13 posts tagged "Hailee Steinfeld"
Not everyone at last night’s Met Gala knew the story of Charles James—not by a long shot. “He’s a new person for me,” admitted Hailee Steinfeld, who was utterly adorable in Prabal Gurung. “He’s someone I don’t know. I’m 25!” laughed a Michael Kors-clad Ming Xi when quizzed on the couturier. The evening’s DJ, Diplo, referred to Charles James: Beyond Fashion as “Fashion and the Thingamajig.” And when we asked Katie Couric about James, she jokingly replied, “I think he’s from the forties, isn’t he? Don’t ask me any more hard questions!” However, while not everyone was familiar with the details of James’ career, most everyone had seen the iconic 1948 Cecil Beaton photo, which features eight women in pastel James gowns. Or, as Hedwig and the Angry Inch‘s Lena Hall called it, “that Cecile photograph.” She made up for the slip with her charm, and by looking divine in a Jamesian Zac Posen number. “I’ve seen that photograph a lot. In fact, I think my mother has it on her wall. So when I saw that, I was like, ‘Oh, I guess I know more about him than I thought.’”
Gala chair Aerin Lauder had an even more personal story about the famed snap. “I own the Cecil Beaton photograph, but I didn’t know much about [James] before working on the event for a year.” It would seem many a starlet and socialite looked to said image for sartorial inspiration—so much so that we were able to re-create the photograph with some of the ladies from yesterday evening’s red carpet. Here, for your viewing pleasure, we give you a modern-day mockup of Beaton’s photo, starring TV chef and girlfriend to Governor Andrew Cuomo Sandra Lee’s gargantuan dress (a questionable blend of a James ball gown and his Butterfly design), Hall, Amy Adams, Katie Holmes, Liu Wen, Sarah Silverman, and more. You’re welcome.
If celebrity status is conferred in red-carpet appearances, then no actress today can compete without the help of just the right stylist. As Kerry Washington once told Glamour after she noticeably upped the sartorial ante, “There were a couple of actresses whom I felt were having the upper hand careerwise—because they knew how to work that red carpet.” A carefully crafted collaboration between stylist and client, the perfect look can create an indelible impact on agents, casting directors, and those of us watching from the sidelines. Straight from the epicenter of all things celebrity, we’ve asked some of the industry’s top stylists to share their experiences and impressions from their perch above Tinseltown. With our new Dressing for Fame series, we bring you an exclusive, insider look at everything it takes to create those iconic moments captured by a million photo flashes.
As one-half of the bicoastal styling team Kemal & Karla, Karla Welch holds down the proverbial fort in Los Angeles (her partner does the same in New York), tending to her coterie of clients. Those “girls,” as she affectionately calls them, include an array of talents, such as Amy Poehler, Zooey Deschanel, Olivia Wilde, Robin Wright, and Hailee Steinfeld. Bringing a relaxed California vibe to the partnership, Welch’s résumé spans an impressive list of advertising campaigns, editorials, commercials, and those always-prescient red-carpet appearances. With a keen sense of individuality and an astute awareness of her clients’ singular needs, Welch delivers looks that are fitting for the wearer, and breathtaking for us watching at home. Here, Welch reveals exclusively to Style.com how she juggles her busy schedule, what it takes to find the perfect red-carpet look, and the most important thing she’s learned along the way.
How did you originally break into styling?
I made my husband [photographer Matthew Welch] hire me.
What was your pivotal “I made it” moment?
Ha, I’m not sure. I’ve never thought about it—though my trip to Dallas this year for the Chanel show was pretty epic. I’m forever excited to keep growing.
Mad Men just premiered and Elisabeth Moss has had quite the red-carpet run. How has her style evolved over the show’s many seasons?
Lizzie and I have just been working together for the last year and a half. It’s been fun to work our way into these great fashion moments and having designers wanting to lend. Her talent is huge—we came together at a wonderful point.
You worked with Amy Poehler on her Golden Globes wardrobe. How does styling an awards show host differ from styling a single red-carpet look?
