14 posts tagged "James Long"
Talk about multitasking: Juergen Teller’s new campaign for Marc Jacobs—starring Masha Kirsanova and Caroline Brasch Nielsen—was shot backstage at Jacobs’ Spring ’11 show (left). [Fashionologie]
The womenswear winners of London’s NewGen sponsorships were announced earlier this week, and now the prize is spotlighting the men: J.W. Anderson, Christopher Shannon, and James Long will show their menswear on the runway during LFW’s Man Day, while Lou Dalton, Katie Eary, Omar Kashoura, and knit wits Sibling will have their presentations supported. (Men’s designer Christopher Raeburn, who was listed among the winners yesterday, will also have his installation underwritten.) [Vogue U.K.]
It’s time (again) for Diane von Furstenberg to clear some space on her mantel: The indefatigable designer will receive amfAR’s Award of Courage—alongside President Bill Clinton and Elizabeth Taylor—at the AIDS research nonprofit’s silver anniversary gala next year. [WWD]
Leandra Medine, better known as the voice of Man Repeller, is the high priestess of high-waisted pants—and shoulder pads, schlumpy layers, and all of the other “girls get it, guys don’t” fashion choices out there. Men may be repelled, but the Times wasn’t; Medine got the full profile treatment today. [NYT]
And here’s more from Ford: The latest glimpses of TF’s womenswear come courtesy of W, which shot a few looks, styled by Alex White and shot by Inez and Vinoodh, on Lara Stone. [W]
Jo-Ann Furniss, editor in chief of Arena Homme+, reports from London fashion week’s MAN Day for Style.com.
One of the great things about MAN Day is the radically different perspectives on offer, perspectives that somehow all seem to get along famously. There are none of the handbags-at-dawn shenanigans of womenswear, so the faultless Savile Row tailoring traditions of E. Tautz can literally sit next to the punky, poppy, yet brilliantly accomplished knitwear of Sibling in Somerset House. (Sibling’s collection film by the photographer Alasdair McLellan was also one of the standout moments of the day.) Many of these fledgling London-based menswear and accessories designers have matured into forces to be reckoned with on an international stage this season, while at the same time losing none of their sense of fun and a take on a wider pop culture that seems more relevant than ever for fashion in the city.
This influence of musical subcultures was found in many of the shows, more precisely, the sixties and the seventies seen through the filter of the nineties. This was the case at Topman Design (above), who presented the sort of thrift shop boys you used to see in London idolizing West Coast psychedelia and wanting to be Bobby Gillespie, in effortless washed silk shirts and crumpled parkas. Continue Reading “At London Fashion Week, MAN Power” »
Wade with an open mind through the variety of shows and presentations on offer during London Fashion Week’s MAN Day, and you’d have been impressed by just that—variety. From Savile Row smart to Mineshaft sleaze, London’s menswear designers laid out a buffet that could make your palette pulsate with pleasure or leave a bad taste in your mouth. But what was immediately striking about every single designer who showed a men’s collection on Wednesday is how sophisticated they were with their back-stories. James Long, currently anointed The One to Watch, referenced Fuse Boy, a film by the scarcely-known Canadian filmmaker Guy Maddin, for a collection (pictured) which imagined men in a steamy boiler room, their steam-saturated clothes slowly going moldy. That scenario scarcely impeded appreciation of Long’s masterful use of leather. New Power Studio was inspired by London’s multiculturalism and, at a time when the city feels like it is splintering, there was idealism in a show that offered a cross-section of ages, races and sizes in sportswear that was elemental enough to embrace them all. And, because I’m a fashion trainspotter, I couldn’t help drawing a line from the last look—a be-glittered guy in a shtreimel—to the ultimate fashion idealist Jean Paul Gaultier’s Jewish collection in 1993. Turns out NPS’s main man Thom Murphy is a big Gaultier fan.
If the rest of the world is going to get the picture, it is essential that MAN Day bring together all the strands of the burgeoning British menswear scene. I felt this one did. I’ve already written about Topman and I’ll have more to say about E.Tautz. The ideas they represent—the heritage of Savile Row, the historical romance of benchmark English designers like Galliano and McQueen—clearly provide a framework that is dictating the direction of many younger designers. James Small was so focused on tailoring that he trimmed everything superfluous out of classic men’s pieces. That peacoat? So lean it was mean. Lou Dalton, Carolyn Massey and J.W. Anderson opted for history, a temporal construct (Bonnie Prince Charlie) in Dalton’s case, a personal patchwork with Anderson, with a knapsack laden with roses (below) as one of the day’s enduring images.
And it wouldn’t be London if there wasn’t at least one intensely polarizing presentation. Rasharn d’Vera Agymang and Jaiden James are buoyant twentysomethings who make clothes that are anything but upbeat. With Mad Max apocalypse and Mapplethorpe’s X Portfolio in mind, they produced a collection of fetish leathers that was numbingly literal. Meanwhile, Re:Bel, the magazine they make together, was being distributed outside in the courtyard of Somerset House. It’s an impressive feat, a manifesto that rebuts the bloggy brevity their peers opt for. In fact, Re:Bel looks so substantial that it made the clothes feel like an afterthought. But, from Karl Marx to Malcolm Maclaren, London has always been the city that is kindest to manifestos.