14 posts tagged "Hamish Bowles"
Little-known fact: Pratt Institute boasts America’s longest-running fashion-education program. With alums such as Betsey Johnson and Jeremy Scott, Pratt reps a unique vanguard in the world of design—and last night, at its 114th annual senior fashion show, some talented new names were added to its stable.
Pratt headlines its yearly runways with the bestowal of its Visionary Award—an accolade honoring fashion-world luminaries, who needn’t be directly linked to the school. Last night’s recipient? The singular Thom Browne. “It’s overwhelming,” Browne told Style.com, “when you get to do what you do, and have an important institution, with such a strong reputation in the world of design, recognize it, it’s…it’s humbling.” Presenting the award, Hamish Bowles teased his friend. Referring to Browne’s growth over the aughts, he said, “Thom became something of a performance piece himself, a one-man Gilbert & George, in his stiff, tailored buttoned-up suits with the odd proportions.” Expect to see the designer in exactly this silhouette at the Costume Institute’s upcoming Met Ball—though likely with a punk twist. “I’m going with Taylor Tomasi Hill,” Browne revealed with a smile.
After the ceremony, it was on to the show, where front-rowers, including Fern Mallis, Bill Cunningham, and Bibhu Mohapatra, were treated to a lineup heavy on digital prints, washed-out pastels, a lot of white, and ultra-long silhouettes. Two designers stood out in particular: Raya Kassisieh (above, left), with her sometimes soft, sometimes sharp Brave New World brides (“It’s kind of like nouveau Mugler,” whispered Patrick McMullan), and Madeline Gruen (above, right), with her indigo colonial toile prints and glittering embroideries that blended humor with notes of Alexander McQueen and Liberace. Gruen won the night’s other big prize—a $25,000 grant funded by the Liz Claiborne Art Ortenberg Foundation.
“I like being obsessed,” said Olympia Le-Tan on Thursday night as she welcomed visitors to the special project she had created for Pitti in Florence. And with an opening line like that, it was almost impossible to resist the web that Le-Tan had woven in the Museo Bellini, yet another of the jaw-droppingly beautiful Renaissance venues that seem to be ten-a-penny in Florence. When the Pitti organizers invited her to participate in this year’s event, it took Le-Tan mere minutes to decide that she would celebrate her favorite Italian films and books and, by extension, their directors and authors in the idiosyncratic medium that she has made her own—immaculately embroidered “books” that are actually handbags. The museum was draped in red silk curtains with the OLT logo, pink roses trailed over banisters, candles flared in the dusty air…atmosphere for days. Every shadowy room had vitrines displaying Le-Tan’s chosen 36 titles, precisely duplicated in thread as they would have appeared on the original book cover or movie poster. They covered a very comfortable waterfront from Visconti, Fellini, and Antonioni (her favorite of favorites) to Moravia, Machiavelli, and Pirandello.
But Le-Tan’s stroke of genius—as far as the Pitti exhibition went—was to persuade a game handful of friends to be photographed by Max Farago as a character from each of the 36. Olympia herself was the apogee of lush sensuality, posed as Silvana Mangano from a 1949 movie called Riso Amaro. Jennifer Eymere, editor of Jalouse magazine, made a very convincing Giulietta Masina from Fellini’s La Strada. Nightclub impresario André Saraiva was a plausibly penitent Jean-Louis Trintignant from The Conformist. As for Victoire de Castellane as Anita Ekberg in full clerical garb from La Dolce Vita? The success of that image was in inverse proportion to its unlikeliness. Poles apart were Hamish Bowles as Martin von Essenbeck, the cross-dressing Nazi from Visconti’s La Caduta Degli Dei (more familiar to English-speaking aficionados of early-seventies cinematic decadence as The Damned) and the ubiquitous Olivier Zahm, posed stark raving naked as a misbegotten extra from Pasolini’s terrifyingly transgressive Salò.
Later that same night, a handful of Le-Tan’s cast of characters regrouped on the Borgo San Jacopo to reflect on their re-conceptualisation of Italian culture. Most of them were French. You can imagine what they talked about.
Abercrombie & Fitch Tries To Handle A Situation, Moët & Chandon Raises A Glass To Testino, Counterfeit Luxury Shopping Bags, And More…
Abercrombie & Fitch has quite a situation on its hands. The teen retailer has offered the Jersey Shore cast member Michael “The Situation” Sorrentino a deal to stop wearing its clothes. “We are deeply concerned that Mr. Sorrentino’s association with our brand could cause significant damage to our image. We understand that the show is for entertainment purposes, but believe this association is contrary to the aspirational nature of our brand, and may be distressing to many of our fans,” A&F says. [WWD]
Moët & Chandon will toast Mario Testino and his legendary photography career with a ceremony, hosted by Lady Amanda Harlech, Vogue‘s Lucinda Chambers, and Hamish Bowles on September 19. He will receive the first Moët & Chandon Etoile Award during London fashion week. [Vogue U.K.]
London has just surpassed New York “as the fashion place people all over the world like the best,” according to Grazia Daily. Based on several different statistics gathered by the Global Language Monitor, tracking “the frequency of words and phrases in print, electronic and social media,” London is now the global fashion capital. [Grazia Daily]
How much would you fork over for a brand-name luxury paper bag? In Korea, apparently it’s a trend, and women are forking over $30 a pop on Chanel and Burberry branded shopping bags. They are in such high demand that people are even making counterfeit paper bags seriously. [WSJ]