5 posts tagged "Jenny Shimizu"
The concept of blurred gender lines isn’t anything new. But it’s been at the front of our minds over the last few months, after seeing gaggles of girls dressed like boys (Saskia de Brauw in Saint Laurent’s Spring menswear campaign, Tamy Glauser, Jenny Shimizu, and Ashleigh Good on Givenchy’s Fall ’13 men’s runway) and boys dressed like girls (thank you, J.W. Anderson and Meadham Kirchhoff ). The art world seems to be pondering the topic, too. Evidence? Last night’s opening of Ladies & Gents—an exhibition at Salomon Contemporary that aims to cheekily explore our perception of the sexes. Featuring sixteen works, like Kiki Smith’s Daisy Chain (a long metal chain with a woman’s head and feet, made in 1992), Deborah Kass’ Four Barbras, Six Red Barbras, Four Barbras (a 1993 Barbra Streisand-centric silk-screen series), and Judith Hudson’s Bribe (an irreverent 2009 watercolor of a topless, pearl-adorned woman), the show lightheartedly juxtaposes masculinity and femininity, and sometimes fuses both. Take, for instance, E.V. Day’s work Spidey / Striptease (2012). Known for deconstructing fashion items (like a Chanel jacket, an Hervé Léger bandage dress, and pink panties) and stringing them up into complicated webs, Day presented a piece that combined a shredded Spider-Man costume, fishnets, and red stiletto heels. “I love Spider-Man, because his web looks just like a fishnet stocking,” said Day. “And that brought me to the realization that there’s a feminine idea about him,” she added.
Nir Hod—who showed Genius, a new painting that depicts a jaded, judgmental child wearing what looks like Elizabethan clothes while he smokes a cigarette—insisted that his work is about pure beauty. “That’s beyond gender. If you asked me if this was a boy or a girl, I couldn’t even tell you.” Continue Reading “Ladies & Gents, Unsexed” »
Tamy Glauser is a leader in the new wave of gender-bending models. The 28-year-old Swiss tomboy had a breakout moment today on the Givenchy menswear runway in Paris, where her shaved head, fierce gaze, sharp cheekbones, and lanky frame fit right in with the rest of the guys in the cast (plus several other Riccardo Tisci favorites, including Saskia de Brauw, Jenny Shimizu, and Ashleigh Good). Glauser (left, note the “Garcons” sweater) debuted at the Spring shows, walking in Vivienne Westwood and Jean Paul Gaultier, where they spray-painted her hair red to channel Annie Lennox. “When I went to the [Jean Paul Gaultier] casting, it was two o’clock in the morning. I didn’t have heels, and I didn’t know what the designer looked like, because I didn’t really have anything to do with fashion before. After walking for him, he said he liked my look and told me I got the job,” she told Style.com. Since then, it’s been a whirlwind of change for Glauser, who recently relocated from Zurich to Paris, and just shot a menswear editorial (out this February) alongside fellow androgynous star of the moment, Casey Legler, who is the first female model on Ford’s men’s board.
Before beginning her modeling career, Glauser was paying her bills by working in bars and restaurants, with the occasional acting gig on the side. Earlier this year, she starred in an award-winning music video for popular European dubstep musician Joachim Garraud. Back in 2000, Glauser was an Olympics-bound swimmer on the Swiss National Team (her events were the 400- and 800-meter freestyle), but she decided not to pursue becoming a professional athlete, adding, “Swimmers have the weirdest bodies anyways, and I already don’t like my broad shoulders.” Glauser takes each new chapter of her life in stride, and is fully embracing modeling for the moment. “I like being in front of the camera. It gives me the chance to put my shyness away and be someone else,” she explained. “I don’t have an exact future in mind. In this industry, one day it’s one way and the next day it’s another. I feel like if you expect anything, you might get disappointed, so I try not to have any expectations and just appreciate the present.” Chances are, we’ll be seeing more of Glauser at the Fall shows in February.
Tao Okamoto was in Tokyo visiting family when the 8.9-magnitude earthquake hit the country back in March. A few days later, the Japanese top model sent out a heartfelt letter to friends and fashion industry contacts expressing her sympathy for victims and her intent to plan a benefit: “I want to tell Japan that a lot of people in the world are encouraging and helping us. We are not alone.” This Sunday, Tao makes good on that promise with Ragtag, a charity bazaar she’s hosting in the basement of Saturdays Surf in Soho. Runway regulars like Heidi Mount, Liu Wen, and Jenny Shimizu, along with Phillip Lim, Pamela Love, and Visionaire‘s Cecilia Dean, will sell pre-loved clothes straight from their own closets to benefit the organization Save Japan! Items up for grabs include Naomi Campbell-signed T-shirts from her Fashion for Relief charity show in Cannes and, presumably, piles of sample-size togs and designer swag.
Ragtag will take place Sunday, May 29, from 12-6 p.m. at the basement of Saturdays Surf NYC, 31 Crosby St., www.saturdaysnyc.com. For more information on Ragtag, visit www.savejapanproject.org.
On last night’s American Idol, Lady Gaga performed in a mostly-mesh Armani bodysuit. “To complement the spirit of Lady Gaga herself, I have let my imagination run free,” the designer said. OK, just so long as he doesn’t make a habit of it. [Vogue U.K.]
On with their heads? Apparently, mannequin heads are making a comeback—one of the many tidbits to be found in Cathy Horyn’s treatise on the divas of the window display in today’s Times. [NYT]
Speaking of mannequins, Style Like U takes a tour of nineties model Jenny Shimizu’s digs. [Style Like U via Refinery 29]
And Gen Art, which has supported emerging designers, filmmakers, artists, and musicians for 16 years, announced late yesterday that it has halted operations. Zac Posen, Rebecca Taylor, Phillip Lim, Peter Som, and Vena Cava were among the many designers given a leg up by the organization early in their careers. [WWD]
John Bartlett has spent years steadfastly, studiously making clothes for regular-size guys. His masculine, finely tailored suits and classic sportswear separates have always been pegged to thick-trunked, made-in-the-U.S.A. Joes, not the whippet-thin Matveys or Jakobs of the world. Bartlett’s not above a flight of fancy now and again—a djellaba thrown in for good measure—but it’s the standards that are the designer’s meat and potatoes. And they’re cut and sewn for men with an appetite for both.
For Fall, the menswear stays that course, this time with a seventies Euro vibe Bartlett says was inspired by D. H. Lawrence. When it works, it feels gentlemanly and aristocratic; when it doesn’t, as with some strange buttoned britches, it feels a little German backpacker. And for womenswear, an arena to which Bartlett is returning for the first time in years, the look was…well, much the same. The styles borrow heavily from the guys’, and some of Bartlett’s chosen silhouettes even look better on the ladies than the gents. Snug blazers and vests, thick woolen pants—they’re not glamorous, per se, but you could see a gal wearing them. And you wanted to applaud when Bartlett sent out female counterparts to his bigger, brawnier men: It’s a good thing to remember at a fashion show that there are women older than 17, waist sizes thicker than 23 inches. The return of the nineties CK star Jenny Shimizu was an especially nice touch. Very likely, these fuller-figured ladies are Bartlett’s customers-to-be, and they should find much to suit them among his belted blazers and color-blocked knits. But tread carefully. There are shapes more flattering to the young, and despite the old saying, where leather pants are concerned, it’s beauty before age.