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July 10 2014

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37 posts tagged "Giovanna Battaglia"

Melissa Shoes and the Campana Brothers Have a Fan in Marina Abramovic

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Marina Abramovic“I feel like a pop star!” exclaimed Brazilian designer Humberto Campana, alongside brother Fernando at Galeria Melissa in Soho. He’s talking about the way the duo’s ten-year-strong collaboration with Brazilian eco-conscious jelly footwear line Melissa—which is a creative departure from their exploratory industrial design work—has impacted their status at home. “The shoes democratize our work,” said Humberto. “Everywhere I look in São Paolo, I see someone wearing my shoes.”

Last night, in addition to a retrospective installation, the latest Melissa Campana shoes were on view—not on feet, but on a hanging sculpture-turned-fluorescent light fixture of interwoven, cotton-candy pink zigzag flats. The brothers designed the installation especially to highlight the new collection, which they say is inspired by their work in furniture—a plastic interpretation of the tables they made for the opera house in São Paolo, specifically—and charged by their commitment to using recovered materials. “[Melissa] is very open to our demands. We ask to recycle the maximum amount of PVC, and we achieved 40 percent of recycled PVC,” explained Fernando. “We’re trying to get more.”

Melissa x Campana Brothers

Guest of honor Marina Abramovic, along with the likes of Giovanna Battaglia, Sebastian Errazuriz, and Telfar Clemons, was on hand to support the project. “What I love is this concept of recycling materials. It can be so useful for different designers,” said Abramovic, fresh from three hours spent training for her upcoming show at Serpentine Gallery. “Even Zaha Hadid designed shoes [for Melissa], as did many other artists and creators,” she added. No doubt, the Campana brothers are in good company.

Priced from $90, the latest Melissa Campana collection is available now at ShopMelissa.com.

Photo: David X Prutting/BFAnyc.com 

Insta-Gratification: #PFW Edition

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In the age of Instagram, all it takes is a smartphone to achieve a photo finish, be it filtered or #nofilter-ed. That’s why Style.com’s social media editor, Rachel Walgrove, is rounding up our favorite snaps and bringing them into focus. For this very special edition of Insta-Gratification, she’ll be calling out the best shots from #PFW. See below for today’s picks.

Wednesday, March 6

Model massage train.

Front row selfie realness with Lupita and RiRi.

A note from Nicolas.

What I love most about this picture is that Jared Leto took it.

Peace out, Paris. Continue Reading “Insta-Gratification: #PFW Edition” »

Three’s a Trend: Think Pink—Or Better Yet, Just Wear It

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Wear PinkWhile our fall color palette is typically comprised of neutral hues, things changed in a big way this season. Alongside classic shades of gray, camel, black, and ivory were electrifying jolts of fuchsia—just in time for Valentine’s Day. At Altuzarra, the seductive color peeked out from beneath a deep olive coat, providing a chic solution to the latest snowstorm. What better way to beat the winter blues than with a mood-elevating pop of pink? Giovanna Battaglia had the same idea when she bypassed oversize parkas and cocoon coats and wrapped herself in a hot pink fur scarf instead. And Thakoon Panichgul deftly showed a head-to-toe fuchsia look in the form of a vibrant floral dress and knit wrap, which will transition nicely into spring. The color’s year-round wearability means you won’t feel so guilty wishing for a few pieces next Valentine’s Day—those heart-shaped candies won’t stand a chance.

Photo: IndigitalImages.com; Tommy Ton 

Keep Your Eye on Style.com’s 2013 Look of the Year Winner, Sara Nicole Rossetto

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Sara RossettoSara Nicole Rossetto is proof that you don’t need to be famous or have an expensive wardrobe to become a street-style star. The 20-year-old Italian communications student was snapped by Tommy Ton during the Spring ’14 shows in Milan wearing a crisp white button-up, gold Zara skirt, and Miu Miu shoes. Her image earned the most votes—she beat out paparazzi fixtures including Jennifer Lawrence, Rihanna, Giovanna Battaglia, and more—in Style.com’s 2013 Look of the Year poll. Of course, Rossetto’s model-good looks helped. Playing volleyball on the national level, her tall, thin physique recently landed her a spot on IMG’s local “development” board. While her dream is to work in fashion advertising, Rossetto wants to do more runway and editorial first, and loves dressing up for street-style photographers. Here, Style.com talks to Rossetto about her personal style, modeling career, and winning Look of the Year.

Congratulations on winning our Look of the Year poll.
I’m really happy about it! Everybody else was so famous, and I’m a nobody compared with them. I didn’t hear about the poll because I was vacationing in Switzerland for New Year’s and didn’t have any Wi-Fi, so it was a terrific surprise to learn that I’d won.

