10 posts tagged "Gryphon"
With a track record that coolly reflects her ongoing commitment to collaboration (past partners include Elettra Wiedemann and Man Repeller’s Leandra Medine), Gryphon’s Aimee Cho set her sights on Lizzie Garrett Mettler of the blog Tomboy Style (and the recently Rizzoli-published Tomboy Style: Beyond the Boundaries of Fashion) for Spring ’13. The pair conceived a design that pays equal homage to the aesthetic of both parties in a fresh mash-up of unexpected indigo print set against an army jacket. “I just felt like there was a spirit to Lizzie’s interpretation and view on ‘tomboy’ that really resonated for me,” Cho said, reflecting on her own collection, much of which borrows from the boys. “I never want anything to feel too precious and I think that resonates with the underlying theme of tomboy style that Lizzie has created.”
Far from the traditional trench that’s become a Gryphon signature, the Tomboy jacket (available for preorder beginning Monday, September 24, at ShopLesNouvelles.com) is a riff on the hunting jacket and equestrian blazer. Designed of water-repellent cotton-metal twill (for shape and texture) and accented with printed-cotton patchwork resembling Japanese indigo dyes, the jacket takes inspiration from the original Barbour, Joanne Woodward, and even World War II correspondent Margaret Bourke-White, whom Garrett Mettler had in mind when envisioning the design. “The art of tomboy style is about mobility, and the idea of the jacket is that Aimee wanted someone to be able to wear it in elements in nature,” Garrett Mettler said, highlighting its functionality—and practicality, which Cho champions as a new mother. “Plus, I’ve noticed it goes with everything.”
Anya Ziourova has a killer sense of style. Case in point? The print-on-print outfit that Tommy Ton caught her sporting during Paris Couture week. Everything about this outfit, from the Russian editor’s embellished Emilio Pucci jacket to her crystal-encrusted Azzedine Alaïa heels, further proves that she knows the ins and outs of fashion-forward dressing. It’s hard to resist the desire to copy Ziourova’s look, so we’ve rounded up the essentials and now it’s up to you to take the reins.
From top left to right: Theyskens’ Theory tee, $100, available at www.shopbop.com; Gryphon Elle jacket, $595, available at www.bergdorfgoodman.com; Current/Elliott jeans, $188, available at www.revolveclothing.com; Giuseppe Zanotti sandals, $1,495, available at www.net-a-porter.com; Kotur clutch, $650, available at www.neimanmarcus.com.
You might say they’ve had this date since the beginning. When Aimee Cho and Irini Arakas first met, it was as fellow fashion writers for Vogue. Flash-forward a handful of years, and they’re both successful designers: Cho of Gryphon ready-to-wear, and Arakas of Prova scarves and jewelry. So when they met again at Vogue‘s Alumni House pop-up during Fashion’s Night Out, working together was the natural progression. “I spent so many years building up Gryphon, just me by myself, that it was nice to be able to work with someone again who I really respect, and who I know is equally creative,” Cho explained. “It was just such a fun experience to be together again.”
They began with the standard Gryphon trench, a best-seller and one that’s already fostered collaborations. (Last season, Cho worked with Sea of Shoes blogger Jane Aldridge, and her mom, Judy, to create a bell-sleeved version.) The design mixes, nearly seamlessly, the sensibilities of both labels. “I haven’t done a lot with natural, found materials like Irini does,” Cho says. “I love the contrast of the sheen of the metal sequins we used, which I think is representative of Prova, but it’s still a very Gryphon thing to have sequins.” “I wanted it to be organic, like my own line,” Arakas chimes in. “Something with found materials, something nature-based right off the bat.” Hence the luminescent tiger’s-eye, quartz, and mother-of-pearl peeking out from beneath the collar (seen in detail above; for a full view, click below), the sequins shining along the belt and back flap. What’s more, the foray into tailored clothing seems to have given Arakas, whose flowing scarves are a favorite of Ikram Goldman and Barneys alike, a nudge in the clothing direction. She’ll bring out a capsule collection of Prova dresses herself next Spring.
Gryphon New York x Prova trench coat, $760, available for pre-order now at www.bergdorfgoodman.com.
Continue Reading “A Trenchcoat Meeting Of The Minds” »
Some folks are shopping for the next season. And some are shopping for now. Those latter girls should appreciate our new rundown of the best shorts on the market, which range from studded leather ones for the rocker (like this pair from Gryphon, left) to frilly, eyelet versions for the girly girl (like See by Chloé’s, right) . To find ‘em all, head over to In the Mood For: Shorts.
“This is actually the first time I’ve heard either of their voices,” Gryphon‘s Aimee Cho admitted on a three-way call with Style.com, Sea of Shoes‘ Jane Aldridge, and Atlantis Home‘s Judy Aldridge. Despite having worked on a hotly anticipated collaborative trenchcoat, the Aldridge trench—which Cho designed with the mother-daughter blogging duo—she and the Aldridges have never met in person. We brought them together for an exclusive chat about the much-buzzed-about coat (set to hit stores in two weeks).
How did you guys first connect?
Cho: A very good friend of mine [Duskin designer Stephanie Tran] first told me about Jane and Judy’s blogs. Judy had posted a write-up of Duskin, and so that’s what got me there. I think what’s fun about their blogs is that while they both clearly are serious in their love of style and fashion, they don’t take it too seriously. They have a sense of humor about it.
What was inspiration for the design?
Jane Aldridge: My mom and I had sort of been feeling this new punk vibe, and when we were in Tokyo last summer, that was really the only place we saw it. They were wearing these post-apocalyptic designs that we were really into.
Judy Aldridge: We were actually quite lonely during that time and it magnified that apocalyptic feeling. It was a jacket you need to survive; we felt like we could wear that to survive and that was all we’d need.