6 posts tagged "Gagosian Gallery"
Long a champion of fusing art and fashion, Bottega Veneta unveiled a new—and bold-faced—cross-industry display at its Fifth Avenue flagship today: a window installation featuring a trio of the house’s Fall ’13 looks alongside two select works by the late artist John Chamberlain.
On loan from Gagosian Gallery (a first-of-its-kind endeavor for the famed dealer Larry Gagosian), Chamberlain’s EMPIREMICROPHONE and COLONELGARGLE—a set of crushed, chrome-plated sculptures—flank three of designer Tomas Maier’s richly hued Fall ’13 frocks. Both Chamberlain and Maier drew upon assemblage—the mid-century style in which artists retaliated against abstract minimalism by focusing more on materiality and physicality (for example, Chamberlain is most often recognized for his works containing parts of junked automobiles)—when creating their displayed works.
Maier, though, also specifically referenced an offshoot of this moment, dubbed Arte Povera, in which a dozen or so Italian artists worked with preindustrial and decidedly more sustainable components such as rocks, paper, and rope. The effect—especially on these dresses, which feature regenerated and punched-through silk-wool blends in eye-popping autumnal palettes—gives the term mash-up a whole new meaning.
The windows will be on display at Bottega Veneta’s 699 Fifth Avenue store through September 17.
Having faced allegations of plagiarism after his last show of paintings, Bob Dylan—he of “Blowin’ in the Wind”—confronted the issue head-on for his new one: Revisionist Art: Thirty Works by Bob Dylan, which opens tonight at New York’s Gagosian branch on Madison Avenue, riffs on the theme of appropriation. Like, for example, Playboy Magazine: Sharon Stone (2011-12), above, which borrows elements from the pulp press and the legendary men’s magazine. (Lest you be tempted to call it mere appropriation and not art, recall that it is, at the very least, an improvement on the actual June 1985 cover of Playboy, which featured eighties tabloid sensation Roxanne Pulitzer and a trumpet.) It may be news to Sharon Stone that she’s appearing on the magazine cover (especially since the woman pictured doesn’t appear to be her), but the more pressing question may be, who’s the phantom subscriber? Here’s to you, Mrs. Rosenhorn!
Revisionist Art runs through January 12, 2013 at Gagosian Gallery, Madison Avenue, gagosian.com.
One of fashion’s most noted phenomena is the mysterious process by which any number of designers might be inspired by the same thing in a given season. But if a certain artist makes an impression on the runways come September, it won’t be so much a case of something in the air as something in the Gagosian Gallery. A handful of European designers are in New York this week for their Resort presentations (along with the dueling dinners that follow), and most of them, it seemed, had been over to West 24th Street to take in a new museum-worthy exhibition devoted to Lucio Fontana. The midcentury Italian painter and sculptor has long been a favorite of the fashion set—Tom Ford installed one of his pieces in the entryway when he opened his first men’s store on Madison Avenue—and it’s intriguing to imagine how Fontana’s slashed surfaces might influence a designer’s work. (Fleeting, wholly impractical thought: how to duplicate the effect on the next cover of Style.com/Print. See how that flies with the ad department.) Jean-Luc Godard once suggested that all filmmakers should shoot the same script so that you could really appreciate the difference in their styles. It might be fun to witness a similar challenge on the fashion front. Then again, maybe it won’t be Fontana but something else that captures the collective mind. The Avedon show, round the corner at Gagosian’s sister branch on 21st Street, is pretty great, too.
Lucio Fontana: Ambienti Spaziali runs through June 30 at Gagosian’s W. 24th St. gallery; Richard Avedon: Murals & Portraits runs through July 27 at its W. 21st St. branch. For more information, visit www.gagosian.com.
We got a sneak peek of Ruffian‘s favorite print from the upcoming Spring collection, and, well, it’s a little racy. Inspired by the Picasso: Mosqueteros exhibit at the Gagosian Gallery this spring, Brian Wolk and Claude Morais channeled Cubism’s favorite titillator for their own designs and came up with a graphic homage to the late great. The resulting geometric nude torso print will be splashed on tops and dresses; a Christian Louboutin stiletto in the same palette is in the works, as well. We love this shot of Morais in the studio, getting work done in a Picasso-tested-and-approved getup, paint brushes included.