32 posts tagged "Inez van Lamsweerde"
Blue Is the Warmest Color heated up Cannes, just arrived in U.S. theaters, and now has the Miu Miu seal of approval. Miuccia Prada tapped the film’s Palme d’Or-winning stars, Léa Seydoux (who has been the face of Prada in the past) and Adèle Exarchopoulos, for Miu Miu’s Resort campaign, shot by Inez van Lamsweerde and Vinoodh Matadin. A word to the wise for the prurient: The film is NC-17; the campaign, PG.
More often than not, “love at first sight” is written off as bullshit. But somehow, Dutch husband-and-wife photography duo Inez van Lamsweerde and Vinoodh Matadin manage to make it a believable concept. “We knew the first time we met,” said van Lamsweerde while eying Matadin from across the table in their downtown New York studio. The year was 1986, and they became acquainted while at art school. “We each had a different partner, so it just wasn’t possible. But we worked together on and off for six years without dating,” she continued. “And then we met on the street in Amsterdam, went for a coffee, and it all sort of clicked.”
In the more than two-and-a-half decades since that initial encounter, the couple has married, had a son, Charles, and built a veritable fashion and art photography empire. You’d be hard-pressed to flip through a magazine’s September issue without stumbling upon an Inez & Vinoodh-lensed editorial, or one of the Fall campaigns they shot for Jason Wu, Balmain, Valentino, or a bevy of other powerhouses. Oh, and of course, they’re responsible for Lady Gaga’s latest album cover and video. Their next creative endeavor? A collaborative jewelry collection with TenThousandThings. “It’s a love project,” explains van Lamsweerde. “And it’s about having something to commemorate the love you have for your partner, your child, your best friend, your co-worker…”
The seeds were planted last year while the couple was working on a charity project with TenThousandThings’ David Rees and Ron Anderson. Before they wrapped, Matadin enlisted the jewelers’ help to design a one-off necklace for van Lamsweerde—an oxidized silver chain garnished with a pavé drop, two linked circles (representative of the couple’s wedding rings), and a star pendant. “That’s a symbol for Charles, because his middle name is Star,” said van Lamsweerde. “I started wearing it right away, and everyone would ask me, ‘Where did you get that?’ So it grew into more.” The photographers worked with Rees and Anderson to create a carefully considered debut range, which began with ten of the intertwined wedding-band necklaces (ten because Charles celebrated his tenth birthday this year). Each piece (available in oxidized silver, 18-karat rose or yellow gold, or leather) is garnished with various charms—a ruby resembling a drop of blood, a turquoise heart, a diamond briolette, a white Tahitian pearl, and more. An eleventh necklace combines all the trinkets on one chain. The same concept applies to the collection’s delicate rings, earrings, and bracelets, and van Lamsweerde and Matadin plan to update the offering biannually.
Naturally, the pair shot their own campaign—a selection of black-and-white images that depict friends and lovers including Stefano Pilati and his boyfriend, Christiaan Schoonis; The Misshapes; Charles and his best friend, Stella (“It only took ten frames; he’s seen a lot of people strike poses for us,” said van Lamsweerde, laughing); musicians Lou Doillon and Keren Ann (van Lamsweerde describes them as sisters in singing and songwriting); and van Lamsweerde and Matadin themselves. The latter two images debut here.
The collection—priced between $450 and $19,000—can be found at Colette, Net-a-Porter, and Barneys New York this September, and will officially launch via a personal appearance at Barneys’ Madison Avenue store on September 7 at 3 p.m. The event will also celebrate the pair’s Byredo fragrance, 1996, and offer a sneak peek at their forthcoming Taschen book, Pretty Much Everything, which follows a traveling retrospective of the same title.
So considering they’ve conquered the worlds of photography, art, and—now—design, it seemed only appropriate to ask the photographers if they felt like they had done, well, pretty much everything. “No,” said Matadin. “We’re working on a movie…. It’s just meetings in Hollywood now. It will take a bit of time.” No doubt they’ll enjoy spending that “bit of time” together.
