15 posts tagged "Irina Lazareanu"
Every year, the crème de la crème of the film industry get glammed up to hobnob and vamp for the paparazzi at the Cannes Film Festival. While A-listers such as Jessica Chastain, Nicole Kidman, Marion Cotillard, Carey Mulligan, and Zoe Saldana have made an impressive showing thus far, they’ve arguably been eclipsed by the contingent of top-tier catwalkers who have flocked to the red carpets en masse. Yesterday, in particular, was a model-watcher’s paradise, with the likes of Joan Smalls, Petra Nemcova, Barbara Palvin, Chanel Iman, Jessica Hart, and Erin Heatherton posing for the cameras like the pros that they are. Milla Jovovich, Liya Kebede, and Doutzen Kroes were snapped multiple times earlier in the week, and Yasmin Warsame and Irina Lazareanu made some memorable cameos, too. Presumably, even more runway regulars will turn up at the amfAR blowout on Thursday—we’ve got it on authority that Liu Wen and Karolina Kurkova are already in town. Sorry, starlets. When it comes to posing and strutting in borrowed gowns, models simply do it best.
At yesterday’s tea party celebrating Savannah Miller’s second collection for her eponymous line, the designer was thinking about how to keep both the prices and the mood light. “I suppose I’m trying to make being happy cool again. This collection is about a blown-out summer, a dreamy life: It’s about butterflies and sunshine—being joyful again.”
The happy vibe worked its way across Mari Vanna, the cozy, kitschy Russian eatery where the tea was held, as sister Sienna Miller, mom Jo, Matthew Williamson, Irina Lazareanu (who stars in Savannah’s spring campaign—last season’s ads featured Dree Hemingway), Valentine Fillol-Cordier, Lady Kinvara Balfour, and more perused the sixty-piece collection, which included platform sandals, sweet, floral lace frocks, slipdresses, denim and lots of fringe—”Nothing in the collection is over £125,” said Savannah, who’s committed to keeping the line affordable. “It really struck me lately that a lot of people, friends included, are just hanging in there by a thread financially. But they also want to feel fashionable and cool—and I want to fulfill that need.”
Both Miller sisters resigned as co-creative directors of Twenty8Twelve early last year, but that doesn’t mean they had any downtime. Sienna recently had a baby (Marlowe), and Savannah, who’s already a mother to three, likens her new line to having a fourth child. “This is very much my project. It’s the first time I am really standing alone as a designer,” she says. Even so, the bohemian look we’ve seen in the past (and that her sister has all but owned throughout the last decade) is still in her fashion DNA. “Bohemia is who I am. I think once you have a taste in design, it is very difficult to move away from. Though I hope throughout the collections I can evolve that look a lot more.”
“A dove in the house means a happy home,” Savannah Miller was told when she discovered a family of birds nesting in her country attic. That explains why a paper dove was keeping watch over the launch of the designer’s anticipated debut solo collection, Savannah, in London last night. A grand Georgian four-story house in Fitzroy Square was transformed into surreal autumn woodland by set designer David White.
London’s fashion set has been curious about Savannah’s next move since it was announced in January that she and sister Sienna were departing Twenty8Twelve, the line they’d created. Those who came out to last night’s event—among them, Clara Paget and Irina Lazreanu (above, with Miller between), Mary Charteris and Candice Lake—discovered the answer: affordable party dresses.
Donning a shimmering cocktail number from her 40-piece contemporary collection, which launches for Fall on the e-commerce nelly.comn, the soft-spoken Savannah explained her attraction to an affordable High Street price point. “Truth be told, I can’t justify spending what should be the annual budget for my kids’ clothes on one coat anymore,” she explained. “When I see the work of someone like, say, Mary Katrantzou, I know it’s real art and it should be worth a great deal…but I want to make something that people can feel decent about wearing in a recession.” Accordingly, the new line will emphasize easy, wearable looks—maintaining, of course, the Miller sisters’ famous bohemian touch.