25 posts tagged "Jennifer Lopez"
Nicki Minaj, clad in a green sequined two-piece, gyrated her hips and thrust her backside in the air onstage at Sunday night’s MTV Video Music Awards as she belted out the lyrics to her song “Anaconda.”
“Oh, my gosh, look at her butt/Look at her butt/Look at her butt,” she sang.
Minutes later, pop singer Jessie J (who opened the show alongside Minaj and Ariana Grande) took the stage to perform her hit “Bang Bang.”
The opening lines of the song? “She got a body like an hourglass/But I can give it to you all the time/She got a booty like a Cadillac/But I can send you into overdrive.” Later that night, during her introduction for Iggy Azalea and Rita Ora’s “Black Widow” performance, Jennifer Lopez teased her new “Booty” remix with Azalea, which dropped yesterday. (The original version of the track was released on Lopez’s A.K.A. album, featuring Mr. Worldwide.)
The original chorus (“Big, big booty/What you got a big booty”) remains unchanged. But in the remix, Azalea raps, “The last time the world seen a booty this good it was on Jenny from the block.”
It was, after all, Lopez who originally kicked off the butt fad back in 2000 with her plunging, derriere-hugging Versace ensemble. “It started when J.Lo showed up in that green see-through dress at the Grammys,” says Dr. Constantino G. Mendieta, a Miami-based plastic surgeon who is the author of The Art of Gluteal Sculpting and a globally recognized expert on the subject of butt augmentation. “After they saw her, people started asking us, ‘Hey, how can I get a backside like that?’”
Ten years ago, women were enhancing their backside shape through silicone implants. Today, however, a quickly growing percentage of women (and even men) are increasing the size and changing the shape of their butts through fat injections, a process better known as the Brazilian Butt Lift. The cost of such a procedure, which can increase your butt size roughly one to two full sizes, can be upwards of a cool $10,000.
“It’s revolutionary what is happening to the backside,” Mendieta tells us. “If you look at the statistics, the number of people getting this procedure went up 53 percent from last year. Nothing else increased in our statistics like butt injections did in the past year, so you are certainly on to something.”
No doubt, butts have never been bigger, both in physical size and as a cultural phenomenon (umm…#belfies, translation: butt selfies). Sunday night’s VMA show only further cemented it. Not only were the performers riffing on booties, they were flaunting their own hourglass shapes, too. Minaj’s and Azalea’s rear ends received more attention—and resulting social media commentary—than most of the show. (There’s now even an app called Tap That, where you can digitally enhance the size of some of the most famous butts out there, including Minaj’s, Azalea’s, Beyoncé’s, and, of course, Kim Kardashian West’s. )
It’s the shapely derrieres of celebs like Beyoncé and Kardashian West (who was fittingly sitting front-row at Sunday night’s show) that’s inspiring women and men to go under the needle. And for those going after something slightly more conservative in scale, the Pippa Middleton treatment is being heavily requested these days.
“Many patients will refer to celebrities when trying to convey the look they desire,” says Dr. Adam Schaffner, a New York-based, board-certified plastic surgeon. “Celebrities with buttocks which are admired by many patients include Jennifer Lopez, Beyoncé, and Kim Kardashian,” he confirms.
Officially, the jury is still out as to whether or not those bold-face names woke up like that, or if they got a little help from their white-coated friends. Nicole Winhoffer, trainer to Madonna, helps ladies get kick-ass booties the old-fashioned way: a hard-core sweat. (This reporter can testify—I took several of her classes and could not walk for days after.)
Winhoffer, who didn’t want to comment on anyone’s plastic surgery, says, “It’s possible to completely change the shape and size of your butt—it’s just about sculpting your butt using different angles, changing the muscle memory, and working with the right trainer.”
Several of the doctors we consulted, however, said that while you can get a great shape from loads of squats and working out, the effects are different than when you add fat volume through injections.
“You can tell a butt when it’s been made. There is more volume in the upper part, it’s more round, and the volumes are not where they are naturally,” says Mendieta. “A butt that is built looks beautiful, but it’s like when you walk into a room and something has been misplaced. You know something has been changed.”
No matter how they got their booties, these ladies are helping to lead a body-positive message. “You have Kim K. and different models really using their butts to promote themselves,” says Winhoffer. “But I love that they are curvy and they love themselves. If you have the power to change the world and you have people paying attention to you—either through social or whatever—and you use it the right way for the right message, I am all for that.”
One thing is clear: The message in pop culture right now is that your backside can be your greatest asset. Beyoncé, for her part, came on top of Forbes‘ 100 Most Powerful Celebrities list this year, raking in $115 million in earnings. Kardashian West brought in an estimated $28 million and also made the Forbes Top 100 list. Azalea is currently the only artist since The Beatles to have the number one and number two record in the country at the same time.
