3 posts tagged "F. Scott Fitzgerald"
“I wanted the audience to feel like the people who read Gatsby in the twenties,” said director Baz Luhrmann during yesterday’s intimate luncheon and discussion of The Great Gatsby at the New York Public Library. “Back then, it was dangerous and of the moment.” Following a string of stylish events and a splashy New York premiere worthy of any Fitzgerald novel, the event was a scholarly affair hosted by Anna Wintour, NYPL President Tony Marx, and editor in chief of The New Yorker, David Remnick. The latter moderated a Q&A with the film’s star-studded cast and crew.
Just steps from the library’s trove of Fitzgerald first editions, the film’s stars, Tobey Maguire, Joel Edgerton, Isla Fisher, and Carey Mulligan (DiCaprio was absent), offered insight into playing some of literature’s most memorable characters. “Daisy became a cocktail of a lot of research,” revealed Mulligan, who plumbed Princeton’s archives for the author’s intimate correspondence with muses Zelda Fitzgerald and Ginevra King. “I fell in love with these two women. The more I read their words, the more real Daisy became.” Fisher, who plays the down-on-her-luck Myrtle Wilson, admitted that her character’s capricious tendencies were hardly far-fetched. “I often play a floozy,” the Australian starlet deadpanned in a Chloé ensemble.
But perhaps the keenest observation came from the film’s scorer, Jay-Z, who was the first to see a rough cut. “We went to lunch afterward, and Jay told me, ‘The thing about this movie is that it’s aspirational,’” recalled Luhrmann. “I think he really nailed it. With Gatsby, everybody thinks of the parties, the fashion, and the champagne. I do hope the movie has a lot of razzle-dazzle, but ultimately it’s a book about hope.”
Baz Luhrmann’s long-awaited adaptation of The Great Gatsby, with Leonardo DiCaprio, Carey Mulligan, and Tobey Maguire, will open the 66th Cannes Film Festival, it was confirmed today. It’s a spiritual return to the area for Fitzgerald, who wrote some of his greatest work on the Riviera, and an actual one for Luhrmann, whose first film, Strictly Ballroom, screened at the Festival some 21 years ago. (His Moulin Rouge! opened Cannes, too.) Expect Prada on the red carpet—not only is Mulligan a favorite of the house, Miuccia Prada also worked with the costume designer, Catherine Martin, on some of the film’s looks.
It’s been a journey from the stables through the French Riviera to get Mark W. Cross & Co. to the accessory floor of Barneys.
“Originally, Mark Cross was a maker of all things to do with horses—saddles, bridles, and harnesses,” explains Neal Fox, the chief executive officer of the 166-year-old Boston-based leather brand. “As time went on, the company added every conceivable product made of leather for men and women.” The company’s history is richer than most. Onetime owner Patrick Murphy expanded its offerings to include fine china, crystal, evening bags, and cigarette cases, and his son, Gerald, later took over the firm. Gerald and wife Sara Murphy are more famous for their close circle of confidantes than for their accessory design, per se: The Murphys were society legends in the twenties, and entertained the likes of Ernest Hemingway, Pablo Picasso, Cole Porter, and the F. Scott Fitzgeralds; the novelist is said to have modeled the glamorous, feuding Dick and Nicole Diver from Tender Is the Night on the couple.
So for the label’s relaunch after a 1997 closure, the new design team looked to house history to provide the inspiration. Among the bags set to hit Barneys New York exclusively on December 10 are the Scottie (above), inspired by the original Mark Cross top-handle satchel and named for the Fitzgeralds’ daughter; the Grace box bag, a replica of the one Gerald made for Grace Kelly’s character to carry in Hitchcock’s Rear Window; and the Marina clutch, based on a vintage piece. The bags come in vegetable-tanned Italian leather in nude, cuoio, black, and “Mark Cross red.” Exotic skins are in the works for next season.