29 posts tagged "Hanne Gaby Odiele"
Worn by cowboys, bandits, protesters, punks, and hip-hoppers alike, bandannas have earned a rebellious rep over the years. This summer, fashion has latched onto the rule-breaking look. Perennial street-style favorite Hanne Gaby Odiele pioneered the trend back in February, when she was snapped sporting a standard-issue black kerchief on multiple occasions in Paris. Since then, designers have taken up hankies, too. Andreas Melbostad’s recent Resort collection for Diesel Black Gold included a graphic black-and-white print that resembled, as he put it, an “aggressive bandanna.” And at the menswear shows at the end of last month, Kim Jones featured the classic paisley motif in his Louis Vuitton lineup, while Hedi Slimane sent models rocking rockabilly red scarves down the Saint Laurent runway. They were big with the street-style set, too.
Acne Studios has rarely met an out-of-the-box idea it hasn’t liked. So though for most labels, publishing its own limited-edition collection of rodeo-rider portraits from a mid-century physique photographer wouldn’t be the first order of business, here it is. And so last night, with its usual clutch of models in tow—Hanne Gaby Odiele, Jacquelyn Jablonski, Ji Hye Park, et al.—Acne launched Rodeo, a hardbound book of photos from the collection of New Yorker critic Vince Aletti. Must be something in the air lately. As Hedi Slimane’s latest editorial suggested: Cowboys—they’re a thing.
Bruce of Los Angeles, little-known except among physique-photo aficionados, has nevertheless been influential among later photographers. Aletti traced elements of his style in the work of Mapplethorpe, Herb Ritts, and Bruce Weber. (The similarities were in some cases so striking, you could probably have bylined the book Bruce of Los Weber.) “It’s clear that he’s looked at it and had some appreciation of this period of work,” Aletti said between tête-à-têtes with Fran Lebowitz last night. “And I’d imagine he knows [of] some other photographer named Bruce.”
Unlike much of the photographer’s oeuvre, these rodeo shots are naturalistic, of real guys (rather than models) in their own clothes (rather than nude). Of course, exceptions apply. In any case, Acne took the opportunity to create a little capsule collection of clothes around them, too, for those who prefer to wear, rather than page through, their vintage beefcake. There are T-shirts, glammy cowboy boots stitched with appliqués of cowboys, and the traffic-stopping shirt modeled last night by the label’s Louise du Toit, available at Acne shops now.
NYFW’s frigid blizzard kerfuffle could have easily sent street-stylers into a tailspin. But the ever-savvy fashion set came up with some clever ways to keep out the cold—Hanne Gaby’s ski goggles, Cara Delevingne’s quirky wool Rasta cap, Caroline Issa’s spectacular Muzzy-esque fur coat, just to name a few. However, despite Nemo’s chilly wrath, some show-goers decided to freeze in the name of fashion. We’ve seen cropped tops, open-toe shoes, and, on one occasion, a bralette worn under a fur jacket as a shirt. The strangest bit about it is that the ladies don’t look the least bit hypothermic. We’re going to chalk it up to wishful warm-weather thinking.
Picture a Web site that is eBay meets Pinterest with a dash of Instagram thrown in for good measure, and you’ve got a pretty good idea of what The Cools (www.thecools.com) is. It’s a personalized online bazaar curated by likeminded tastemakers, no weeding through pages of junk necessary. “I get e-mailed so much stuff and one thing I happened to click on was this site. I saw like three things I hadn’t seen before that I wanted and one of the three that I could afford, so I thought ‘cool,’ ” The Hole gallery founder Kathy Grayson told Style.com last night at The Cools’ first Jamboree event, which brought the online experience to life. For the occasion, site founder Olivier van Themsche took over the sprawling 15,000-square-foot Old School in Nolita and gave local designers and restaurants, including Grayson, Erin Fetherston, Bing Bang’s Anna Sheffield, What Goes Around Comes Around, Selima, and Miss Lily’s each a classroom to take over and market their offerings. “The offline events are a key part of The Cools,” van Themsche said. “The nature of creatives is to engage with other creatives—I plan to make the Jamboree recurring and it will evolve into a sort of ‘curated’ cool kids’ flea market, which will pop up in New York and also in Paris, Milan, etc.”
The result was a laissez-faire bash that drew a line of people (including Hanne Gaby Odiele, Waris Ahluwalia, Fiona Byrne, and Scott Lipps) wrapped around the block on Mott Street waiting to get in. At one point, the police even arrived to break up the festivities. Things were indeed getting a bit rowdy in the space Miss Lily’s restaurant turned into a Jamaican dancehall complete with dance lessons, reggaeton beats, and an emcee. Across the hall, skateboarders were tearing up a half pipe set up by aNYthing, and a floor below, The Hole was selling $100 psychedelic drawings and Sheffield was teaching guests to knit friendship bracelets. Grayson’s favorite part was the room devised by indie film director Adam Green (who was dressed kind of like Captain Crunch), which featured large video game props from his feature film The Wrong Ferrari. “I have a soft spot for anything analog versus digital, and I thought the movie was funny,” said Grayson. “Plus, he was dressed cool and I can pretend in my head he is my new boyfriend.” Overall, it was a rollicking success, and van Themsche plans to hold court over similar events on a monthly basis. Erin Fetherston, who displayed sketches of her ethereal dresses, said, “Olivier has created the ultimate hipster social-commerce platform. There is nothing comparable in the social/e-commerce space that provides the taste level, art direction, or community that the The Cools offers.”