83 posts tagged "Jil Sander"
More so than in any other city, Milan designers and casting directors are known to favor established models over newcomers, but this week we witnessed a slew of fresh faces break through to the front of the pack. Many of the girls who started strong in New York and London
Another thing Milan was previously known for was overlooking minorities, so it was thrilling to see many of our favorite up-and-coming black models, including Firth, Binx Walton (top right), Cindy Bruna, Maria Borges (we never could’ve guessed that she would open Giorgio Armani), and Kai Newman making major strides this week. Newman, who hails from Kingston, Jamaica, positively wowed us at Gucci and Jil Sander. We can’t wait to see her go on to crush it in Paris.
Natalia Siodmiak (top left) is someone who has been making the rounds for several seasons but is suddenly at the top of everyone’s watch lists. After ending London on a high note with turns at Christopher Kane and Giles, the gap-toothed beauty cranked up the sex appeal at Gucci, Versace, and Emilio Pucci, and opened and closed Max Mara. It’s gratifying to see someone who’s been paying her dues finally have a moment. Speaking of moments, who could forget Moschino’s memorable roster of old-school supes, including Pat Cleveland, Alek Wek, Erin O’Connor, Jodie Kidd, and Diana Dondoe? Another runway high point was Liya Kebede and Malgosia Bela walking Emilio Pucci. And, naturally, there’s plenty in store for model-followers in Paris. Just today, iconic Snejana Onopka made a cameo appearance at Anthony Vaccarello, whipping the Fashion Spot forums into a frenzy.
Luca Guadagnino—who became fashion’s favorite filmmaker after featuring Jil Sander by Raf Simons wares in his 2009 flick, I am Love (above)—has tapped Dior to costume his new movie, Body Art. Does that make Raf the body artist?
Richard Haines is somewhat of a fashion-week anomaly—he’s a 61-year-old illustrator with a blog. In a past life, he was a womenswear designer for some of America’s biggest brands, such as Calvin Klein, Bill Blass, Perry Ellis, and Puff Daddy, but he threw all that in to focus on art in the digital age. He quickly gained traction, getting hired by everyone from J.Crew to The New York Times for his ability to make guys look far cooler on paper than they do in real life (you can only imagine what he does for models at runway shows). And recently, he received the ultimate validation: a gig illustrating Prada’s menswear collections, the fruits of which were released in book and T-shirt form. Haines gave us a sneak peek at his Spring ’14 illustrations from Prada (below, left), Jil Sander (below, right), and Andrea Incontri (bottom), which debut exclusively here. And below, the talent talks about flying on private jets with Calvin Klein, life as a blogger, and that one time three days ago when Beppe Modenese mistook him for Bill Cunningham.
When did you first come to the shows and what’s changed since then?
Eighteen thirty-four [laughs]. I went to Paris fashion week in the early eighties, when I was designing, and a friend of mine, who was the editor of New York magazine, would take me to shows like Claude Montana and Thierry Mugler. It was this amazing moment in Paris. Back then I saw womenswear, now I see menswear, so the scale of the audience is different. The biggest thing [then] was this trend of sending out, like, eight models in the same outfit all at once. It was very dramatic, and that doesn’t seem to happen now. If anything, it’s gotten more intimate and more manageable. But the media has made fashion week very different, which is fascinating.
I’ve heard you say that people were dropping a lot more money back in those days.
Yeah, it was a different time. It was easier to be in the fashion business, because there weren’t these constant collections to do. The stakes weren’t as high, and people did it with a lot more money. Now, there are more brands competing for less money. A couple of years after I started going to the collections in Paris, I was working at Calvin Klein, and it was a privately owned company—it was his company—so if he wanted to charter a jet, he would. We’d go to London and then the fabric shows in Milan, and then we’d go to Lake Como and stay at the Villa d’Este. It wasn’t bad.
What’s it like being one of the only illustrators at the shows?
I love doing it. There’s something really exciting about sitting down and watching someone present and being able to draw it. I don’t think about whether I’m one of the only people doing this. I just love doing it, and it makes me happy. I just keep going.
What are your fashion-week essentials?
