15 posts tagged "Holly Fulton"
Fringe, in every length, style, and color, has been adding a playful kick to the Spring ’14 collections. It surfaced early in NYC, namely at 3.1 Phillip Lim and Ralph Rucci. The former showed fringe on punctuated-block tops in Neapolitan hues, while the latter offered an evening gown tiered in fiber-optic strands that radiated with synthetic rainbow phosphorescence (“eyelashes,” Rucci called the textile).
At Rodarte, Kate and Laura Mulleavy paid homage to their beloved Los Angeles, attaching long tassels to trash-fab grommeted belts and heavy leather skirts. Proenza Schouler‘s Jack McCollough and Lazaro Hernandez whipped up a lattice-patterned overcoat in shredded fabric—scraps of which were dip-dyed crimson red, and Marc Jacobs enhanced his collection’s Victorian vibe via bunches of fluid thread (above, center). Meanwhile, Francisco Costa—who celebrated ten years at the helm of Calvin Klein—also implemented fringe on a number of sporty silhouettes (above, left), breathing a reinvigorated rawness into his famed streamlined aesthetic.
The trend has been spotted out of the gate in London, too. Sister by Sibling used drapery tassels on netted skirts (above, right), while Holly Fulton employed wispy stranding on topcoats at her seventies-influenced outing. Of the fringe effect, New York’s Fivestory owner Claire Distenfeld told Style.com, “Amazing elements from the past are back in full force, including fringe. As a romantic, I’m ready to embrace it.”
“I like a lot of embellishment and I like a lot of print,” said Holly Fulton. She might have been speaking for all her fellow English designers at the London Showrooms, the traveling, British Fashion Council-sponsored showcase which arrived in New York this week, following a stint in L.A. It’s almost a cliché that London designers trend bright and buzzy, but it’s become something of a calling card for the young talents nurtured by the BFC. To tweak the old saw, go big or stay home.
Fulton served up her groupie-inspired Fall collection, which featured lava-rock embellishments, hand-drawn prints, and a rather impressive dress constructed entirely of feathers. Others, like Simone Rocha (above), who’s currently selling stateside in Jeffrey and Opening Ceremony, offered less print but more color. Her key pieces were voluminous waffle-knitted neoprene looks in what she laughingly referred to as “Pepto pink.” Thomas Tait also played on unexpected fusion of spongy, bonded leather and quilted nylon in Day-Glo oranges and lime greens. “I feel like I’ve been shouting,” said Tait, whose line is also carried at Jeffrey. “I’ll be doing something mellower next season.”
Meanwhile, Fyodor Golan, designed by Fyodor Podgorny and Golan Frydman, balanced elegant, elaborately embellished print dresses with more playful leather pieces embossed with smiley faces. Turns out Smiley—the company that owns the rights to the icon—approached the duo for a collaboration, and they jumped at the chance to create, as Frydman put it, a “sexual smiley.” Another duo, Teatum Jones (that is to say, Catherine Teatum and Rob Jones) showed bright, seemingly tie-dyed dresses in perforated bonded jersey, as well as a few particularly interesting coats in latex-coated alpaca wool. Yet a third duo, Palmer//Harding, also in attendance, used a similarly clever technique on their wools to make them look like leather.
Men’s designers were on display, too, and they came with news to share. James Long whispered that half the designers showing on the Paris calendar had called to personal-order his sweater knitted with a giant picture of Divine. Agi Mdumulla and Sam Cotton of Agi & Sam had news of an offbeat football (read: soccer) and owl-inspired capsule collection they’ll launch at Topman next month. And jeweler Dominic Jones revealed he’ll show his first-ever men’s collection during June’s London Collections: Men. In the meantime, he was showing his mainline collection as well as his recently-launched lower priced range, DJ by Dominic Jones. “I wanted to make something that all my friends could afford,” he said when asked about the gold-plated and bright enamel collection of baubles, which average about $100 apiece.
