195 posts tagged "Givenchy"
Today, the Internet exploded following editors’ receipt of the modeling agencies’ Spring ’15 show packages. Why, you might wonder? Because reality-TV-star-turned-high-fashion model Kendall Jenner appeared on her card listed only as Kendall—that is, sans her last name, à la Iman, Gisele, or Twiggy. Twitter instantly began buzzing about the surname drop—is Kendall trying to separate herself from the Kardashian/Jenner clan? We checked in with Society Management, who has represented Kendall since the Fall ’14 season, when she made her debut walking in Marc Jacobs and Riccardo Tisci’s Givenchy, and a representative told us the whole ordeal was much ado about nothing. In fact, according to her agency, Kendall has been listed with her first name only since Day One.
Considering that Kim and Kanye’s Tisci connection has unquestionably helped boost Kendall’s visibility, it seems unwise that she’d blatantly, and publically, distance herself from her reality-TV kin. However, Society’s assertion still leaves one question: Does Kendall, who’s been around for all of one season, have enough cred to go by a single moniker? Only time will tell, but we have to say, she’s well on her way to proving herself after her runway romps (she walked in Chanel Couture this summer) and appearing in the Fall Givenchy campaign, as well as on the covers of Teen Vogue and Love. Keep it up, young lady.
“A good pair of sunglasses will make you look hot no matter what,” said Claire Goldsmith—and she should know. The London-based designer is the great-granddaughter of Oliver Goldsmith, who became London’s leading creator of high-fashion frames when he launched his label in 1926. The still-family-owned-and-run brand was favored by Audrey Hepburn (remember those black stunners in Breakfast at Tiffany’s? Oliver Goldsmith), Michael Caine, Peter Sellers, and Grace Kelly, who had 42 pairs. Dior and Givenchy commissioned Goldsmith to make custom shades for the runway, and Vidal Sassoon enlisted OG to design the iconic pyramid glasses, shaped specifically to complement the hairstylist’s arched bangs, featured in a 1969 campaign. “[My grandfather] broke the mold,” asserted Claire. “And he built himself a reputation of being the best.”
He may have been the best, but Goldsmith’s business, which in its prime turned out eccentric styles like butterfly frames, winking shades, and Union Jack glasses, shuttered in 1985. He was forced to close his doors due to the original logomania movement and the popularity of sunnies embellished with the emblems of big brands (Gucci, Versace, and the like). “When I was little, I actually recall saying to my dad, ‘Can you get me a pair of Gucci sunglasses?’ And I just remember his face—he was horrified,” Claire said.
Years later, Claire found herself studying marketing at college, where she specialized in heritage brands. “Finally, I kind of naturally came around to thinking, Well, hang on a minute, my family has a heritage brand. Why don’t we make glasses anymore?” She couldn’t find a single reason why the market should be deprived of OG’s fit, craftsmanship, and utterly unique wares, so in 2005, Claire put Olivier Goldsmith back on the board. Today, OG offers vintage shapes as part of its Icons series, as well as ready-to-wear and custom-fit styles, all of which are handmade in England (just as her grandfather would have insisted). “Someone described us as the ‘best-kept secret in eyewear,’” Claire recalled. “But I’d really like to be less of a secret.”
After five years of reworking her kin’s eccentric designs, Claire had racked up her fair share of inspiration, and in 2010, she decided it was time to follow in her grandfather’s footsteps and bow her own brand. CG Eyewear, a dynamic line of made-in-Italy frames, was born. “CG is a whole lot more personal and emotional,” Claire told me. “I would say with Oliver Goldsmith, I’m a narrator. But with Claire, I’m much more sensitive. I think it’s nice to have a playground of sorts where we can produce glasses at the same level of quality and care, but aesthetically, we’re free to do what we want.” Naturally, she’s influenced by her grandfather’s handwriting, but Claire insists that her own collection is younger, more colorful, and “you can clearly see that it does not look vintage.”
