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September 2 2014

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11 posts tagged "Jamie Bochert"

The Best Looks of the Week, According to Style.com Readers

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061514_Look_Of_The_Day_Roundup_blogIn this week’s Look of the Day polls, we shared which trends are on our minds—then asked you to play favorites. On Monday, we called out the best asymmetrical looks from Resort ’15. Who would have guessed Stella McCartney, Reed Krakoff, and Proenza Schouler (among countless others) would all bring back the slashed hemline? McCartney’s winning look, a floaty cutout dress from her Elizabeth Street garden party, looked especially fresh with mixed prints and sky-high platforms. Later in the week, we dedicated Wednesday’s poll to our model of the moment, Jamie Bochert. No doubt you’re seeing her face everywhere these days, from The Line’s new lookbook to the CFDA Awards red carpet, where she stood out among a sea of ball gowns. Stella McCartney won again on Thursday for her well-executed paisley prints—though Emily Blunt’s vibrant Osman dress was a close second. And on Friday, we wished Mary-Kate and Ashley Olsen a happy 28th birthday with a roundup of their best looks of late (which was no easy task). Their understated gowns at this year’s Charles James: Beyond Fashion Met Gala naturally took home first prize. Click here to see all of this week’s results, and be sure to check back every day to vote for our latest discoveries.

Beautiful Apparition: Jamie Bochert Croons for NewbarK

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“It’s a kind of journey to self-discovery,” explained Floria Sigismondi, the artist who famously directed Tilda Swinton and David Bowie in the rock star’s smash music video “The Stars (Are Out Tonight).” Sigismondi was talking about her Fall ’14 film for the sisters Maryam and Marjan Malakpour’s bare luxury accessories line, NewbarK. The short stars a writhing, slithering Jamie Bochert in the designers’ simple red flats. Making its online premiere exclusively here, the film also serves as the debut of Bochert’s latest musical effort, and features a haunting track from the model-cum-singer-songwriter. “The film was shot in Los Angeles in a house stripped down to its most simplistic form—it seems to emit a lot of ambient vibe,” said Sigismondi of her darkly surrealist offering. “I think this was especially a great opportunity to expand on the idea of non-cohesive images being strung together to create a kind of new reality,” she continued. “Jamie encompassed that character really naturally.”

That Bochert organically embodied Sigismondi’s gothy, abstract vision is no surprise. Bochert’s own artistic output is undeniably in sync with the longtime director’s dreamily sinister aesthetic. “It was inspiring,” commented Bochert. “I felt free and safe because I love Floria’s work, art, and authenticity.”

Chanel Is a Fashion Machine. Literally.

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In addition to Lindsey Wixson, Jamie Bochert, Ming Xi, Soo Joo Park, and Nadja Bender, the star of Chanel’s Lagerfeld-lensed Pre-Spring ’14 video is a literal Chanel fashion machine, which gobbles up said models, and then releases them dripping in tweed and pearls. Could this magical mechanical contraption be a metaphor for the house’s designer-cum-filmmaker? Lagerfeld’s ability to churn out one lust-worthy collection after another is superhuman, at the very least. What would Freud have to say about this? Have a gander at Chanel’s new short, above.

A Room of One’s Own: Barbara Casasola Presents at Pitti

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Barbara Casasola

Nearly a hundred years ago, a famous lady of London dreamt of a room of her own. But times change and dreams get bigger. “I’ve always wanted a big house,” said the Brazilian-born, London-based designer Barbara Casasola, “with a red room, a blue room…” With an invitation to present a collection at Pitti Uomo and a little sponsorship funding from the fair, suddenly, like a wish on a bottle, it was so. She divided a crumbling but impressive structure on the Via Dello Studio—just off the city’s historic center and steps from the Duomo—into an apartment the likes of which have rarely been seen outside of fever dreams. One room was all brilliant fuchsia. Another, connected to the first by a long runway, was a teal-tinted blue. And everywhere, in lieu of windows, were screens projecting a Nouvelle Vague-inspired short film Casasola created with SHOWStudio’s Marie Schuller and Jamie Bochert (below). Bochert is a muse for Casasola, and this, the designer said, gesturing around, “is her house.” The sense was very much of peeking behind the blinds, not least because Bochert spends much of the film nearly nude. (Admittedly, that’s a magnanimous and somewhat curious decision for a designer to make for a film devoted to showcasing her own collection.)

The collection Casasola showed in her new digs was technically her first Pre-Fall, but she disliked the idea of a whole collection dedicated to commercializing her runway looks. Instead, she conceived of it as a capsule collection of, as she called it, menswear for women. It was a striking change, given that she’s known primarily for dresses. But for a first attempt—especially one boldly undertaken at a menswear fair—it was a strong showing. She custom-developed fabrics, including wools, wool-silks, and cady, to create monochrome suits with boxy jackets and deep-pleated palazzo pants, structured enough to retain the strict lines she prefers but pliant enough to swing like skirts when her models strode the catwalk from the pink room to the blue. Each was worn against bare skin, which lent an androgynous sex appeal not usually associated with tailoring. There were a few dresses and looser interpretations of her men’s-for-women’s theme—like jumpsuits whose backs had cutouts resembling lapels—but Casasola herself was in a suit of her own design (the prototype, she admitted), which suggested where her own sympathies lie, at least at the moment.

Womenswear designers at Pitti Uomo can sometimes seem adrift in the unfamiliar crowd of men’s buyers and editors, but Casasola is no stranger to Florence. Before launching her label, she worked here for Roberto Cavalli, and she produces her own collection here. “I invited the whole office,” she said with a smile. “All my seamstresses are here, and my patternmakers.” So the presentation was full of friends. She’d bargained for a house and wound up with a home.

Photo: Courtesy of Barbara Casasola

NewbarK in Wonderland

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Maryam and Marjan Malakpour are artists in multiple mediums. The sister design duo behind accessories label NewbarK created a film in collaboration with director Laurence Dunmore titled In Wonderland, which they’ll screen tonight during their presentation at Paul Kasmin Gallery. The film is a compilation of sounds, music, and poetry, and it stars model Jamie Bochert, who wanders through an old hotel in a dreamlike state and finds a package that reads “In Wonderland.” “It’s really about a dream and a seduction that a girl has,” said Maryam, noting that the package provides a little mystery. “It’s about dreams in Wonderland.”

The film was shot over the course of a week, at New York’s Lafayette House. “I always wanted to merge the worlds of art, fashion, and music,” said Maryam. For Bochert, the process brought back childhood memories of watching her favorite vintage movie, Un Chien Andalou (1929). “I don’t really consider this acting, maybe more like silent film,” she said. “I used to love going to the silent-movie theater. This film was more like that for me.” Watch Bochert in NewbarK’s eerie short, which debuts above.