And as for the original face of the booty campaign, Jennifer Lopez? At the end of the day, she’s still Jenny from the Block, but the 45-year-old force to be reckoned with raked in $37 million in the past year and came in 33rd on the 2014 Forbes Top Celebrity 100 list. Used to be a little, now she’s got a lot.
Dressing for Fame: Versace, J.Lo, RiRi Gone Rogue, and More Career Tidbits from Stylists Mariel Haenn and Rob Zangardi-------
If celebrity status is conferred in red-carpet appearances, then no actress today can compete without the help of just the right stylist. As Kerry Washington once told Glamour after she noticeably upped the sartorial ante, “There were a couple of actresses whom I felt were having the upper hand careerwise—because they knew how to work that red carpet.” A carefully crafted collaboration between stylist and client, the perfect look can create an indelible impact on agents, casting directors, and those of us watching from the sidelines. Straight from the epicenter of all things celebrity, we’ve asked some of the industry’s top stylists to share their experiences and impressions from their perch above Tinseltown. With our Dressing for Fame series, we bring you an exclusive, insider look at everything it takes to create those iconic moments captured by a million photo flashes.
Rob Zangardi and Mariel Haenn
It takes quite the fashion force to dress J.Lo for the stage, Rachel McAdams for the Cannes red carpet, and Pharrell for his many (sartorially daring) public outings, but the powerhouse styling duo of Mariel Haenn and Rob Zangardi have proved they’re nothing if not up to the task. Whether they’re commissioning original pieces to bring an idea to life, going back to their roots on music video sets, or forging relationships with up-and-coming talent, their scene-stealing tastes draw a uniquely diverse client mix that includes the abovementioned stars and beyond. Here, the duo talks exclusively to Style.com about going rogue with RiRi (they worked with the songstress for four years), being equal-opportunity stylists, and why women are more complex to style than men.
How did you both begin styling?
Rob Zangardi: I grew up in Columbus, Ohio, and graduated with a fashion merchandising degree from Ohio University. After college, my twin brother was working in NYC as a casting director, casting the audience for the VH1 Vogue Fashion Awards. He knew I would love it, so I stood in the pit to watch the show and ended up meeting a stylist who worked at MTV. I had no idea what a stylist was until then, but it sounded like my dream job. Because of her, I ended up getting hired at MTV to help with their New Year’s Eve show, which turned into a full-time job—right place, right time. And the rest is history.
Mariel Haenn: I was in school at the Art Institute of Fort Lauderdale for fashion design and I met someone who introduced me to the music video world. I started as a seamstress on videos, and then was assistant-styling while still in college. Once I graduated, I was fortunate enough to keep getting called to assist, but in the back of my mind, I was focusing on working at a design studio. I considered styling my means of making a living until I found the job I really wanted. Cut to 13 years later, turns out this is the job I wanted.
What’s the most memorable moment you’ve created thus far?
RZ: Rachel McAdams in the red Marchesa at the Cannes Film Festival was pretty memorable. She just looked like a movie star—you couldn’t take your eyes off of her. That train added the perfect amount of glamour and drama but didn’t overpower the woman wearing it. It was definitely a moment.
MH: Rihanna in the Dolce & Gabbana tux at the  Met Gala. That was a special moment because we went completely rogue. It was a Marc Jacobs year and we got a call 30 minutes prior that so-and-so was wearing the same boots we’d planned on putting Ri in. So last minute, we went for plan B, and plan B ended up being this complete outlaw moment for both Rihanna and in Met history. It was something special.
RZ: Working with Versace to re-create Jennifer Lopez’s iconic Grammys dress for her most recent performances was also huge. It was pretty unbelievable to see her in the print that started it all.
How do you find working in New York different from working in L.A.?
MH: Styling-wise, New York tends to be much more avant-garde and fashion-forward. L.A. is a bit more risk averse and tends to focus on glamour more so than experimentation. There’s also a different level of polish. In L.A., you never want to look like you’re trying too hard—it’s almost as if people put even more effort into looking “effortless” than anything else—while in New York, there’s a broader range in dressing up and down.
RZ: It might sound cliché, but New York’s pace and tone also feels a lot quicker and has this undeniable sense of purpose. The way people walk in New York is representative of how they are. There’s a bigger hustle. It feels more natural for us, honestly, since we are always on the move and juggling multiple projects. The collaborations in L.A. tend to also be more commercial. New York is a greater creative playground. We get to be more forward-thinking and innovative.
What’s your favorite event to dress clients for and why?
RZ: Working on tours and music videos is definitely something we both really enjoy because there is more storytelling involved. There’s an entire arc that goes beyond a broad theme, so to speak. The looks have to work together with different elements to communicate so much. It’s not simply a supplement or continuation of the story, it’s a significant part of it.
MH: Collaborating with designers on custom pieces is a big thrill for us, too. Red carpet is fun, but there’s something to be said for bringing an idea to life rather than plucking from what already exists. A great example is having had the honor of working with Versace for Jen [Lopez]‘s stage looks in NYC. The experience itself was pretty surreal and the end result was nothing short of exceptional.
