6 posts tagged "Gianvito Rossi"
With Thanksgiving just around the corner, it’s time to start thinking about what you’ll be giving (and, of course, requesting) this holiday season. If you need some inspiration, take a peek at our holiday shopping guide, which is packed with goodies for everyone from your rocker pals to sporty snow bunnies to uptown gals (and don’t miss our corresponding grungy tale of holiday thievery). Need a few more suggestions? Over the next few days, we’ll be divulging what our editors are planning to gift, and hoping to get. Have a look at our first picks, below.
NICOLE PHELPS, EXECUTIVE EDITOR
To Get: I’d love a one-month unlimited class package to Physique 57. With a 5-year-old at home, making time to work out is the biggest luxury there is.
To Give: I received a pair of Hatch‘s navy cashmere joggers as a gift about a year ago. They instantly became my at-home uniform; I wore them just about every night last winter. I know my mom and sister will be thrilled to receive pairs of their own. Hatch founder Ariane Goldman has opened a temporary shop at 25 Howard Street here in New York through Thanksgiving weekend, so it’ll be easy for me to go snap them up.
KATHARINE K. ZARRELLA, ASSOCIATE NEWS EDITOR
To Get: All I really want for Christmas is a ticket to London so I can go and explore the Isabella Blow: Fashion Galore! exhibition at Somerset House. But seeing as it’s highly unlikely that I’ll be hopping the pond in the near future, I’d be equally pleased to receive this pair of Fendi booties. I wear my Fall ’10 Yves Saint Laurent mohawk pumps pretty aggressively, so it would be nice to have another footwear option that’s similarly coiffed.
To Give: I think everyone should own a vintage silk kimono. Every single person. They’re incredibly comfortable and wildly glamorous for lounging around the apartment. A few of my friends have been pining after my latest acquisition—a black, red, and gold embroidered kimono that was once owned by the 1934 Miss Japan—so I will be gifting them equally spectacular robes. My favorite kimono scavenging spots are obscure antique shops on the Upper West Side and Joe Sundlie’s vintage store in Chelsea. But this forties number from 1stdibs.com would do nicely.
RACHEL WALGROVE, SOCIAL MEDIA EDITOR
To Get: I’ve been eyeing LPD’s sportswear for a while. I love how it pairs team spirit with the cultlike following found in fashion. This Team Ghesquière tee is definitely on my list.
To Give: Anyone who follows me on Instagram knows that my family is obsessed with dachshunds—though I like to blame this mostly on my sister. These Jonathan Adler bookends would be the perfect complement to her impressive book collection.
ERICA BLUMENTHAL, CONTRIBUTING MARKET EDITOR
To Get: I don’t think you need a reason for why I want these python Gianvito Rossi pumps.
To Give: I plan to buy several copies of Morrissey’s Autobiography as soon as it hits U.S. stores on December 3. Most of my friends are dying to read it, so why not give them what they want?
While fur—in every color and form—is a major trend for Fall ’13, it’s safe to say that the look is not for everyone. You won’t see too many twentysomething New Yorkers walking down the street in a floor-length mink. A pony hair backpack from Jérôme Dreyfuss, however, feels youthful and on point. Pony hair (which is, in fact, haircalf) is a rich alternative to fall’s traditional leather pieces, and unlike full-on fur, the shiny texture only hints at opulence. We suggest sticking to neutral hues and simple silhouettes, like slim skirts and structured bags, to let the texture really shine. Shop our favorite pony hair pieces from Victoria Beckham, Proenza Schouler, and more, below.
1. Victoria Beckham calf hair paneled felt pencil skirt, $1,695, available at net-a-porter.com
2. Marni calf hair top, $3,110, available at net-a-porter.com
3. Gianvito Rossi pony hair pointed-toe pumps, $744, available at matchesfashion.com
4. Neil Barrett calf hair and felt baseball cap, $415, available at net-a-porter.com
5. Proenza Schouler gray calf hair and leather tiny PS11 shoulder bag, $1,885, available at ssense.com
Well, the Spring '13 Gianvito Rossi for Altuzarra gladiator sandal does, anyway—in the form of one of the mag’s cheeky cartoons, no less. This week marks The New Yorker‘s style issue, and needless to say, Mr. Altuzarra was pretty tickled when he got his copy. “It was a huge surprise,” the designer told Style.com. “I had no idea it was happening. I actually thought it was a joke, like a fake cover, but when I realized it was real, obviously I felt honored. It’s the coolest thing.” Penned by Ana Juan, the caricature shows Altuzarra’s shoe against the New York skyline, to scale with the city’s skyscrapers (that is to say, megasized). ” I thought it was interesting because the shoe does have a monolithic quality,” offered Altuzarra, who joked that the pressure’s on to create an equally cover-worthy kick for his upcoming Resort collection.
