21 posts tagged "Hilary Rhoda"
We’ve just passed the midway point of fashion month with the Milan shows well under way, and there have been plenty of memorable modeling moments thus far, particularly for newcomers. In general, the top-tier, A-list catwalkers have been more selective with their schedules, leaving room for fresh faces to ascend the ranks. Perhaps the easiest way to break down our favorite rookies is by hair color. By and large, it’s been the season of the platinum blond, with familiar faces Julia Nobis, Ashleigh Good, Juliana Schurig, Sasha Luss, and Devon Windsor making a strong case for bleached tresses (reminiscent of Khaleesi from Game of Thrones). Several new models have been riding Fall’s peroxide wave, too. First is ethereal Polish beauty Ola Rudnicka, who debuted at Prada’s Spring show and landed a spot in the label’s latest campaign. She’s turned up on just about every major runway in each city so far. Rudnicka kicked things off on a high note in New York, walking Jason Wu, Michael Kors, Proenza Schouler, and Marc Jacobs. She went on to do Burberry and Christopher Kane in London, and continued to take Milan by storm, bookending No. 21 on Tuesday in addition to walking Max Mara and Moschino yesterday. Another noteworthy newcomer rocking a flaxen mane is Harleth Kuusik (who currently stars in Proenza Schouler’s Spring ads). In New York, she did turns at Rag & Bone, Victoria Beckham, and Proenza Schouler, then followed those up with J.W. Anderson and Erdem in London. We plan to see a lot more of both Rudnicka and Kuusik next week.
Next up is the fiery-tressed group of redheads led by sophomores such as Lera Tribel and Nika Cole (who can forget her teased-out, lamp-shade ’do from Schiaparelli’s Couture show?). They are joined by Quebec native Sophie Touchet, who made an early impact at Thakoon, 3.1 Phillip Lim, MBMJ (a.k.a. Marc by Marc Jacobs), and Burberry Prorsum, then moved on to open Alberta Ferretti and walk in Fendi yesterday. Finally, we’ve got a mixed bag of brunettes, ranging from Dutch stunner Imaan Hammam (she won the genetic lottery with a Moroccan mother and a father from Egypt, and her exotic looks have helped earn her key spots in top-tier casts including Prada, Proenza Schouler, Narciso Rodriguez, and Fendi) to fierce-looking Ronja Furrer (that strong jawline gave her an edge at Altuzarra, Alexander Wang, Christopher Kane, and more). And how about this season’s most buzzed-about newcomer? Waleska Gorczevski has a hell of a name and a hell of a presence. During NYFW, the Brazilian model was the first girl out at Marc Jacobs. She also opened Yigal Azrouël and bookended Victoria Beckham, and has continued to rack up an impressive show list including Calvin Klein Collection, Hugo Boss, Proenza Schouler, Christopher Kane, and Fendi. No doubt Paris will take to her serene, slightly quirky appeal.
Aside from Fall’s freshman class of catwalkers, we’ve witnessed plenty of noteworthy cameos by old-school veterans, too. For example, Alexander Wang’s finale featured the likes of Angela Lindvall, Bridget Hall, Candice Swanepoel, Caroline Trentini, Anne V., Hilary Rhoda, and Jacquetta Wheeler. Meanwhile, Karen Elson has been going at full throttle this year, and she continued to dazzle at Tom Ford, Donna Karan, and Diane von Furstenberg. On the other hand, we’ve got Karolina Kurkova, who surprised us by opening Cushnie et Ochs and turning up at Christopher Kane (where she was easily the most experienced model in the lineup). Other highlights included: Kirsten Owen opening and closing Mary Katrantzou; Mini Anden at Proenza Schouler; Liberty Ross and Stella Tennant at Tom Ford; and the triple threat of Carolyn Murphy, Frankie Rayder, and Liisa Winkler at Michael Kors. Last but not least was the brilliant cast at Burberry Prorsum, which featured Edie Campbell in addition to her two younger sisters, Olympia and Jean. Mark our words, those Campbell girls are stars in the making. And speaking of stars, you can’t deny that Kendall Jenner was a total natural on the runways at Marc Jacobs and Giles.
Everyone knows their Marcs from their Calvins. But as fashion month kicks into gear, we’ll be spotlighting the up-and-coming designers and indie brands whose names you’ll want to remember.
Label: Dannijo, by Jodie Snyder Morel and Danielle Snyder
Need to Know: Hot off the celebration of Dannijo’s fifth anniversary, the designing sister duo took Spring ’14 to the dark side with their aptly titled collection Noir, which they presented at Industria Studios in the West Village last night. The range, which models wore while lounging around a midcentury-style movie set, is a departure from the label’s consistently cheerful, colorful baubles. And as the name reflects, it’s an homage to the women of black-and-white film noir. Railroad-track chokers, pendants, and signature Dannijo cuffs featured contrasting shades of black and white muted stones, with pops of teal and pink. On hand to fete the line were such Dannijo supporters as Annabelle Dexter-Jones, Rashida Jones, Samantha Ronson, and a bevy of models straight off the runway, including Hilary Rhoda and Coco Rocha.
She Says: “We’ve always worked off this concept of duality,” said Danielle Snyder. “This woman is elegant yet bold, romantic yet dangerous. It’s black contrasting with a pop of spring.”
Eschewing pins, plaids, and pugnaciousness, a few of last night’s Met Gala attendees opted for a different sort of ornamentation: all things baroque. Curious, you might think, since gilt and whorls don’t exactly fit with punk’s middle-fingers-up grittiness. But with parallel underlying airs of metallurgy and commoditized Gothicism, we’d say these ladies picked up on a bloodline between the zeitgeists.
Beyoncé’s hellfire custom-made Givenchy gown evoked monarchal muscle and flamboyant architectural tones. Katy Perry arrived in head-to-toe Dolce & Gabbana—florid gold-leafed crown included. Dolce & Gabbana also dressed Giovanna Battaglia and Tabitha Simmons. The former wore the label’s Alta Moda couture line, and both looks recalled a seaside Palermo church awash in halcyon daylight. Hilary Rhoda also walked the line between rococo and rebellion; her Wes Gordon top featured fine-lined Aurelian patterning on diaphanous black sheer—but her cropped leather pants were 100 percent King’s Road.