August 30 2014

styledotcom In honor of the #USOpen, 19 of the greatest tennis fashion moments:

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2 posts tagged "Frida Weyer"

At Day Two of Berlin Fashion Week, a Modest Proposal



Modesty was the dominant theme during the second day of Berlin fashion week—not on the catwalks but in conversation. Throughout the tent and on the street, Germans were expressing self-deprecating sympathy for the Brazilians, especially the football players’ families, who were undoubtedly having a pretty awful day after Germany won the World Cup match by six goals. At BFW, in typical Berliner style, however, a modest worldview was counterbalanced by lots of unashamed displays of skin. Marcel Ostertag showed models in sheer polka-dot blouses and summoned the spirits of sexy sixties artists Niki de Saint Phalle and Tom Wesselmann with trompe l’oeil dresses, jumpers, and jackets whose neon ovals outlined models’ breasts. For her Lala Berlin label, designer Leyla Piedayesh paired loose and comfy yummy mummy silhouettes with completely transparent silver mesh and peach silk tops. The classically conservative Frida Weyer brand offered cutout sections on pastel party dresses that exposed midriffs and obliques. Even the beautifully crisp, chic, understated Clemens en August label presented, alongside slinky jumpsuits and boyish suits, a pair of black tap pants under a translucent black dress with a pinstriped collar. Coupled with World Cup empathy, all these see-through tops exposed humble hearts of Berlin.

Photos: Courtesy Photos

Berlin Fashion Week Comes to a Close


Throughout Berlin fashion week, Alonso Dominguez will report back on the best and brightest shows. To view our complete coverage, click here.

Day 4:
The last day of Berlin fashion week kicked off with Issever Bahri (left)—a young label (founded in 2010) designed by German-Turkish duo Derya Issever and Cimen Bachri. For Fall ’13, the pair put forth a minimal, neutral collection of long silk shirts and oversize knits. These were worn with black leather trousers and short skirts in wool velvet. Demure dresses brought a youthful femininity to the collection.

Over at Vladimir Karaleev, deconstruction was the name of the game. The conceptual designer sent men and women in unfinished gabardine, wool, and rubber garments down his runway. Key looks included a cream woven sweater with a mesh detail that exposed the model’s torso and a cropped see-through-plastic electric blue jacket with faux-fur sleeves.

At Dawid Tomaszewski, one of the most anticipated shows of the week, there were smoky-eyed models wearing sculptural black and dark gray looks in leather and silk. Applications like rubber patches on tights and copper-colored metallic belts and cummerbunds gave the collection a futuristic feel, while baded embroidery and carefully tailored jackets and capes were evidence of the designer’s attention to detail.

Michael Michalsky’s show—the last of the evening—was held at an off-site location. For men, there were rolled-up trousers, dark blazers, and leather jackets. Illustrator Bendix Bauer designed Michalsky’s custom Fall print, which appeared on trousers, shirts, and a suit. For the ladies, the designer showed long silk and lace dresses and skirts paired with thick coats, dark blazers, or sequined jackets. Mini polka dots covered aqua blouses and long skirts, and the black chiffon finale gown—nipped at the waist with a bowed belt—closed the show (and for that matter, Berlin fashion week) with a flash of drama.

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