It must be noted that Altuzarra’s shoe is in pretty good company—inside the style issue, you’ll find an in-depth interview with Met curator Andrew Bolton, who gives a behind-the-scenes look at the forthcoming Punk: Chaos to Couture exhibition; a story about an emerging (and pretty die-hard) punk community in Burma; and a piece about legendary New York tailor, Dapper Dan—hip-hop’s official haberdasher. The articles (and the cartoon) are all available to subscribers at www.newyorker.com.
On February 15, Phaidon Press will release Pattern, a book that highlights one hundred compelling fashion designers on the rise. Phaidon handed over the book’s curatorial duties to a group of ten designers and industry insiders (including stylist Keegan Singh, Preen’s Justin Thornton and Thea Bregazzi, the SHOWstudio team, and Business of Fashion‘s founder Imran Amed, just to name a few), each of whom chose ten talents to fill Pattern‘s pages.
The book (which is a follow-up to the 2005 fashion tome SAMPLE) features established designers (Phillip Lim, Alexander Wang, Christopher Kane, Sarah Burton), well-known emerging labels (Eddie Borgo, Thomas Tait, Creatures of the Wind, Mary Katrantzou, whose work is pictured above), and proper newbies (Simone Rocha, Marques’ Almeida, Phoebe English, Maarten van der Horst). The designers’ diverse aesthetics, techniques and outlooks are presented via detailed introductions, backstage, campaign and editorial photographs, and never-before-seen sketches, all of which serve to give readers an in-depth understanding of their work. “For me, seeing that the designers had a consistent point of view that’s true to their style was important,” said Singh, whose picks include Cushnie et Ochs (left), Olivier Rousteing of Balmain, Tabitha Simmons, Dominic Jones, and Gianvito Rossi, among others. “You know, it’s like Azzedine Alaïa. He has his thing, and he always sticks to it,” he added. So does Singh think the next Alaïa is somewhere between Pattern‘s covers? “It’s a possibility!” he laughed. At the very least, he notes, “the book gives the young designers a chance to reach broader audiences; it exposes them to a whole new group of people.”
Pattern: 100 Fashion Designers, 10 Curators will be available on February 15, on phaidon.com.
Being the son of Sergio Rossi, Gianvito Rossi has something of a footwear pedigree. But rather than grow under his father’s brand, the Rimini, Italy-based designer decided to strike out solo. He’s built his own eponymous line at a deliberate pace; after launching in September 2006, Gianvito gradually developed his brand into a worldwide presence. In the U.S., he’s carried at Barneys, where his ongoing collaboration with Joseph Altuzarra has been turning heads. While in New York for the week, Rossi spoke with Style.com about his design DNA and his overarching concept.
Having grown up in the footwear business, do you think your style is different from your father’s?
It’s different in a way, but it takes a lot of the DNA. I’ve worked for my father since I was 17, so it’s very much in me. I think what changes is the point of view. You mix your experience with the ideas and concept.
Is there an overarching concept?
The shoe is really more a frame than a piece of art. Some designers may think this way, that it’s more art. For me, the piece of art is women. We’re making something that’s really an accessory.
On the topic of women, is it gratifying to make a beautiful shoe for a woman?
There’s great satisfaction and especially when you see them pleased to wear it. Sometimes, I see a woman who wears sky-high heels and maybe she’s uncomfortable. It changes her mood and in the end is stressful for her. But when she wears a shoe she likes, her whole way about her changes. It’s not only about looking at the shoe then, you can see it in her face.
You work with Joseph Altuzarra on the footwear for his line. How did you two originally link up?
Joseph called me because I was suggested by some friends. At the time, I was in my third collection and I had structured the company step by step, and it was the first time that the production was going very smoothly. He was starting his fashion show and I thought he was a nice guy, so why not? We’ve been collaborating for two and half years now. He’s really a nice guy to work with and I think the designs are looking strong.