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August 23 2014

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25 posts tagged "Jenna Lyons"

David LaChapelle Celebrates His Own Personal Jesus

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David LaChapelle has his own way of doing an art opening. Last night at Paul Kasmin Gallery, for the vernissage of his American Jesus show, he had cameos from Julian Schnabel and Lenny Kravitz (pictured above, with LaChapelle) and a crowd of people photographing him as he danced—in a white caftan, no less. As it happened, there was a Jersey Shore party going on at the same time next door at Marquee—”probably a metaphor for my life,” LaChapelle shrugged.

That life is a busy one at the moment, with Chelsea the latest stop on the attention-getting show’s world tour. The abridged American Jesus exhibition at Paul Kasmin puts extra focus on three photos depicting the late Michael Jackson (well, a lookalike) as Christ and features a striking image of Naomi Campbell as Cleopatra. A broadly expanded version of the show opens at the Tel Aviv Museum of Art later this month. “It’s going to go on until people don’t want to see it any more, I guess,” LaChapelle said at the Standard’s High Line Room, where he was joined by the likes of Cynthia Rowley and Rory Tahari for the post-opening dinner. Speaking of going on, so did the party—the LaChapelle crew adjourned upstairs to the Boom Boom Room for some postprandial dancing, where they mixed with the likes of Yigal Azrouël and J.Crew’s Jenna Lyons. It was the last Boom, so to speak—the final late night of BBR revelry before the space is reborn as a private club after the summer. LaChapelle’s own take on resurrection? “I believe that there’s more to me than what’s contained between my hat and my shoes,” he said.

Photo: Shaun Mader/Patrick McMullan

Here Comes The J.Crew Bride

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The J.Crew campaign to dress every girl, every day, soldiers on, and the retailer’s first bridal boutique—which launched with a packed opening party last night—makes a strong case that the wedding day should be no exception. But no need to tell that to brand acolytes, who’ve been booking appointments with the store’s bridal consultants since long before it opened: Label brass said that more than 350 appointments were already on the books, clear through until fall. (They were quick to note that there will be some leeway to squeeze a few more in, for those who didn’t schedule seasons in advance.)

The bi-level space on Madison Avenue marks the first time the quickly-growing J.Crew bridal collection, which launched in 2004 with three styles, is available all in one, bricks-and-mortar location, and despite the neighborhood, dress prices start around $300. It also marks the debut of the new 769 cocktail collection, which will be mostly exclusive to the store. Though designed by the bridal team, head of wedding design Tom Mora is quick to note that it’s all-occasion cocktail fare, not just bridesmaid frocks. (A full rack of black dresses, not to mention a mannequin in sequined harem pants, bears him out.) The downstairs, appointment-only bridal salon can accommodate a blushing bride-to-be and scores of family and friends, while upstairs, buyers can pick up nuptial accessories (collaborative and exclusive pieces from Lulu Frost, Miriam Haskell, Fenton/Fallon, and Albertus Swanepoel) and a few honeymoon necessities like Cosabella lingerie and Histoire de Parfums scents, too. Executive creative director Jenna Lyons mused on a timeless truth of aisle-walkers: As much as things change, girls still want to be married in pretty dresses. And come August, their fiancés will have a haven of their own nearby. The next men’s store, a version of the Tribeca Liquor Store shop adapted to its uptown environs, will open a few blocks north later this summer.

769 Madison Avenue, NYC, www.jcrew.com.

Photo: Courtesy of J.Crew

Where To Stay In Parrot Cay, A Few Of Brian Atwood’s Favorite Things, And More…

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Still waiting on that invite to Donna Karan’s Parrot Cay home? Here’s what you’re missing (pictured)—plus peeks inside the digs of Jenna Lyons, Ralph Rucci, and more American fashion designers. [WWD]

Or maybe you’re looking to get on Brian Atwood’s good side? Give him a Muji pen—or a pair of Naked & Famous jeans, Tom Ford specs, or any other of his ten must-have products. [GQ]

After the weekend’s none-too-favorable New York Times Magazine profile of M.I.A., the singer has posted the “truff”—an audio file of her interview with writer Lynn Hirschberg, plus a new song for good measure. [NEET Recordings]

Lily Cole finished up her end-of-year exams at Cambridge and looked “relieved,” reports British Vogue. Phew! [Vogue U.K.]