I inevitably always forget one thing. I have little cases where I carry charcoal pencils, Moleskine notebooks—which reminds me, I need to buy a new one today—a charger for my cell phone, antidepressants…. And that’s it. When I first started doing this, I would forget paper, and I started drawing on envelopes and show notes and people loved that, so sometimes it works to my advantage. Continue Reading “Quick to the Draw: A Moment With Richard Haines” »
Out of the mystic comes “The Stars (Are Out Tonight),” a new Bowie video. This one is a lot less oblique than the video that artist Tony Oursler made for “Where Are We Now?,” the first single from Bowie’s startling comeback album, and that’s mostly because director Floria Sigismondi’s natural genius with a twisted narrative (case in point: Marilyn Manson’s “The Beautiful People” promo) gels so well with what one imagines is Bowie’s own predilection for the cinematically perverse. “The Stars” sumptuously elevates the man and the myth to new heights.
This particular offering toys with the androgyny, the bravado, the decadence, the desire that turns an ordinary human being into a raving fan. It also has a strong contemporary-fashion quotient, appropriate given that Bowie was, in a way that the upcoming exhibition at the Victoria & Albert Museum will surely clarify, always inclined to the fashion experiment—from the early days of his Kansai jumpsuits to McQueen frock coats and Hedi Slimane suits.
Stylist Jerry Stafford was responsible for dressing the cast of five for the two-day shoot in L.A.: models Saskia de Brauw, Andrej Pejic, and Iselin Steiro, plus Bowie himself and his co-star Tilda Swinton, with whom Stafford has worked for fifteen years. Stafford is, like me, a child of Bowie, but he says there was no time on the set for fandom. “Everyone understood they were part of something special.” There was one moment when Stafford presented Bowie with a long coat, explaining to him it was by a designer named Rick Owens. “More Rick Wakeman than Rick Owens,” was the response, Wakeman being the wizard-coat-wearing keyboard king of Brit prog rock. “He played piano on ‘Life on Mars?,’ ” chimed in Stafford, the sole moment when he let himself indulge his know-every-last-detail trainspotter obsession. “And, indeed, on the whole of Hunky Dory,” Bowie said with a knowing smile. Continue Reading “Inside David Bowie’s “The Stars (Are Out Tonight)”” »
Milan is notoriously regarded as a difficult city for new models. But it’s not hard to see why big-name labels like Versace and Gucci prefer to cast established catwalkers like Joan Smalls, Karlie Kloss, and Karmen Pedaru: Veterans simply know how to carry sexy clothes. That said, many of the rookies we’ve had our eyes on since the beginning of the season have proven that they can strut toe-to-toe with the big girls. Chiharu Okunugi, Sam Rollinson, Sasha Luss, and Katya Riabinkina, in particular, seem to be at the top of most casting directors’ lists this season. We’re also going to add Manuela Frey, a Spring ’13 Saint Laurent exclusive who opened Calvin Klein in New York and did turns at Dolce & Gabbana, Bottega Veneta, and Emilio Pucci in Italy. She’s kept up the momentum so far in Paris, with appearances at Dries Van Noten, Rochas, and Damir Doma.
Perhaps the best way to evaluate Milan’s crop of newcomers is to compare two of the week’s most hyped shows: Prada, which is cast by Ashley Brokaw, and Jil Sander, which is cast by Maida & Rami. Both are characteristically chock-full of unknowns, but there was more of an overlap than usual this season. Girls who walked both include past Balenciaga exclusives Juliane Gruner and Kirstin Kragh Liljegren (who actually opened Balenciaga last season). At Prada, they were sandwiched in between well-known faces such as Mariacarla Boscono, Liisa Winkler, Adriana Lima, Kirsten Owen, Jessica Stam, Iselin Steiro, and Esther de Jong (easily one of our favorite casts thus far), as well as a few more novices like Maartje Verhoef (above, left), Elise Smidt, and Jessa Brown, who also did Sander. As we move into the Paris shows, we’ll have our eyes peeled for these girls and a few others, including Amanda Murphy (above, right), who bookended Prada after opening Proenza Schouler, and then followed that up with appearances at Dries Van Noten and H&M today.
Speaking of, H&M turned out a cast of heavy hitters (you can chalk that up to a mega-budget and George Cortina’s styling), including Arizona Muse, Cara Delevingne, Daphne Groeneveld, Delfine Bafort, Edita Vilkeviciute, Isabeli Fontana, Joan Smalls, and closer Malgosia Bela.