When Nicola Formichetti stepped into his role as Diesel’s artistic director back in April, he told us that he’d be making some big digital moves. “I want to crowdsource using social media and start getting the armies together, because I can’t do this alone,” he explained, citing Reboot, Diesel’s ongoing Tumblr project, as the first step. Today we learned that the social media maven turned to the micro-blogging site to cast his first ad campaign for Diesel. “I wanted to find people who reflected the diversity of the creative community today and not just the typical model,” Formichetti told WWD. The denim label’s artistic director chose twenty creatives—from graffiti artists to teenage film students—to star in the Inez & Vinoodh-lensed fall adverts. There were, however, a few familiar faces, among them game changer Casey Legler, the first female model to be signed to a men’s division.
Just in case you haven’t gotten your fill of Lady Gaga’s paint-smeared face, it’s back in the video for “Applause,” the first single to (officially) drop from the singer’s forthcoming album, Artpop. Fittingly, for the woman devoted to living her life as a live-action editorial shoot, the video was directed by fashion photographers Inez van Lamsweerde and Vinoodh Matadin, who also shot Artpop‘s cover and Gaga’s four September V covers. “For me, it was one of the most memorable experiences that we’ve ever had,” Gaga’s stylist, Brandon Maxwell, told Style.com when asked about working with the photographers. Of course, the clothes—like an archival John Galliano gown accessorized with duct tape and safety-pin baubles by Mathieu Mirano, and Valentino Couture lingerie paired with Alaïa boots—added to the excitement.
“The concept was really, What would you do for the applause?” explained Maxwell. Donning a custom Gareth Pugh pillow gown (which explodes around a black catsuit by Mila Schön) and a Maison Martin Margiela Couture jacket (Gaga wears it atop a mirror-and-pin costume conceived by her sister, Natali Germanotta) seems a good place to start. However, Maxwell stressed that some of Gaga’s most memorable looks boast a DIY touch. “Nobody loves clothes and couture more than Gaga, but I think some of her most famous costumes are things that she made with her own two hands,” asserted the stylist. “So there are parts of the video that are incredible for fashion people—like, I was basically crying during that whole Galliano scene. But she has a huge fan base, and I like to choose pieces—whether they’re off the runway or made by us—that some of these kids can make at home.” This time around, those items included seashell pasties; a floating bikini bottom that Gaga’s in-house Renaissance man, Perry Meek, assembled from fresh flowers, glue, and string; and a surreal top by Jean-Charles de Castelbajac shaped to look as though two gloved hands are grasping Gaga’s breasts. The pop star also wears assemblage-style wings—fashioned from broken umbrella spokes—by L.A.-based Junker Designs. Continue Reading ““Applause,” Please: Brandon Maxwell Talks Styling Lady Gaga’s Latest Video” »
Don’t let Raquel’s expression fool you—art is uplifting. That, in a nutshell, is the guiding principle behind RxArt, the nonprofit that works to install artworks in hospitals and healthcare facilities. To that end, the group is having its 12th anniversary benefit in New York Monday night, honoring Dan Colen, who is about to undertake a major installation at Brooklyn’s Kings County Hospital pediatrics unit. (Given the setting, he’s trading his occasionally R-rated material for something more PG: M&Ms.) Tickets are still available for the Monday night party, where art by Colen, Terry Richardson, Inez and Vinoodh (whose photograph Freja and Raquel with Bill Clinton by Chuck Close is above), Aurel Schmidt, Marilyn Minter, and more will be on auction. You can get a jump on bidding online, but to take it home, you’ll want to be able to fend off competitors at Milk Gallery on Monday night. Even if you don’t walk away with a piece, you won’t go without reward: Each attendee can pick their own T-shirt, courtesy of Pickwick & Weller.
For more information and to purchase tickets, visit RxArt.com.