56 posts tagged "Gareth Pugh"
Just in case you haven’t gotten your fill of Lady Gaga’s paint-smeared face, it’s back in the video for “Applause,” the first single to (officially) drop from the singer’s forthcoming album, Artpop. Fittingly, for the woman devoted to living her life as a live-action editorial shoot, the video was directed by fashion photographers Inez van Lamsweerde and Vinoodh Matadin, who also shot Artpop‘s cover and Gaga’s four September V covers. “For me, it was one of the most memorable experiences that we’ve ever had,” Gaga’s stylist, Brandon Maxwell, told Style.com when asked about working with the photographers. Of course, the clothes—like an archival John Galliano gown accessorized with duct tape and safety-pin baubles by Mathieu Mirano, and Valentino Couture lingerie paired with Alaïa boots—added to the excitement.
“The concept was really, What would you do for the applause?” explained Maxwell. Donning a custom Gareth Pugh pillow gown (which explodes around a black catsuit by Mila Schön) and a Maison Martin Margiela Couture jacket (Gaga wears it atop a mirror-and-pin costume conceived by her sister, Natali Germanotta) seems a good place to start. However, Maxwell stressed that some of Gaga’s most memorable looks boast a DIY touch. “Nobody loves clothes and couture more than Gaga, but I think some of her most famous costumes are things that she made with her own two hands,” asserted the stylist. “So there are parts of the video that are incredible for fashion people—like, I was basically crying during that whole Galliano scene. But she has a huge fan base, and I like to choose pieces—whether they’re off the runway or made by us—that some of these kids can make at home.” This time around, those items included seashell pasties; a floating bikini bottom that Gaga’s in-house Renaissance man, Perry Meek, assembled from fresh flowers, glue, and string; and a surreal top by Jean-Charles de Castelbajac shaped to look as though two gloved hands are grasping Gaga’s breasts. The pop star also wears assemblage-style wings—fashioned from broken umbrella spokes—by L.A.-based Junker Designs. Continue Reading ““Applause,” Please: Brandon Maxwell Talks Styling Lady Gaga’s Latest Video” »
If the past few years are any indication, Barbie has a thing for young London—designers, that is. Louise Gray, Roksanda Ilincic, and Gareth Pugh have all made a special little something for the blonde and her boyfriend, whether it be Dalston-appropriate duds or, in Ilincic’s case, a London dream house. Now, in celebration of Selfridges’ new fourth-floor toy shop, which opens this week, emerging Brit-based brands Sister by Sibling, Fred Butler, and Nasir Mazhar have each dressed five one-off dolls. Sibling’s Cozette McCreery, Sid Bryan, and Joe Bates designed a gaggle of knit looks (above, left), while Butler turned out a series of quirky, sculptural ensembles (above, center). Mazhar created some hard-edged streetwear styles—we especially enjoy the bucket hat and sweat suit getup he fashioned for Ken (above, right). All fifteen dolls will be on display—and for sale—in the toy shop’s Barbie department.
Considering the winner receives a cool 250,000 euros and a two-season mentorship from Italian fashion tycoon Renzo Rosso, the ANDAM Fashion Award is one of the most coveted in the biz. And today, the group announced the seven finalists being considered for the 2013 prize. This year, AMI designer Alexandre Mattiussi, the ever-quirky Olympia Le-Tan (left), Yang Li, Pedro Lourenço, Maison Rabih Kayrouz, Masha Ma, and conceptual couturier Iris van Herpen will be competing for the honor. The winner, whose spoils will also include his or her Spring ’14 collection being sold in Canadian department store Hudson’s Bay Company, 10,000 euros worth of Swarovski Crystals to use on his or her Spring ’14 collection, and support from Fashion GPS over the next two years, will be chosen by a panel of industry insiders—including Colette’s Sarah Andelman, Humberto Leon, Paris Vogue‘s Emmanuelle Alt, and Style.com‘s executive editor Nicole Phelps—in Paris on July 4. Previous winners include Anthony Vaccarello, Giles Deacon, Richard Nicoll, and Gareth Pugh.
It would seem that Barbie and co. can’t get enough of the London fashion scene. After receiving a rainbow dye job from East London salon Bleach, as well as a graffitied makeover from Louise Gray, last year, and sending Ken to get some new Gareth Pugh threads in 2009, Barbie has tapped Roksanda Ilincic and Nick Knight’s Showstudio to design her new virtual Dreamhouse. Considering Ilincic, who created a frock for Barbie four years ago in honor of her fiftieth anniversary (left), has a background in architecture, we assume she’s more than qualified for the job. Introduced in 1962, Barbie’s Dreamhouses have, of course, traditionally had a Malibu twist, but the new mini-mansion—set to be revealed later this summer—will pull inspiration from London’s gritty streets. Expect a harder, more subversive edge than the previous plastic abodes, but, knowing Ilincic, no less pink.
Perhaps all those vampire films and zombie shows (The Walking Dead, anyone?) are finally taking their sartorial toll, because things are getting downright ghoulish on the Fall ’13 runways. It all started in London when Giles Deacon sent out models with white hair and morbid makeup in his Pre-Raphaelite gowns. Kristen McMenamy (above, center), who bookended the show in fluid black and white frocks, was particularly spectral as she glided down the catwalk, and Deacon’s location—the seventeenth-century Stationers’ Hall, which is just down the road from Saint Paul’s Cathedral—seemed ripe for haunting.
Set in a nineteenth-century hôtel particulier, Damir Doma’s Fall show (above, left) also had an underworld air. The models who donned his minimal black, gray and moss looks had powdered faces and eerie gold-shadowed eyes. Not surprisingly, however, the most macabre of them all was Gareth Pugh (above, right). The designer presented his architectural, largely black and white collection in Paris’ nineteenth-century Hôtel Salomon de Rothschild last night. (For an extra-creepy kick, he boarded up the windows to make the grand space look like some kind of decadent haunted house.) Pugh’s models, who had deathly pale faces and blackened eyes, roamed the runway with a disheveled unease. Was it spooky? Definitely. But the undead never looked so good.