3 posts tagged "Gilles Mendel"
The Fall ’14 Ready-to-Wear collections are under way in New York, and will be followed by the shows in London, Milan, and Paris. Before the new clothes hit the runway, we’ve asked some of the most anticipated names to offer a sneak peek. Per usual, it’s a busy time for all—designers and fashion followers alike—so we’re continuing our split-second previews: tweet-length at 140 characters or less. Our entire collection of Fall ’14 previews is available here.
WHO: J. Mendel, designed by Gilles Mendel
WHERE: New York
WHEN: Thursday, February 13
WHAT: “I was interested in color play and controlled asymmetry. Plaid echoes throughout the collection, informing the furs and the ready-to-wear.” —Gilles Mendel. The designer sent us a detail shot of one of his Fall furs, above.
With just hours before the curtain rises at the David H. Koch theater for the New York City Ballet’s Spring Gala tonight, J. Mendel’s Gilles Mendel is busy making the finishing touches on the costumes he’s designed for mater in chief Peter Martins’ new work, titled Mes Oiseaux. “I have been running back and forth to Lincoln Center with my scissors for two days now,” he told Style.com before heading back to the theater today. “It’s like doing a haircut—just a little more on this side and on that side until it’s perfect. It’s so surreal, here I am standing on the stage at Lincoln Center having the dancers of the New York City ballet do pirouettes for me so we can see that everything looks just right.”
It’s not the French designer’s first spin in the dance world. Back in 2010 he created the costumes for NYCB’s performance of Melissa Barak’s original ballet, Call Me Ben, which also provided inspiration for his Spring 2011 collection. “I like my clothes to be very precise because in fashion you want to look at them up close,” he said. “But from that experience, I learned to let go and stand 20 feet away from the dancer—things have to look good from a distance on the stage.”
For his second act, the designer brought the same femininity that’s linked to the J. Mendel aesthetic using tulle, stretch georgette, and muslin. But, he warns, “I think people will be quite surprised—it’s very graphic. The ballet is about three women and their relationship with a man. Peter and I wanted to give to the public a moment of discovery, so you wouldn’t know immediately that one woman is good, one is bad.” He designed a series of mostly-black costumes for the number, which only show the dancer’s true colors—figuratively and literally—when they move. An exclusive sketch of one of Mendel’s costumes is above.
Mes Oiseaux will be performed tonight alongside the Balanchine classic Symphony in C, with costumes by Marc Happel, and the latest work (titled Two Hearts) by former NYCB principal dancer and husband to Natalie Portman, Benjamin Millepied, with costumes by Rodarte. And check back tomorrow in People & Parties for our full report on the gala, hosted by honorary chairman Natalie Portman.
The newest McQueen tribute comes courtesy of the Dean-Gan-Kaliardos trifecta, who are dedicating the next issue of Visionaire—out in June, with a preview on www.visionaireworld.com today—to the late designer. Expect real wildflowers, a case designed by the McQueen studio, and a roll call of fashion’s best and brightest contributors: Klein, Sorrenti, Meisel, Inez and Vinoodh, Sims, Testino, and (of course) Gaga. [WWD]
After a brief (and, according to Google, accidental) shutdown yesterday, Tavi Gevinson’s blog is up and running once again. Thank goodness for that—without it, what reason would her legions of pre-teen admirers have to cut gym class? [Fashionista]
Meet nutria, the giant, Louisiana-based water rat whose fur is showing up in designer collections from Billy Reid to Gilles Mendel. Or, if you’ve got a sensitive stomach, don’t. [VF]
Aggy Deyn’s little sister designs tees (pictured); Aggy wears tees; tees cause minor sensation; Uniqlo to sell tees. It’s just about the oldest story in the fashion world. [Catwalk Queen]