As far as her hopes for her fledgling brand, Claire offered, “It would be so lovely to get people to start buying some really good, well-designed eyewear. It’s such an important accessory. People always say, ‘Oh, my God, your lenses are amazing [compared with big-name designer styles]. Like, noticeably better!’ We just have to catch [clients] first, and then we’ve got them for life.” Seeing as Oliver Goldsmith and Claire’s line are stocked at more than 300 points of sale worldwide, including Barneys New York, it seems more and more sunglass connoisseurs are falling into her well-lensed net.
A stellar story by The New York Times‘ fashion director, Vanessa Friedman, popped up on my news feed this afternoon, and it led me to a startling revelation: Beyoncé is not a fashion icon. Friedman’s article was spurred by a fashion exhibition dedicated to Queen Bey in the Legends of Rock section of the Rock and Roll Hall of Fame, which, having opened last week, features the gold Thierry Mugler bodysuit from 2009′s “Sweet Dreams,” the superstar’s black leather and lace 2013 Super Bowl look, and the metal glove from 2008′s “Single Ladies” video, as well as the violet feather-embellished Givenchy Haute Couture gown Mrs. Carter donned to the 2012 Met Gala. To be sure, most of these wares are showstoppers. But are they iconic? Not so much.
What’s more, Friedman notes, is that despite her mega following, Beyoncé hasn’t spurred a bevy of trends or launched the careers of young designers, like Rihanna or Lady Gaga have. Furthermore, aside from booty-baring bodysuits, I can’t even think of how one might describe Beyoncé’s signature offstage style because she doesn’t really have one. She hasn’t truly demonstrated any evolution in her wardrobe or her taste since her Destiny’s Child days. And even scrolling through the exhibition images online, the majority of the included pieces have an overly chintzy-meets-not-quite-street aesthetic, as if Bey were stuck in the days of “Bills Bills Bills.”
But that’s not to say Beyoncé isn’t a cultural icon (and I’m not just saying that for fear of Beygency retaliation). She has a body like a rocket, she’s broken every record in the book (like that time she released 17 videos overnight on iTunes), and she’s got moves and a voice most performers would kill for. However, as a voice for feminine empowerment in the public eye, it would be exciting if she stepped up her day-to-day sartorial game just a smidge. And for that matter, it would have been nice to have seen the Rock and Roll Hall of Fame fete a real fashion tastemaker (ahem, Rihanna) instead.
When it comes to fashion, the red carpet can often be filled with the same old, same old. But now and again, some bold celebrities shake things up with experimental, next-level looks. Here’s what’s feeling fresh this week.
We’re halfway through steamy July, and this week, A-listers were looking for ways to stay cool on the red carpet. Luckily, the Resort ’15 collections (which won’t hit stores until November but have been popping up on celebs since their Spring debut) offer some crafty cutouts. We noticed a few stars beating the heat with dresses boasting built-in air-conditioning, if you will. Kate Hudson and Allison Williams tried the trend at a screening of Wish I Was Here on Monday in New York. Hudson was statuesque in a black Michael Kors Resort ’15 column with a sequin bustier, and Williams chose a ladylike Altuzarra Resort ’15 sheath. On Wednesday, Nicola Peltz stepped out in an ebony ensemble with a keyhole cutout from Balmain’s Fall ’14 runway. She paired a gold-embellished crop top with a banded leather skirt for the Rio de Janeiro premiere of Transformers: Age of Extinction.
Elsewhere, two of our favorite redheads got on board with one of Spring’s hottest hair trends, turning up on the red carpet with freshly chopped bangs. Jessica Chastain’s fiery fringe perfectly complemented her navy lamé Mary Katrantzou Fall ’14 gown, and Emma Stone sported hers with a flowy purple Dolce & Gabbana Fall ’14 look.
Last, but certainly not least, RiRi, ever the daredevil, surprised fans by turning up in an Alexander Wang LBD and a gold Givenchy-esque septum ring at an event in Rio de Janeiro after Sunday’s final World Cup match. We have to hand it to her, just when we think we’ve (quite literally) seen it all, she manages to surprise once again. Here, a roundup of this week’s red-carpet highlights.