10 posts tagged "Garage"
Thanks to Suzy Menkes’ recent T magazine article “The Circus of Fashion,” and the mobs of shutterbugs outside the Fall ’13 runway shows, the hysteria that is street-style culture was a hot topic this fashion month. What’s the obsession? How did we get here? And how is it affecting, and indicative of, the state of the fashion industry? In a new film titled Take My Picture, Dasha Zhukova’s Garage magazine examines all this and more. Through footage of the ever-growing sea of bloggers at fashion week, and commentary from the likes of Proenza Schouler’s Jack McCollough and Lazaro Hernandez, Susie Bubble, Phil Oh (who describes street-style snapping as “trench warfare”), and Style.com’s own Tim Blanks, Garage dissects what makes bloggers, and their increasingly wildly dressed subjects, tick. The mini-doc debuts exclusively above, and will be up on GarageMag.com this weekend.
The weather in Paris this Saturday night was not exactly tropical. But over in Montmartre, Prism London impresario Anna Laub generated a bit of a heatwave. To celebrate the launch of Prism’s new range of bags, Laub decided to throw a house party, replete with tacos on demand, beaucoup des cocktails, an Instagram photo booth, an attic dance party, and, for some reason, a bowler hat suspended from the ceiling near the bar. Tacos in Paris is a surreal enough concept; was this an offhand tribute to Magritte? “Oh god, the bowler hat…,” said Laub, who co-hosted the fete with Garage magazinesters Chloe Kerman and Shala Monroque. “Don’t even get me involved with the bowler hat. I have no idea. It was pretty much improvised party lighting.” It was also a stroke of genius, given that the party’s un-stated theme was, essentially, the randomness of modern jet-set life. “You know, the bags are designed to make travel more functional,” Laub noted, “and I was thinking about the fact that we’re all traveling so much these days, and it’s kind of a crazy thing, that people have friends all over the world, and these lives where they’re in Tokyo one day and then Paris the next.” Yes, it’s all a bit of a glam mishmash. Very tacos in Paris, you might say.
Vanity is the theme behind the fourth issue of Dasha Zhukova’s acclaimed Garage magazine. Perhaps not the most surprising subject for a fashion glossy, but the editor’s approach to the concept is definitely original. Garage‘s cover and corresponding spread were shot by Patrick Demarchelier and feature a gaggle of models provocatively posed in looks by Balenciaga, Saint Laurent, McQueen, and Dolce & Gabbana. What’s the twist? Each girl is accessorized with a Cindy Sherman mask created via ThatsMyFace.com. “Cindy Sherman’s work raises such important and challenging questions about the representation of women, both in media and society. There was no better likeness to illustrate issues of identity and facelessness in the fashion industry,” says Zhukova. The artist gave Garage her blessing to create the masks, all of which are based on Untitled #461 (the work was shown in Sherman’s recent MoMA exhibition). However, it would seem Sherman hasn’t yet seen the new issue, which, in addition to the fantastically creepy editorial, includes conversations between Urs Fischer and Neville Wakefield and Boris Mikhailov and Juergen Teller, as well as Aimee Mullins paper dolls and contributions from Theaster Gates, Michael Craig-Martin, and more. “I hope she likes it!” says Zhukova. We suppose we’ll have to wait until the magazine hits newsstands, on February 9, to find out. Unless, of course, she sees the spread’s exclusive debut here, on Style.com.
When Dasha Zhukova released her debut issue of Garage magazine during fashion week last September, The New York Times called it “one of the most intriguing magazines to come along in years.” To jog your memory, recall that cover (there were three different ones) lensed by Hedi Slimane, featuring the lower half of a nude model with a peel-off Damien Hirst sticker on her crotch. One year later, she’s got issue number three ready to hit newsstands September 10. The theme, it would appear, is a little less provocative: time.
“Our themes in the past were not risqué just for the sake of it—it was more that we focused on subject matter that we thought resonated,” she tells Style.com. “We decided to focus on ‘time’ as our theme as it seems to be the one thing that everyone is either trying to buy more of or rush their way through with the increasing presence of technology in our everyday lives. From our obsession with defying the effects of aging to the stress of deadlines that loom in our careers to things as seemingly trivial as arriving ‘fashionably late,’ time touches all aspects of our lives.”
Zhukova brought on the likes of photographers Nick Knight and Juergen Teller to interpret time for the five different covers, all linked to an editorial inside the issue. Knight did a Lichtenstein-inspired shoot with Lindsey Wixson, with text captions by Perez Hilton. “Nick Knight’s shoot and collaboration with Perez takes traditional pop art to the contemporary extreme. It takes an aesthetic that feels almost classical to today’s generation and frames it timelessly with the use of today’s digital shorthand,” she explains. Teller, for his part, photographed the oldest tree in the world with Spanish actress Rossy de Palma as his model. The other three covers include works by artists Michael Elmgreen and Ingar Dragset, John Currin, and a limited-edition vinyl record with a conversation between Marc Jacobs and Currin. Here, Style.com has an exclusive first look at the Knight (pictured, above) and the Teller (pictured, below) covers.
Azealia Banks, never one to hold back. The unapologetically in-your-face rapper and fashion darling recently lent some of her swagger to Alexander Wang’s newest T campaign, but that’s nothing compared to her cover shoot for Dazed & Confused. It’s supposed to hit newsstands on August 16, but reportedly the new issue is, ahem, an issue in seven countries because of the risqué cover. (Someone was bound to give Garage magazine editor Dasha Zhukova’s debut issue cover a run for its money.) Though the actual image is being kept under wraps, the Telegraph reports that it features Banks “posing with an inflated bright pink condom between her lips like a giant cigar, accompanied by the cover line ‘Azealia Banks Blows Up.’ ” Looks like that snarky cover line might just blow up in their faces if they don’t find a solution soon. The mag doesn’t seem to be too worried, though. Its response to the news, via the Dazed Twitter feed: “Thank god for the Internet, huh?”