6 posts tagged "Instagram"
Instagram Fears the Nipple: An Exclusive Interview with Anja Rubik About Getting Kicked Off the Social Platform, and Celebrating the Naked Body
Instagram doesn’t just fear the nipple—it’s terrified of it. This morning, Anja Rubik’s erotic magazine, 25, was kicked off the social media platform without warning. Why, you ask? 25 had posted an image or two that included partial female nudity. (One of said images may or may not have been a screen shot of yesterday’s Style.com homepage, which featured Rubik in Anthony Vaccarello’s transparent Fall ’14 finale look.) And that, apparently, was just not acceptable. “I think this whole thing is ridiculous,” Rubik told us by phone from Paris fashion week. “It’s like saying to the world that a woman’s body is offensive. You can’t show a nipple behind a sheer shirt?”
Yesterday, Style.com reported on Fall ’14′s nipple trend (which continued at Gareth Pugh). And while the judges are still out on whether this catwalk craze is a vehicle for female empowerment or objectification, we agree with Rubik that social media shouldn’t censor pictures that celebrate the body. “Like all forms of social media, Instagram is a form of a self-expression,” said Style.com social media editor Rachel Walgrove. “The digitally-driven have grown to accept it as an art form and prefer that companies not stifle their messages with their terms or censorship.”
What’s more is that there’s so much clothed vulgarity allowed on Instagram. Miley Cyrus can post a close-up of her derriere in a pair of white panties printed with a wagging tongue that reads “Bangers,” but Rubik can’t share a runway snap of her barely visible breasts? Pish posh. Here, in an exclusive interview, Rubik talks to Style.com about getting kicked off (and immediately relaunching on) Instagram, the dangers of censorship, and why there is no need to fear the nipple.
Instagram is obviously fearing the nipple, and they canceled your magazine’s account today because of it. How did you find out?
Well, [my colleague] who runs 25 magazine’s account called me and told me that it was down. We didn’t even get a warning. We know Instagram’s restrictions, and we’ve been very careful. So we started to think, What image could have triggered this? And actually, we think it was a screen shot of the Style.com homepage, where I’m wearing Anthony Vaccarello.
Stop. Are you serious?
Yes! And we loved [the image] because underneath, you guys wrote, “Don’t Fear the Nipple,” which is our slogan that originally came from an interview I did with Style.com, and it became our thing, and we did T-shirts around it. It’s all about empowering women and being comfortable with your body and your sexuality. Anyway, I guess that image triggered a lot of reports, which is why the account was closed.
Have you posted any other images that people might report?
Well, there was also an image I posted from French Vogue of a naked girl standing backward. You couldn’t see anything, but they took that down. And actually, this is the second time I’ve been thrown off Instagram. The first time was because a photographer friend of mine sent me a print with a beautiful note on it, and I posted a picture of it to say thank you, and they kicked me off for that without warning. It’s quite frustrating, especially because, when you look through Instagram, there are so many crude, vulgar images, which are apparently fine. But when you post a beautiful body of a naked woman, which is the most natural thing that can exist, then we have a problem. What’s the worst thing that will happen? Even if it’s children flipping through, why should they be offended by a breast? Especially if it’s photographed or shown in a very natural way that’s not vulgar.
It’s not like you’re posting porn.
No! Not at all!
So Instagram allows crass, clothed images but censors photographs that celebrate a woman’s nude body. What kind of message do you think that’s sending to the public?
I think it’s very strange. It makes us think that we should have some kind of complex about our bodies. It sends the message that our bodies are unnatural and not beautiful, and I think women need to fight this. Talking about sex and the naked body has become such a taboo, and that’s when people start having problems—when they can’t be open about it. We need to be proud of our bodies. We create all these really fake ideals of beauty nowadays with images of women that are physically altered, and women are trying to attain these insane, unrealistic ideals. But we show a natural woman naked and that’s an issue? I don’t understand it.
Do you hope that 25 can help make issues and discussions surrounding sex and the naked body less of a taboo?
Yes. I hope that is something that we’re doing through the magazine. We shoot all different women for 25—models and real women. Women shouldn’t feel like they need to hide their bodies. If you look at the sixties or the seventies, women were free and comfortable in their bodies. All this censorship can start to make women feel uncomfortable, and that’s a very big problem
Do you think that this fear of the female body is inherently American, or is it an international sentiment?
I feel that we see it much more in the States. In general, people in America tend to be a little bit more prude than in Europe. But I think it’s spreading, unfortunately. Europe is becoming more and more prude. And it’s ridiculous because when you turn on the TV—a reality show—you’re faced with so many vulgar images. That’s what should be censored and not allowed, in my opinion.
I see that 25 has relaunched with another Instagram account. Will you continue to try and push the envelope with the images you post?
We will. And if they kick us off, we’ll open another account. We’re here at fashion week [in Paris] and it’s an important event for fashion and women. So we thought we should open a new account to keep our readers updated going forward. But after fashion week, we’re going to have to decide how we approach this issue. I’m considering opening a private account so only our users can see the photos. Maybe that will solve the problem. I don’t know.
More generally, we have seen a lot of bare breasts on the runway for Fall ’14. Do you think this is a positive thing? And would you walk around in the Anthony Vaccarello finale look that you wore down the runway?
