49 posts tagged "Giles Deacon"
Most know Gwendoline Christie for her role as the armor-clad Brienne of Tarth on HBO’s fantasy smash Game of Thrones (get ready, the new season kicks off March 31). But when Ms. Christie’s not running through a Westeros battlefield, she’s a full-fledged member of London’s tight-knit fashion pack. You might find her cheering (and we mean cheering) at a good LFW show, squeezed into the front row between Princess Julia and Lulu Kennedy (Christie never misses the runways of close friends like Roksanda Ilincic, Louise Gray, Giles Deacon, and Henry Holland, just to name a few), and the bulk of her GOT press wardrobe was courtesy of pal Richard Nicoll. The six-foot, three-inch actress actually got her start modeling in student shows at the London College of Fashion and Central Saint Martins. “I feel quite passionately about London Fashion,” Christie told Style.com. “I think some of the most creative and interesting and brilliant people I know are involved in fashion, and I’m lucky enough that they’re my friends.”
Naturally, however, playing a die-hard warrior will have an effect on one’s look. “I had to cut my hair for Game of Thrones, which I found really hard. I find it quite embarrassing to admit that, but I think a lot of a woman’s femininity is tied up with her hair. Afterward, I had quite a big style overhaul,” says the actress, noting she used to study film-noir stars and covet a “sex bomb” Marilyn Monroe aesthetic. “Now, I look to people like Jean Shrimpton, Katharine Hepburn, Twiggy, and Greta Garbo in her more masculine stage.” Christie’s since embraced her ultra-androgynous makeover (pretty on trend, if we do say). “I think that’s more interesting—like a modern reimagining of femininity.” Continue Reading “Gwendoline Christie: Glamazon Warrior” »
Perhaps all those vampire films and zombie shows (The Walking Dead, anyone?) are finally taking their sartorial toll, because things are getting downright ghoulish on the Fall ’13 runways. It all started in London when Giles Deacon sent out models with white hair and morbid makeup in his Pre-Raphaelite gowns. Kristen McMenamy (above, center), who bookended the show in fluid black and white frocks, was particularly spectral as she glided down the catwalk, and Deacon’s location—the seventeenth-century Stationers’ Hall, which is just down the road from Saint Paul’s Cathedral—seemed ripe for haunting.
Set in a nineteenth-century hôtel particulier, Damir Doma’s Fall show (above, left) also had an underworld air. The models who donned his minimal black, gray and moss looks had powdered faces and eerie gold-shadowed eyes. Not surprisingly, however, the most macabre of them all was Gareth Pugh (above, right). The designer presented his architectural, largely black and white collection in Paris’ nineteenth-century Hôtel Salomon de Rothschild last night. (For an extra-creepy kick, he boarded up the windows to make the grand space look like some kind of decadent haunted house.) Pugh’s models, who had deathly pale faces and blackened eyes, roamed the runway with a disheveled unease. Was it spooky? Definitely. But the undead never looked so good.