And sad news from the weekend: Sculptor and feminist icon Louise Bourgeois passed away on Monday at the age of 98. [NYT]

Photo: Courtesy of Assouline

Sex With Calvin, Tommy, Jenna, And (Of Course) Courtney Love

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After Monday’s star-studded festivities, last night’s screening of Sex and the City 2, sponsored by the Cinema Society, Swarovski, and HP (stringer Bradshaw types away on a mini HP, not the Mac of the HBO series), felt like a relaxed evening at the movies with friends—friends like Calvin Klein, Tommy Hilfiger, and J.Crew’s Jenna Lyons. Gawking fans outside the theater were warned that the stars weren’t coming, but plenty of fashion’s ruling class did. So did a full half-row of models (Karlie Kloss towering over the rest), a real housewife (Kelly Killoren Bensimon), a real newlywed (Ivanka Trump), a smattering of other reality-ites (Tinsley, Olivia Palermo), and a cadre of young and youngish designers (Prabal Gurung, Charlotte Ronson, Brian Atwood). And Courtney Love, because these days, there’s always Courtney Love. “This is better than the movie,” said a spectator, craning around to survey the audience.

As it turned out, it was. At two and a half hours long, Sex makes you long for the days of half-hour episodes, which seem delicate bonbons compared to this brick. If you want a comprehensive rundown of all of the fashions, well, there’s a book for that. (No app, yet, but presumably some savvy entrepreneur will correct this oversight shortly.) Will fans mind? The die-hards shouldn’t. (And I guess they can argue that Avatar—and, for that matter, Lawrence of Arabia—are longer.) “Heavy hitting” has never been the Sex way, after all, and with a shovelful of salt, the movie’s ultimate message of global female empowerment through fashion is one that’s generally worth approving. But as for me, I’m going to focus on the specific. It was fun to see the classic Dior newsprint dress from the series make a comeback. And the clear-plastic Calvin Klein shades that Carrie rocks in Abu Dhabi are seriously desirable—even I wanted a pair. Girl power, schmirl power. Isn’t conspicuous consumption what this whole scene is really about?

Photo: Billy Farrell / Patrick McMullan

Dana Lorenz Is New To The Crew

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When you need a favor, it helps to have friends in high places. Or, in the case of Jenna Lyons, to be a friend in a high place. Several months ago, Lyons, the creative director of J.Crew, was trying (and failing) to track down a few pieces of Fenton/Fallon jewelry, a problem with no real solution until she ran into Fenton/Fallon designer Dana Lorenz (pictured, with Lyons) at a dinner. “It was a party hosted by Maria Cornejo,” Lorenz recalled last night the Soho J.Crew store. “I remember, I was wearing a chambray shirt with paint all over it, because I hadn’t expected to be able to make it. Anyway,” Lorenz continued, “Jenna told me that she was looking for these pieces, and they were all sold out. I offered to make them up for her, as a favor.” Lyons decided that the real favor Lorenz could do for her was to join the J.Crew fold for a season. The Fenton/Fallon for J. Crew collection is on the sales floor now; Lorenz describes the range as a “mash-up” of her two brands. “It’s a little less statement-y than Fenton, a little more statement-y than Fallon,” Lorenz said, “and I’m kind of loving the contrast with the preppy little blazers and things.” Prices start at $95 for the Carrington chain bracelet, below.

Photos: Billy Farrell/PatrickMcMullan.com; Courtesy of J.Crew