The upcoming Summer Olympics have inspired plenty of designers to think sporty. But even those without court and pool on the mind are celebrating the event in their own ways. The Games are on English soil this year, so U.K. retailer Matches is indulging in a little well-deserved patriotic peacocking. The store commissioned a handful of London’s young guns—Jonathan Saunders, Erdem Moralioglu, Mary Katrantzou, Richard Nicoll, Holly Fulton, Roksanda Ilincic, J.W. Anderson, and the label Herself—to design limited-edition T-shirts whose proceeds will benefit the Disposessed Fund, which fights poverty in London. “London is the center of attention at the moment with the Jubilee and Olympics right around the corner,” said Saunders (above, with a model in his design). “Not to mention the fact it has become the epicenter of such innovative design. I’m just happy to be a part of it in my own way.” His own way being one that won’t look at all out of place once the Games have bestowed their final medal and gone on their merry way. The shirts retail for £60 each (about $94) and are available today at Matches stores and www.matchesfashion.com for those outside the country.
Some arena-playing rock bands travel less than young London’s designers. Those blessed by the British Fashion Council as part of the roving London Showrooms coterie have been on a whistle-stop world tour of late, hitting Paris, Hong Kong, L.A., and now, finally, New York, where they set up shop this morning to show their Spring wares to U.S.-based editors and buyers. To judge from the group assembled—including James Long, Thomas Tait, J.W. Anderson, Holly Fulton, Louise Gray, Marios Schwab, and milliner Nasir Mazhar—the journey may have tired them, but it didn’t dampen their enthusiasm. Almost every designer queried revealed he or she had picked up international stockists along the way; among the city’s reigning favorites, Long and Anderson drew the most attention, but even the youngest in the crowd can now boast increased U.S. visibility. Central Saint Martins grad Simone Rocha, who showed her first solo outing this Spring after a few seasons under the umbrella of Fashion East, now sells her vintage-lace dresses, fluoro tulle sheer layering skirts, and plastic raincoats at Opening Ceremony. Craig Lawrence, a 2011 NEWGEN winner who showed loose-weave knits and cropped, elasticized jumpers, is at several Henry Beguelin locations. Interested buyers were swarming, suggesting more reach is at hand for many present.
New categories and techniques were on display, too. Jeweler and sculptor Jordan Askill introduced pieces with ethical amethyst, sourced from a mine in Zambia, which he worked into silver pieces with his trademark swallows (below left). (A giant swallow cuff, which opened to reveal a hidden compartment, blurred the line between his two pursuits.) Also in the new collection were his first fine-jewelry pieces, with tiny diamonds surrounding a faceted, hand-carved swallow pendant. Holly Fulton had begun working with mother-of-pearl for accessories and real seashells for statement-making jackets; the trick, she confided, is finding shells of uniform shape. Tait, whose finely wrought, voluminous pieces suggest Couture shapes, had a surprising new footwear collaboration: a set of crisscrossed trainers he designed with Nike. (He was wearing a pair himself, as was a model; he had no plans to produce them, he revealed, but persistent interest on the part of buyers may change all that.) And Sibling’s Cozette McCreery was on hand to show off her knitwear label’s first official women’s line, Sister by Sibling. Women had been ordering small men’s sizes for so long, she said, that she and her co-designers, Sid Bryan and Joe Bates, decided finally to cut and knit for them. They were cropped neon and sequin leopard tops (left) and two complementary, sweatshirt-style sweaters emblazoned with the words LOVE and HATE. They’d sold, she said, about evenly, though she expected more interest in LOVE. Call it a knitted insight into the human race.
Balenciaga lately got a museum exhibition in San Francisco, but the late Spanish couturier is about to have a home to call his own—and in his hometown, no less. Queen Sofia of Spain inaugurated the Balenciaga Institute in his native Getaria, which showcases 90 of his designs; it opens to the public on Friday. [Racked]
Natalia Vodianova is spreading the love. This year, the model, who hosts a yearly charity Love Ball for the Naked Heart Foundation, has asked 40 of her designer friends to create dresses for auction at Christie’s. [Modelinia]
Everything’s coming up Koma. London designer David Koma is one of the several designers who, it was announced last night, will be supported by London’s NEWGEN sponsorship for the upcoming season. He shares the distinction with fellow young talents Holly Fulton, Mary Katrantzou, Louise Gray, and Michael Van Der Ham. [Vogue U.K.]
Karl Lagerfeld has yet to make his first venture in comic books, but in the meantime, he’s adding crystal to the list of his innumerable side projects. The designer has teamed up with Orrefors to create a line of crystal stemware and vases, launching this fall. What better glass for your custom Karl-designed can of Diet Coke? [WWD]