2 posts tagged "Hakaan Yildrim"
Are this year’s ANDAM nominations in? The ANDAM site says no, but Bryan Boy says yes. If he’s on to something, congrats to Mark Fast, Francesco Scognamiglio, Bouchra Jarrar (whose debut couture collection is pictured, left), Calla Haynes, Hakaan Yildrim, and Alexandre Vauthier. Carine Roitfeld will chair the judging panel, which will also include Alber Elbaz, the Telegraph‘s Hilary Alexander, Colette’s Sarah Lerfel, Jefferson Hack, and Humberto Leon. [Fashionista]
Rumor has it that Calvin Klein is launching its new fragrance, Beauty, for the over-40 set, but at a recent party to fête the scent, forgot to invite editors from magazines like More and Redbook that cater to said set. Teen Vogue, on the other hand, was represented. [WWD]
Nominations for England’s Maggie Awards—which are given for the best magazine covers—are in. Go to the Maggies site to cast your vote for the best fashion cover. Lara Stone (for Vogue U.K.), Sienna Miller (for GQ U.K.), and Uma Thurman (for Harper’s Bazaar U.K.) are among the cover stars who grace the glossies. [Maggies]
And speaking of the U.K., swinging dandies will soon have another sartorial option: Liberty is launching its own branded menswear label. Florals a-go-go, baby! [WWD]
The first day of London fashion week is habitually a bit of a cozy domestic affair, mostly modeled by new faces and attended by assistants, but lo! At lunchtime today the full power of international fashion friendship networking was almost surreally visited upon The Old Dairy on Wakefield Street. There on the runway were Natalia Vodianova, Lara Stone, Mariacarla Boscono, and Natasha Poly. There in the audience, Kate Moss, Carine Roitfeld, Emmanuelle Alt, Stephen Gan, et al. The draw? Not a Londoner but a fresh arrival from Turkey, Hakaan Yildrim, a well-known designer who dresses the high-profile media and social glamorati of Istanbul. His all-guns-blazing debut on the Western runway was, it turns out, thanks to his compatriot Mert Alas (one half of Mert & Marcus), who corralled all his friends’ support. What they saw: well-made clothes in the short-tight-sexy mold, treated to cutting techniques involving rippling stand-up frills; peplums; overlapping, interwoven diagonals; and spaghetti strips of leather. There was a lot of intricate work in it—a touch too much in places—but the quality was inarguable and the styling, with the outcrops of ostrich, puts him somewhere in the slipstream of Riccardo Tisci.