6 posts tagged "Jordan Askill"
On June 4, Christie’s will unveil a preview of new exhibition, A Queen Within: Adorned Archetypes, Fashion, and Chess, which, opening in October at the World Chess Hall of Fame in Saint Louis, examines the principal monarch from a freshly cerebral perspective.
“It all started with the chess museum in Saint Louis,” relayed Swedish curator Sofia Hedman of the impending preview. “The idea is that each piece on the chessboard can be seen as a different personality, and the queen incorporates the different personalities a woman can have—the enchantress, the explorer, the ruler, the mother, and others.”
Rare pieces—Hussein Chalayan’s iconic bubble dress from Spring 2007, Maison Martin Margiela’s Spring 2001 vest made entirely from baseball gloves, and more than a few ornately embroidered gowns by Alexander McQueen (left)—are placed among lesser-known new works from “very, very unpredictable and very experimental” designers, like Charlie Le Mindu and Jordan Askill. Each touches on a different element of the regal persona, with plenty of reference to royal Dutch portraiture from the sixteenth, seventeenth, and eighteenth centuries. Continue Reading “Christie’s Hosts Old Queens and New” »
Some arena-playing rock bands travel less than young London’s designers. Those blessed by the British Fashion Council as part of the roving London Showrooms coterie have been on a whistle-stop world tour of late, hitting Paris, Hong Kong, L.A., and now, finally, New York, where they set up shop this morning to show their Spring wares to U.S.-based editors and buyers. To judge from the group assembled—including James Long, Thomas Tait, J.W. Anderson, Holly Fulton, Louise Gray, Marios Schwab, and milliner Nasir Mazhar—the journey may have tired them, but it didn’t dampen their enthusiasm. Almost every designer queried revealed he or she had picked up international stockists along the way; among the city’s reigning favorites, Long and Anderson drew the most attention, but even the youngest in the crowd can now boast increased U.S. visibility. Central Saint Martins grad Simone Rocha, who showed her first solo outing this Spring after a few seasons under the umbrella of Fashion East, now sells her vintage-lace dresses, fluoro tulle sheer layering skirts, and plastic raincoats at Opening Ceremony. Craig Lawrence, a 2011 NEWGEN winner who showed loose-weave knits and cropped, elasticized jumpers, is at several Henry Beguelin locations. Interested buyers were swarming, suggesting more reach is at hand for many present.
New categories and techniques were on display, too. Jeweler and sculptor Jordan Askill introduced pieces with ethical amethyst, sourced from a mine in Zambia, which he worked into silver pieces with his trademark swallows (below left). (A giant swallow cuff, which opened to reveal a hidden compartment, blurred the line between his two pursuits.) Also in the new collection were his first fine-jewelry pieces, with tiny diamonds surrounding a faceted, hand-carved swallow pendant. Holly Fulton had begun working with mother-of-pearl for accessories and real seashells for statement-making jackets; the trick, she confided, is finding shells of uniform shape. Tait, whose finely wrought, voluminous pieces suggest Couture shapes, had a surprising new footwear collaboration: a set of crisscrossed trainers he designed with Nike. (He was wearing a pair himself, as was a model; he had no plans to produce them, he revealed, but persistent interest on the part of buyers may change all that.) And Sibling’s Cozette McCreery was on hand to show off her knitwear label’s first official women’s line, Sister by Sibling. Women had been ordering small men’s sizes for so long, she said, that she and her co-designers, Sid Bryan and Joe Bates, decided finally to cut and knit for them. They were cropped neon and sequin leopard tops (left) and two complementary, sweatshirt-style sweaters emblazoned with the words LOVE and HATE. They’d sold, she said, about evenly, though she expected more interest in LOVE. Call it a knitted insight into the human race.
London is famously supportive of its young designers, and today, the British Fashion Council announced the 18 who will be the beneficiaries of the NewGen sponsorship at London fashion week in February.
Holly Fulton, Louise Gray, Mary Katrantzou, David Koma, and Michael van der Ham will all be presenting shows on the catwalk, supported by NewGen. Christopher Raeburn, Craig Lawrence, J. JS Lee, and milliner Nasir Mazhar will hold presentations; jewelers Dominic Jones and Jordan Askill will stage installations; and menswear designer J.W. Anderson will screen a film. There’ll also be a larger exhibition featuring the work of all of the designers above, plus Dorchester Prize finalists Chau Har Lee and Thomas Tait, Fannie Schiavoni, Felicity Brown, Yang Du, and Finnish designer Heikki Salonen.
Check out the links above to see runway shows, reviews, blogs, and all of Style.com’s past coverage on the winning designers.
Pictured above, left to right: Spring 2011 looks from Holly Fulton, Mary Katrantzou, and Michael Van Der Ham.
Acne’s no stranger to fashion films—the Swedish denim-and-more label has commissioned several—but their latest is a doozy. Michelle Jank, an Australian artist who counts costumes for Mikhail Baryshnikov’s Art Centre ballets, creative direction for international editions of Harper’s Bazaar and Vogue, and collaborations with Dover Street Market and Christan Dior among her accomplishments helms the latest, Concrete Island. She worked with Daniel Askill (brother of jeweler Jordan) and the film collective Collider on the short piece, which features Acne’s Spring ’11 cruise collection.
The beasts went marching two by two for Spring ’11. All throughout Europe, animals were on display: monkeys at Prada, swans at Miu Miu, pandas and zebras and giraffes at Louis Vuitton, and a stable’s worth of equestriennes for Jean Paul Gaultier’s last show for Hermès.
The Australian jeweler Jordan Askill has been feeling the menagerie vibe, too. Now in his second season, Askill is building on the animal-inspired pieces of his first collection with There’s No Place Like Home, which he calls the “second chapter to my story of personal mythology.” Drawing on objets d’art and fourteenth-century armor, Askill’s pieces are inspired, he explains, by “the idea that animals can protect.” The Horse Wave sculpture he debuted in his first collection reappears here as a jewelry box (and does double duty as the star of an animated film that accompanied his London presentation, created by his brother Daniel and scored by These New Puritans’ George Barnett, a sometime runway model). But we like it best as a galloping cuff in silver, above.