29 posts tagged "Juergen Teller"
Artist, photographer, and all-around troublemaker Juergen Teller’s latest exhibition, Woo, opens at London’s Institute of Contemporary Arts tomorrow. And, as always with Teller’s work, it promises to be a visual and conceptual feast. Covering the photographer’s extensive career, which spans over twenty years, the show will include some of his most iconic fashion and pop-culture works, like images of Vivienne Westwood (above), Kurt Cobain, Lily Cole, and Kate Moss (below), as well as shots from his innovative and sometimes shocking Marc Jacobs campaigns (remember when he shot Victoria Beckham’s suggestively parted legs popping out of an MJ shopping bag?).
Teller’s photographs aren’t all fashion focused, though—his art photography, which most recently includes landscapes and intimate family portraits, will be featured, as will shots and witty writings from his controversial column in Die Zeit magazine (think photos of Teller passed out next to a roasted pig’s head). The letters of complaint that Teller’s Die Zeit contributions elicited from readers will be proudly displayed next to the photographer’s work.
Woo runs from January 23 through March 17 at London’s ICA, The Mall, London SW1Y 5AH, +44 20 7930 3647.
In French, mannequin is used to describe flesh-and-blood models; in English, it means the artificial dummies used to display clothes. Rarely do the two mannequins exist side by side—except in Kim Cattrall eighties hits—but they will in an upcoming exhibition at the Les Docks space of Paris’ Musée Galliera, Mannequin—Le corps de la mode (“Model: The Body of Fashion”). The exhibition traces the development of the model throughout time, much as the Costume Institute’s 2009 show, “The Model as Muse,” did, and includes both physical mannequins (in the English sense) and photographs by Horst P. Horst, Juergen Teller, Corinne Day, and Nick Knight—and some line-straddlers, like the photo by Guy Bourdin above. She’s alive!
If modeling has a G.O.A.T., it’s got to be Kate the Great—and without much competition. It’s hard to imagine most other models earning a full tome dedicated to their greatest hits; Moss’ comes out from Rizzoli next month, designed by Fabien Baron and with text by Jefferson Hack and Jess Hallett. Above, an exclusive shot of Kate clutching Kate. She’s got the Testino cover in her mits—shot in Arles in 1996—but it’s only one of eight possible versions. The others, below, include shots by (left to right, top to bottom) Craig McDean, Inez & Vinoodh, David Sims, Corinne Day, Juergen Teller, Mario Sorrenti, and Mert & Marcus.
Juergen Teller, fashion photographer, requires no introduction. But there are less familiar Tellers. Juergen Teller, son. Juergen Teller, forest wanderer. Juergen Teller, escapee from the violin-making industry. Tonight, as he opens his small show, Irene im Wald, at The Journal Gallery in Williamsburg, Teller shines a bit of light on these hidden facets of himself. Commissioned as a supplement to the next issue of The Journal magazine, Irene im Wald has evolved into the first part of what Teller sees as a four-part series to be shot in the woods near the house in Erlangen, Germany, where he was raised. This first installment features photographs of Teller’s mother, Irene, and written reminiscences that caption some of the shots. The mood is meditative and a far cry from the arresting Marc Jacobs campaign images for which Teller is best known.
Both Teller and The Journal have bigger, showier openings ahead: Next month, The Journal will launch its new 35,000-square-foot space in Williamsburg with a show by Daniel Turner; Teller, for his part, opens his Francesco Bonami-curated show The Girl With the Broken Nose at the Palazzo Reale in Milan on September 20. In the meantime, Teller talks to Style.com about sonhood, fatherhood, One Direction, and his lack of anxiety of influence.
I suspect that for a lot of people who know your fashion photography, this show will come as something of a surprise. But do you see Irene im Wald as being of a piece with the rest of your work?
What I do for fashion and what I shoot for myself, I treat it differently, and I also treat it the same. If I’m shooting a campaign, I have to photograph clothes, I have to photograph shoes, handbags, and spectacles. There are commercial needs. I find it difficult to do, honestly, the pre-production. But I think I’m good at it, the fashion stuff. And once I’m shooting, then I’m just shooting. And for me taking a picture is always about a relationship; it’s intimate. So these pictures, they are intimate, too, but in a different way.
What inspired you to shoot your mom in the forest?
I was always drawn toward this forest—I played there as a child. And I’ve always had this urge to do pictures there. But when I tried, it never worked. I was trying too hard, I think. Then I moved to my house in Suffolk, in the country, and there I began to try taking landscape pictures again. And it was better, and that gave me the courage to go back to my mum’s place and take pictures there. So I went, and when I went, well, my mum was quite keen to go out walking with me, and so we were out walking and talking and that’s what happened.
The anecdotes that run with some of the photos—are those the things you were talking about? I mean, those are rather intense memories, like almost having the money your mother sent you in London stolen, when you were young and broke.
No, no. The things my mum and I talked about, they were banal. Like we were talking about my children. Normal things like that. But then when I came home to England and looked at the photos, these other stories came back to me. It’s all a love letter to my mother. She’s getting older. Continue Reading “Tell Tales: In Conversation With Juergen Teller” »
With its intense insider focus, Industrie magazine always acts as a kind of fashion yearbook. The latest issue, out Wednesday, takes the concept literally. For a feature titled Class of 2012, the editors enticed some of fashion’s biggest names to rifle through their high school photo albums. You’ll likely recognize the floppy-haired fellow in the striped shirt, but who’s the future street-style star in the plain white Lacoste? Here’s your exclusive first look at the new issue, featuring Haider Ackermann on the cover (pictured, above), shot by Juergen Teller.