she was about 17. She was with the same agency as Yasmin [LeBon, Simon's wife], she came out to a dinner. And how on earth can you forget a face like that, and a bubbly personality and determination to match? I was hardly surprised she became so enormously successful. She’s very much the same now as she was then. I remember all of the girls from the Alaïa shows and the Versace shows. We used to see a lot of those shows. Azzedine is as clever as you get, knows how to make women look beautiful.
I guess I shouldn’t be surprised by how much you know about fashion, but I am.
We’ve always had a real admiration for fashion and style, so a lot of my personal friends are within the industry. I always watch the Central Saint Martins graduation show when I can. We’re getting our energy back in London. We used to have Vivienne [Westwood], McQueen. There was a time when fashion week felt much more significant; we lost it again. A lot of the American editors stopped coming over, but I feel that we are really starting to get a grip on it again. Other cities are more driven by the commercial. The ideas here are much more modern.
Do you have a favorite Duran Duran video? Will you make another video for a single on All You Need Is Now?
This is as good as any video we have ever made; it has great humor and style. And it’s very sexy, I have to say. But “Wild Boys” has held up very well, “Save a Prayer,” and “All She Wants Is” won a lot of technical awards—it was shot a frame at a time. We weren’t planning on doing a lot of other videos for this album, but we’ll see what kind of impact this has, what kind of response we get. Working with Jonas on this one was pretty extraordinary. We’d have to do something very different.