Yes! Of course. In the right place, why not? I would feel comfortable. I mean, I wouldn’t wear it on the street, but this whole nipple thing is insane. Didn’t people want Anne Hathaway to apologize because you could see the outline of her nipples in her Oscars dress? That’s crazy. That’s like apologizing for having a leg. Honestly. She wasn’t even showing the nipple! It was just peeking through the dress. Obviously there’s a nipple in there! Why do we care? That’s really awkward! We should be apologizing to her. There was nothing vulgar about that dress.
You said that you wouldn’t go braless in a completely sheer top when just walking down the street. Why not?
I think because the world, unfortunately, is not quite prepared for that. In Europe, I’d probably do it—in Italy or the south of France. But in other places, I think it would cause too much trouble.
Is there anything you’d like to say to Instagram or to members of the general public who fear the nipple?
They should wake up. We’re going backward—way backward. Instead of celebrating our bodies and moving forward and exploring our sensuality, we’re blocking all these things and making them shameful. And to the people who don’t like these images and report them on Instagram, just don’t follow us. It’s very simple. I don’t understand why they’re following us in the first place if they find our images so offensive. I’m not putting a gun to their heads.
Whether anyone under 30 who Instagrams, Snapchats, and tweets his way through life even looks at a real book these days is debatable. But that didn’t stop London-based art director Francisco Salvado, the man who helped conceive Dazed Digital, come up with Soon Is Now The Instapaper – #Edit2—a celebration of Instagram’s best snaps, in print.
This is Salvado’s second Instagram-centric tome. The goal for each was to slow down the rapid-fire pace of social media and capture some of the most interesting shots that otherwise would have vanished into cyberspace. “This is an attempt to make sense of the visual and sensory onslaught by curating a selection of the most enduring images from some of the most exciting creative talent around,” said Salvado, who tapped fifteen such talents, including Humberto Leon, Matthew Stone, Alex Prager, and Liz Goldwyn, to contribute.
The book is also an exploration of what Salvado (who also consults on Raf Simons, Acne, and Alexander McQueen) believes is a new category of photography: iPhone images. “It’s a way of celebrating and documenting this new wave of creativity happening within the digital space,” he said of the book. The good news is that, unlike most other Internet-focused endeavors, here it’s quality, not quantity, that counts. Added Salvado: “We were not concerned with the number of followers when selecting the artists. Rather, we focused on the quality of the images. What’s important for me is that they have a point of view and something to say.”
Soon Is Now The Instapaper – #Edit2 will be available this week on theinstapaper.com and at select London bookstores.
It’s that time of year again: New York fashion week kicks off this Thursday, and while we’re certain you know all the talking points, we want to make sure you’ve refreshed your bookmarks as well as your wardrobe. In addition to our Instagram coverage, and recent mobile facelift, we’ll be sharing our favorite looks (plus backstage videos) from the Spring 2014 runways on Pinterest. Follow along to see what piques the Style.com editors’ interest so you can be in-the-know long before the trend reports hit.
It doesn’t surprise us that Alison Chemla—the 25-year-old designer behind the wearable gold, diamond, and ruby iterations of our favorite emoticons—has some social media savvy. And tomorrow, Chemla, who designs under the name Alison Lou, will be capitalizing on her digital prowess with a new collection to be sold—you guessed it—via Instagram. “I have a lot of followers [5,990, to be exact], and I’ve been getting tons of inquiries about where [my jewelry] is available online, so I thought it would be a good idea to do a tiny capsule,” explains the New York–based designer. The line, which features double-sided pendants with Party Animal, Furious, CryBaby, and Bashful emoticons, as well a face with a wagging red tongue, is crafted from enamel and 14-karat gold. Two emoji styles—a hand making an OK symbol and one flipping the bird—are also included in the online oeuvre, and the pieces start at $300 (a decidedly accessible price point in comparison to her fine jewelry line).
Chemla, who favors “crying” and “heart eye” faces in her digital communications, hinted that her upcoming Spring ’14 collection will be a departure from last season’s emoticon debut. “I want to go into fine jewelry a little bit more and explore some other ideas that I’ve had,” she says. No frown-y faces, though. Chemla assures that her emoticon wares will remain as a signature range and she’ll offer a series of fresh symbols, as well as tried-and-true expressions, each season.
Earlier today Facebook-owned snap-happy service Instagram (which at present has a cool 130 million users, receives one billion likes a day, and hosts over 16 billion photos) debuted video. Similar to its popularized photo functionality, Instagram Video offers thirteen filters, still-frame thumbnail options, and fifteen seconds of recording (unlike Twitter’s competing service, Vine, which stops the clock at six). We took the new feature for a test-drive today, and though we can’t shake the shaky hand, Instagram claims it will improve our faulty fingers with Cinema stabilization.
So, what does this mean for fashion? Well, for one, there will be even more real-time (and personal) access to moving runway looks. Burberry, for example, took its 850 thousand followers behind the scenes, sharing moving moments from its recent menswear show (above). With Couture on the horizon and September sneaking up, we’re eager to see how showgoers will use the new video app to bring fashion-watchers as-it-happens action. Those of us viewing the runways from the office will also look forward to instantly seeing garments in motion. (Let’s be serious, stills rarely do Couture justice.) However, we generally prefer our fashion unfiltered.