August 29 2014

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3 posts tagged "Glenn Martens"

Glenn Martens Makes It Work At Y/Project



Since September, Belgian designer Glenn Martens has been carrying on in the spirit of Y/Project founder Yohan Serfaty, who passed away last April. But whereas Serfaty specialized in a mostly leather menswear line, Martens has, in addition to designing menswear, been spinning out his late mentor’s style into a full-fledged women’s collection. On the docket for Fall: easy, urban pieces such as elegant but streetwise leather coats made of wide, vertical sweeping panels that sway with its wearer’s gait (or, as Martens put it, “They explode when you walk.”). Serfaty was a strong tailor, and that influence is evident in sharp, menswear-inspired suits with raw cut finishes; oversize blazers; jackets with clever zip work; and wide, comfortable silk pants. Elsewhere, there were thoughtful multifunctional pieces such as a top run through with vertical drawstrings that can do double duty as a dress. “I love that duality. When you’re running around and your day is never-ending, you have to be prepared,” the designer said. “You can make it work to your body.” Judging by the early response (the line has already been picked up by a bevy of retailers, including ØDD in New York), it won’t be long before bodies stateside will be working that vibe.


Glenn Martens’ Basic Instincts


Glenn Martens

Since launching his visually minimal but technically complex womenswear line back in 2012, Belgian-born, Paris-based designer Glenn Martens has steadily begun to make a name for himself. His clean, architectural clothes exude a quiet strength, and the Royal Academy of Fine Arts Antwerp-trained talent understands just how to hit the sweet spot between strict and feminine. Unfortunately, Martens’ eponymous label is no more. But that’s only because last November, he was tapped to head up Y. Project—a high-end menswear line founded by Yohan Serfaty in 2010.

After cutting his chops at Jean Paul Gaultier (where he worked on menswear) and Bruno Pieters, Martens was hired by Serfaty as his first assistant four years ago. And when Serfaty, who was known for his slick use of luxury leathers, passed away last year, Martens, now 30, was brought on to continue his legacy. “It’s very emotional,” said Martens of filling his mentor’s shoes. “But he really helped me to understand the vision of his brand, and I’m doing this out of respect for everything that he had done before.”

Tomorrow in Paris, Martens will unveil his first menswear lineup for the house. With its classic denim jackets, workwear pants, sharp leather jackets, embellished T-shirts, and origami pocket details, the collection promises to honor Serfaty’s signature rough aesthetic. But Martens is bringing something new to the table, too: Y. Project’s inaugural womenswear capsule, which he plans to expand into a full twenty-plus-look collection by the time February’s ready-to-wear shows roll around. “I enjoy doing menswear,” offered Martens. “But womenswear was my first love, and I think it will make a good statement for the new era of Y. Project.”

Debuting exclusively here ahead of its trip down the Paris catwalk, the androgynous capsule was inspired in part by previous Y. Project collections, in part by Martens’ obsession with construction (he studied architecture before joining the fashion game), and in part by Sharon Stone in Basic Instinct. “She’s a real woman,” said Martens of his Fall customer. “You don’t want to mess with her.”

There’s definitely a tough-girl vibe about Martens’ stretch leather tops, dark palette, and sharp geometric trousers and jackets. But there’s something seductive about these looks, too. “You can be sensual without wearing ‘pretty’ clothes,” Martens said. His bold breed of sex appeal comes via ingenious layered panels and slits. Take, for instance, the above pair of fluid, pleated trousers. Thanks to some cleverly placed slices, “they explode the moment you start walking,” showing just the right amount of flesh. “Yohan designed womenswear a bit in the eighties, and he always wanted to do it for his own line,” said Martens. “And I really feel like his fingers are still in this collection.” If the preview is any indication, Martens has done Serfaty proud.

Photo: Courtesy Photo

Glenn Martens Fall 2013


Label: Glenn Martens

Need to Know: Twenty-nine-year-old Glenn Martens hails from Bruges, Belgium—a town on the country’s northwestern coast that is often called the “Venice of the North.” Martens’ Bruges childhood is a constant influence, evident in the designer’s gothic, ecclesiastical aesthetic. After working with Bruno Pieters in Belgium and Jean Paul Gaultier in Paris, Martens launched his eponymous line last year. Now in his third season, Martens has quickly earned a reputation for his sharp, subtle designs, architectural tailoring, elongated shapes, and Flemish Primitive-inspired photo-collage prints. For Fall ’13, the designer thought about the moment in life when one turns from a wild child into an adult—the tipping point when adolescence becomes maturity. This translated into voluminous, fluid, floor-length T-shirt dresses, which he showed in duchesse satin, stiff cotton Modal, and double-layered mesh. They were slit down the back and closed at the neck with simple brass clasps. Pleated skirts with hidden slits had a subtle sexiness, and textures were a strong focus.

He Says: “Pleats are easy to wear, because they provide additional volume. Even when the silhouette is stiff and structured, pleats create flow and comfort.”

Where to Find It: RA in Paris and Antwerp, and online at

Photo: Courtesy of Glenn Martens