How do you manage to juggle multiple clients with multiple obligations and aesthetics all at once?
RZ: This is where it’s great to have two people rather than one. We like to joke that we are carbon copies of each other, so it’s like being in two places at once.
MH: The reason we started working together to begin with is because Rob was the only one I trusted to hand my clients over to if I wasn’t available for a job. The partnership was very organic. In terms of balancing the different aesthetics, you sort of train your mind to understand each client and their personality. There’s a lot of relationship-building there. After that, it’s almost impossible to mix aesthetics because you associate the person with the look so instantly.
How do you think working as a pair strengthens your styling? What has this relationship been like?
RZ: Our taste is practically the same, yet we complement each other well in terms of workflow and personality. The relationship is like an old married couple meets brother and sister, if that makes sense.
MH: For lack of a better phrase, two heads are truly better than one. It’s great to have someone else to bounce ideas off of, especially when in a more risk-taking scenario. It’s also great to have someone challenge you or ask the right questions when you’re dead set that something might look great but it could actually be better.
How do you balance dressing clients in looks by emerging designers as well as clothes by respected, longstanding favorites?
RZ: We try to be “equal opportunity” stylists and simply pull what we think will work best for the client in that particular scenario, despite notoriety. The designers we have relationships with always end up in that mix because we sincerely admire their work. That relationship is built from using their pieces over and over as opposed to an obligation.
MH: Plus, we know which clients love which designers and will want to try their pieces no matter what, like Jen with Zuhair Murad, for example.
Do you approach styling men and women differently?
MH: Men usually go one of two ways: very classic or completely modern. You have someone like Will Smith, who is just dapper Old Hollywood movie star head to toe, and then on the flip side, somebody like Pharrell, who loves to play with fashion and sees it as an extension of his art. Styling women has a much greater spectrum, and there are many more shades of gray. It’s equally important to understand the client’s personality and experiences, regardless of gender, and women, by nature, tend to have more complexity. This reflects in how many different ways you can go with a look.
What do you think of the “stylist as celebrity” trend?
RZ: In a more open, share-friendly, social-media-driven world, anyone can be a “celebrity” for their craft or, in some cases, their lifestyle. The definition of celebrity has shifted in that regard. From a creative standpoint, that’s a great thing, because regardless of what you do, you can be found and your work can be followed, admired, and act as inspiration for somebody else. This creates an elevated benchmark for everybody and their work, and in turn, much more interesting, provocative, and creative end products.
Informed by the ethos of “him, her, and home,” interior designer-turned-accessory designer Elisabeth Weinstock will bow her first store in West Hollywood on Monday. After years spent working on interiors projects, Weinstock, who counts Jennifer Aniston, Rihanna, Jennifer Lopez, and Naomi Campbell among her fans, branched out and crafted an exotic skin jewelry box. It was this that got her into the accessories biz and, with the help of L.A. store Maxfield, she realized there was quite a market for her high end vision of sleek, understated cases and bags. Her collection, which is produced locally, is one that addresses today’s modern needs—for instance, there are plenty of tech accessories. But there are a few kitsch and novelty items, too. “I love creating things that are off the beaten path—a tampon box, a condom box, even a dopp kit as a clutch,” the designer says.
With her interiors experience at play, Weinstock repurposed a 1930s house to achieve an 1,800 square-foot abode for her thoughtful designs. The new store is divided into three sections: The first is a “man cave,” which features Weinstock’s bestselling dopp kits (most popular in boa and watersnake) and humidors, along with a croc football and anaconda boxing gloves—ideal for the guy who really does have everything. “There’s a customer that’s hungry to find something new, something different that’s made like an everyday object,” she reasons. The more feminine “boudoir” area offers an elevated take on the cosmetics case, a crossbody bag, a wallet, and a clutch in a range of skins. Finally, there’s a home, or “living room” section, where shoppers can find custom coffee tables (one of which is shown in viper), stacking boxes, and the jewelry boxes upon which the brand was built. “Without sounding too cliché, it’s modern and edgy but still everyday,” Weinstock says of the space. Not cliché at all—in fact, it mimics the very spirit of the collection.
Elisabeth Weinstock’s new store will open on Monday at 8159 W. 3rd Street, West Hollywood, CA; www.elisabethweinstock.com.
Chanel is no stranger to the novelty item—surfboards, fishing rods, and more have all been emblazoned with the double-Cs—but this morning’s show at the Grand Palais included a doozy: quilted Chanel bags stretched into what appeared to be giant hula hoops. Will they be a street-style sensation next season? Time will tell. At the very least, they may be the rare item to make a case both to label fans (like Jennifer Lopez, seated front-row) and their kids (her 4-year-old daughter Emme Anthony, seated on her lap). For those inclined toward something a bit smaller, the bag also came in a mini size. The smaller could be the bigger hit.