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July 31 2014

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7 posts tagged "Gregory Parkinson"

In L.A., Fashion Meets Art

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Wear LACMA

After two successful seasons, the Los Angeles County Museum of Art is set to release its latest Wear LACMA campaign, with resident L.A. talents Greg Chait of The Elder Statesman and Jennifer Meyer (past designers include Gregory Parkinson, Libertine’s Johnson Hartig, Juan Carlos Obando, and NewbarK’s Maryam and Marjan Malakpour). The initiative conceived of by Katherine Ross, wife of LACMA director Michael Govan, and member of the museum’s Director’s Circle, challenged the two local designers to create limited-edition wares based on the museum’s permanent collection. “The goal of this initiative is to present works of art from the collection in a new way,” Ross said. “Through this partnership we are able to highlight extraordinary works in the museum’s encyclopedic collection seasonally.”

Of his contributions, Chait told us, “I love the spirit behind the project most.” After experiencing the museum’s James Turrell exhibit, he felt compelled to create six custom cashmere tees and scarves boasting abstracted Native American motifs. Meanwhile, Meyer, Chait’s fellow CFDA/Vogue Fashion Funder, was drawn to Ed Ruscha’s painting Made in California. With the artist’s express permission, Meyer created two nameplate necklaces bearing the moniker “Made in California” in 18-karat yellow gold and 18-karat gold with white diamond pavé. “I think LACMA is incredible, one of the best museums around,” the designer said of the institution that’s been enjoying a resurgence of late. “It’s incredibly exciting that LACMA chooses to partner with designers rather than “artists,” so to speak…combining those two worlds.” It would seem Net-a-Porter agrees with that sentiment, as the e-tailer will, for the first time, sell a selection of the Wear LACMA offering on its Web site. Proceeds from the collection, which ranges from $180 to $6,450, will benefit the museum.

Wear LACMA will be available beginning November 19 on net-a-porter.com and beginning November 20 in the LACMA store.

Photo: Courtesy of net-a-porter

LACMA Fuses Fashion and Art

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After the success of its debut Wear LACMA range last fall—which featured designs by Gregory Parkinson and Libertine’s Johnson Hartig—the Los Angeles County Museum of Art is set to launch round two of the project. This time around, Juan Carlos Obando, NewbarK’s Maryam and Marjan Malakpour, and L’Oeil du Vert Fragrances’ Haley van Oosten have created limited-edition designs inspired by the museum’s permanent collection.

NewbarK’s designers were drawn to Félix Edouard Vallotton’s La Manifestation (1893) because of his use of black and white. “Black-and-white is my personal favorite, and a signature to NewbarK designs,” Malakpour told Style.com. The duo (whose Wear LACMA pouches are pictured, above) was also influenced by the exoticism and primitivism in Henri-Charles Guérard’s Monkey’s Hand (1888).

Obando, an L.A. native, pulled inspiration from Willem Danielsz van Tetrode’s sculpture Mercury for his bold bronze and gold jewelry, while van Oosten was moved by Antonio Montauti’s bronze relief The Triumph of Neptune and Europa. The perfumer created an exclusive new botanical fragrance, TONAE, which, of course, comes in a bronze bottle. “TONAE celebrates our yearning to be transported by divinity—as immortalized by Montauti’s Neptune conducting a swirl of coupling sea nymphs,” van Oosten said.

Wear LACMA is available, starting tomorrow, at LACMA and online at thelacmastore.org

Photo: Stuart Pettican.

Karolina Kurkova: Now Available In Lamp Form

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She’s more used to modeling designers’ work than designing pieces herself, but Karolina Kurkova took to the drawing board for her latest project. Kurkova was selected as one of ten guest designers by West Hollywood gallery owner Jean de Merry to design a custom piece in honor of the ten-year anniversary of his artisanal, made-to-order furniture line and store. “Jean will tell you, I was very hands-on with this,” Kurkova said of her ornate, towering lamp. “I wanted something to really represent a woman’s essence, from her curves on top to the strength of the base on the bottom. Even the crystals sewn into the fabric are all from the Czech Republic [her homeland]. Every piece of this design has a part of me.” With all proceeds benefiting the charity of the designer’s choice, the project attracted a motley crew of talent (known as the JDM Ten), including local interior design star Oliver Furth, L.A. native Irene Neuwirth, and Katherine Heigl.

Days away from his first Resort showing, Gregory Parkinson played on his love of prints and texture when designing his wood cabinetry. “My work is all about layering and mixing patterns and colors, and this really seemed to take that to the next level,” Parkinson said. “We’re bombarded with so much visually these days that it’s nice to have something that is just pretty…and functional as well.” Jeffrey Costello and Robert Tagliapietra, with typical wit, created a chair that was more like a throne. “It’s lyrical but it still sort of has that humor,” Tagliapietra said of its antler details, inspired by vintage photos the pair came across. “I like my furniture to have a personality. It’s not like a piece of clothing that you have the luxury of saying you’re not in the mood for.”

Photo: Stefanie Keenan / WireImage

Announcing This Year’s CFDA/Vogue Fashion Fund Finalists

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Drumroll, please:

Congratulations to Altuzarra‘s Joseph Altuzarra, Christian Cota, Prabal Gurung, Robert Geller, Eddie Borgo, Oliver Helden and Paul Marlow of Loden Dager, Pamela Love, Moss Lipow, Gregory Parkinson, and Billy Reid, who are all in the running for a grand prize of up to $200,000 (runners-up get a cool $50K).


Gregory Parkinson Goes So Old-School It’s Almost New

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As the Great Retail Recession continues, it’s interesting to see the creative ways in which designers are adapting. In the case of Los Angeles-based designer Gregory Parkinson, as his wholesale accounts shrank, he started tapping directly into his cult-level fan base, both locally and across the country. “That’s what you get if you invest the time in going to stores and becoming friends with your customers,” said Parkinson, in New York this week to show and sell his Spring collection. “We’d start dressing individual customers, but once they knew we had merchandise, they’d be like, ‘Oh, there are some moms at my school who want to come down,’ ” he explained. So as not to ruffle his retailers’ feathers, Parkinson sells privately only what he doesn’t sell to the stores. But that includes unique gems like limited-edition runs of ten or 20 dresses crafted from remnant bolts of beautiful fabrics that he buys at a price.

The designer recently renovated and expanded his downtown L.A. studio to receive clients—like Vogue editor Lawren Howell’s lovely coterie of bridesmaids, whose dresses he did this year. It’s a move that he says is bringing him closer to opening his own boutique again. (He had one when he first started in 1994 on Beverly Boulevard.) Until then, you can make an appointment to visit Parkinson’s studio by going to his Web site, or one of his wholesale accounts. He’s stocked at Linda Dresner in Birmingham, Savannah in L.A., and Relish in Washington, D.C. And Barneys New York is one of his biggest stockists. In fact, if you’re dying for his beautiful Spring 2010 collection (here’s a couple looks pictured above), he just sent a delivery to the department store’s new Scottsdale outpost—seasons be damned. How’s that for an old-school revolution?

Photo: Courtesy of Gregory Parkinson