Well, the main thing is that she is working up there. She has to be able to move, look great on camera, do a quick change, win! But the process is similar to anyone attending. We just times it by four.
Do you think a dress should be able to stand on its own, or do you sometimes want the accessories to really shine?
The dress is the cake. The rest is the icing.
Do you ever have a typical day? If so, what does it look like?
Coffee. Team meeting. E-mails. Showroom pulls. Store pulls. Fitting. Home. Sleep. Repeat.
Where can we usually find you—and what are you doing—at the end of awards season?
Moving on to the next.
How do you manage all of your numerous clients and their disparate personalities, aesthetics, and tastes?
Whenever I start with a new client or a press tour for one of my girls, I try to really clear my mind and think, Where are we going with our look? What story are we telling? From there, I do market work for each client every season and keep a bible of what I will request for specific events. You know with each client what will work, who will like what. We keep notes, but I’ve worked with the majority of my clients for many years, so it’s all in my brain.
If you weren’t styling, what would you be doing?
Fighting for girls and women’s rights. Professionally.
What have you learned from red-carpet mishaps?
Always have a backup dress.
How do you manage your own style when you’re working so feverishly on other people’s looks?
I can dress in ten minutes and I always have a red lip!
As we’re sure you’re aware, last night, Hollywood’s elite walked the red carpet for the Golden Globes. But it wasn’t just a big evening for the actors and directors who took home gilded statuettes—it’s an important affair for fashion folk, too. Mega stylists Karla Welch and Kemal Harris were not just on the scene, but also behind the scenes dressing co-host Amy Poehler (who looked svelte in Stella McCartney), Elisabeth Moss (who took home a best actress award while wearing J. Mendel), Olivia Wilde (who was radiant in Gucci Première), Zooey Deschanel (who opted for an elegant Oscar de la Renta gown), Robin Wright (who shimmered in Reem Acra while accepting her best actress honor), Hailee Steinfeld (who partied in Andrew Gn), and more. Here, Welch shares the pair’s Golden Globes diary and gives Style.com a firsthand account of what it’s like to dress leading ladies for one of Hollywood’s most glam-packed events.
Here’s a behind-the-scenes peek at Zooey Deschanel’s Oscar de la Renta look for the Globes.
This is a custom cuff I designed for Jacob & Co. with the Rauwolf clutch that Amy Poehler carried.
Amy Poehler had a Stella night.
The beginning! Sketches and swatches from the Stella team.
For Amy’s opening look, we went for Neil Lane vintage gold. Our mantra was, “What would Carol Burnett do?” Sometimes, more is more and it’s always better to have fun! Continue Reading “Golden Girls: Stylists Karla Welch and Kemal Harris Take Us Inside the Glamorous Globes” »
While the red-carpet circuit began with a slow start over the weekend, the premieres and parties kicked into overdrive as the week continued. Thor: The Dark World‘s leading lady, Natalie Portman, was a vision in white at the film’s Berlin premiere on Sunday, walking the red carpet in a strapless Christian Dior haute couture gown with a full skirt accented with a black ribbon around the waist. On Tuesday evening, Diane Kruger also opted for a haute couture number, choosing a black sequined cocktail dress embroidered with florals from Chanel’s Haute Couture Spring ’13 runway at the brand’s Little Black Jacket event in Brazil.
As the premiere circuit continued into the week, Hailee Steinfeld donned a Saint Laurent ensemble straight from the Spring ’14 runway, pairing a white one-shoulder top covered in sequined red lips with tailored black pants at the Hollywood premiere of her film, Ender’s Game. The same evening, Kate Bosworth chose a black Christopher Kane gown accented with crystal flowers at the neckline and waist from the Spring ’14 collection for the New York premiere of her flick Big Sur. And Naomi Watts took to the red carpet at the New York premiere of Diana, in which she plays the title role, in a blue-and-white floor-grazing dress that was ruched at the waist below a keyhole cutout from Michael Kors’ Spring ’14 runway.