I have to admit that I didn’t know who you were before researching this picture. You do some modeling?
I am a model, but nobody knows me yet—I’m still “development.” Last year I started doing some modeling in Milan. I’ve always played volleyball and am quite tall and thin, so everybody told me I should try to do something in fashion, which has always been my passion. After high school, I sent some photos to IMG and they told me that I could go and visit them, and I actually signed with them! I’ve done a little runway and would love to go to London and New York. The thing is that I’m really Mediterranean-looking, and in Italy and Milan, that’s not so wonderful because they like blond hair and blues eyes, and I look Sicilian or Arab…

What are you studying at university?
I’m studying media and advertising. My ambition is to do a course in fashion communications, and then hopefully work in fashion advertising. They told me that it’s a hard industry, but I think I can manage that, and maybe modeling will help.

So you go to shows during Milan fashion week?
I really love going to the shows. A couple months before, I look for tickets. My dad used to do loads for shows, so he helped, and I’ve had the opportunity to see Emilio Pucci, Max Mara, Dolce & Gabbana…my favorite show last season was Pucci.

Who are some of your favorite designers? And how would you describe your personal style?
I love Miuccia Prada and the Valentino designers because of their elegance. Personally, I like to be quite simple when I get dressed up, and Valentino is sober but always elegant. Pucci isn’t quite my style because I’m quite sporty, but Peter Dundas knows how to make a woman look sexy, and the colors are amazing for the summer.

Do you dress differently for fashion week?
While I love fashion, I’m not trying to show off when I get dressed for university, so I usually keep it sporty in white T-shirts and jeans. During fashion week, I work on preparing my outfits and wear the clothes I like the most then—I’m already thinking about what I’ll wear next month. What I wouldn’t wear on a normal day I can wear to the shows. I love street-style photographers because they make me feel so important when they ask me, “Can I take your photo?” I’m not the kind of person who would say, “No.” But I don’t actually spend too much on what I wear. I mix Zara—my absolute favorite—with nice accessories.

Who are some of your style icons?
I like the simplicity of Audrey Hepburn and think Ulyana Sergeenko is so elegant—I love her couture line. The Russians are popular, and I like Elena Perminova as well because she’s tall like me, and Karlie Kloss, too.

Photo: Tommy Ton

Thom Browne Lends His Magic Touch to Queen of the Night

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Thom Browne

What’s the biggest difference between designing stage costumes and runway looks? Functionality, according to Thom Browne, who’s made more than eighty outfits for the forthcoming interactive theatrical experience, Queen of the Night. The endeavor marks Browne’s first foray into stage garb—a somewhat surprising fact, considering his proclivity for dramatic fashion week displays (cue models tied down to beds, white-powdered catwalkers teetering about a padded room in sculptural frocks, and gentlemen in exaggerated military garb marching through Paris’ École Militaire). “In regards to creating a fantasy, this was very similar to what I do in my runway collections,” explained Browne. “But I don’t always think about functional clothing, so that was the greatest challenge. These are circus performers, so you have to make sure that they can move in the garments.”

Created by Sleep No More‘s Randy Weiner and his Variety Worldwide co-partners Simon Hammerstein and Murtaza Akbar, Queen of the Night will open on New Year’s Eve at the Diamond Horseshoe—a famed thirties vaudeville theater which, set at the bottom of a deadly spiral staircase, has been restored to its Art Deco glory under the watchful eye of the play’s creative director, Giovanna Battaglia. The show promises to be as grand as its venue, and features acrobats that hang from the ceiling; a bubbling, smoking cocktail “distillery” that looks more like a laboratory than a bar; a food performance by artist Jennifer Rubell (whole pigs will be presented to guests on spits, roasted chickens will be served in cages); and a labyrinth of secret back rooms where theatergoers can have one-on-one adventures with the Browne-clad actors.

Loosely based on The Magic Flute, the surreal tale of love, turmoil, and lessons learned stars Martha Graham principal dancer Katherine Crockett. Her regal character was inspired by such bon-vivant society women as Peggy Guggenheim and Marchesa Luisa Casati, an Italian heiress and muse who supposedly once proclaimed, “I want to be a living work of art.”

Thom Browne's Queen of the Night SketchAs you can see from Browne’s sketch (left), which debuts exclusively here, the designer will transform Crockett into just that. “The costume itself is overwhelming in size and scale. It has an ecclesiastic, otherworldly sensibility,” said Browne of the leading lady’s ensemble, which comprises a massive embellished cape, a “very sexy” frock, and an astounding amount of beading and embroidery. “There are also some fantastic anatomical references,” Browne noted, pointing to pairs of hands that seem to grasp at the hips, ankles, and shoulders of Crockett’s look.

A troop of twenty butler characters will wear Browne’s signature cropped suits (with a twist, he assures us), and every element of his designs—no mater how fantastical—will play a role in the story. “You know, I based the costumes on the Marchesa, and wanted to create a whole world for somebody that just lives the most unbelievable, spectacular life,” offered Browne. “I want it to be a real fantasy experience for everyone.”

For tickets and further information on Queen of the Night visit queenofthenightnyc.com.

Photos: BFAnyc.com (portrait); Thom Browne (sketch)