39 posts tagged "Juergen Teller"
With Thanksgiving just around the corner, it’s time to start thinking about what you’ll be giving (and, of course, requesting) this holiday season. If you need some inspiration, take a peek at our holiday shopping guide, which is packed with goodies for everyone from your rocker pals to sporty snow bunnies to uptown gals (and don’t miss our corresponding grungy tale of holiday thievery). Need a few more suggestions? Over the next few days, we’ll be divulging what our editors are planning to gift, and hoping to get. Have a look at our first picks, below.
NICOLE PHELPS, EXECUTIVE EDITOR
To Get: I’d love a one-month unlimited class package to Physique 57. With a 5-year-old at home, making time to work out is the biggest luxury there is.
To Give: I received a pair of Hatch‘s navy cashmere joggers as a gift about a year ago. They instantly became my at-home uniform; I wore them just about every night last winter. I know my mom and sister will be thrilled to receive pairs of their own. Hatch founder Ariane Goldman has opened a temporary shop at 25 Howard Street here in New York through Thanksgiving weekend, so it’ll be easy for me to go snap them up.
KATHARINE K. ZARRELLA, ASSOCIATE NEWS EDITOR
To Get: All I really want for Christmas is a ticket to London so I can go and explore the Isabella Blow: Fashion Galore! exhibition at Somerset House. But seeing as it’s highly unlikely that I’ll be hopping the pond in the near future, I’d be equally pleased to receive this pair of Fendi booties. I wear my Fall ’10 Yves Saint Laurent mohawk pumps pretty aggressively, so it would be nice to have another footwear option that’s similarly coiffed.
To Give: I think everyone should own a vintage silk kimono. Every single person. They’re incredibly comfortable and wildly glamorous for lounging around the apartment. A few of my friends have been pining after my latest acquisition—a black, red, and gold embroidered kimono that was once owned by the 1934 Miss Japan—so I will be gifting them equally spectacular robes. My favorite kimono scavenging spots are obscure antique shops on the Upper West Side and Joe Sundlie’s vintage store in Chelsea. But this forties number from 1stdibs.com would do nicely.
RACHEL WALGROVE, SOCIAL MEDIA EDITOR
To Get: I’ve been eyeing LPD’s sportswear for a while. I love how it pairs team spirit with the cultlike following found in fashion. This Team Ghesquière tee is definitely on my list.
To Give: Anyone who follows me on Instagram knows that my family is obsessed with dachshunds—though I like to blame this mostly on my sister. These Jonathan Adler bookends would be the perfect complement to her impressive book collection.
ERICA BLUMENTHAL, CONTRIBUTING MARKET EDITOR
To Get: I don’t think you need a reason for why I want these python Gianvito Rossi pumps.
To Give: I plan to buy several copies of Morrissey’s Autobiography as soon as it hits U.S. stores on December 3. Most of my friends are dying to read it, so why not give them what they want?
In the fall of 2007—long before backstage was a thing and the flash of a camera was as ubiquitous behind the scenes as it is on the runway—German photographer Anna Bauer received an assignment from The Daily and road-tripped her way from London to Milan to Paris, shooting models, stylists, and a host of other fashion types along the way. She used a large-format Polaroid camera and captured the industry’s central figures in spontaneous form—flagging down designers such as Raf Simons and models like Kate Moss (above) and Raquel Zimmermann (below) during quiet moments and approaching them with boldness, trepidation, and sometimes total naiveté. “When I shot David Sims, I didn’t know who he was,” she recalled at the launch of her book, Backstage, last February. The results are eye-catching—a collection of raw, oft-revealing black-and-white portraits of the people who make the shows run.
This Thursday, Bauer will show the Polaroids—many of which first debuted in Backstage—en masse for the first time at the Loewe store in Madrid. “It’s a selection of about eighty,” said Bauer of the images, which include stills of everyone from Alber Elbaz to Iris Apfel to Juergen Teller. “I’m really happy because the show is going to give them another life,” she added. The earliest Polaroids on view were taken when the project began in 2007 (a young Agyness Deyn, a sunglasses-clad Karl Lagerfeld), while the most recent, Olivier Rousteing’s, for instance (“He doesn’t know he’s in there, because I didn’t know how to get in touch with him!” exclaimed Bauer), were taken just over a year ago.
Bauer said she has thought about shooting another group of people, like musicians or athletes (“just another extreme kind of group,” she mused) in the same style. But, she reasoned, “It could never be like this. I think that’s part of the interesting thing about the project—the condensed nature of the industry. We all go to the same four fashion weeks and the amount of people is limited. It’s a very close-knit circle of people.”
Anna Bauer’s Polaroids will be on view from September 5 to November 3 at the Loewe store, located at Calle Serrano, 26, Madrid, Spain.
Today’s T Magazine feature on Victoria Beckham paints the stiletto-wearing pop-star-turned-designer as a real go-getter. “I want to get bigger and bigger,” she said. “I absolutely want an empire.” Granted, much of that go-getting was reportedly spurred by the fact that she couldn’t find anything to wear. “I wanted to create handbags because I couldn’t find the right handbag that I wanted to carry. Then I couldn’t find the right sunglasses, so I decided to make my own sunglasses,” she explained. Other highlights include Beckham telling Juergen Teller that she doesn’t want anyone to know that she eats (“Why ruin that?” she asks), David Beckham’s undercover culinary skills, and the secret behind Posh’s supposed aversion to smiling.
As the self-proclaimed “first weird-looking model,” Kristen McMenamy has broken just about every rule there is during her thirty years (and counting) in fashion, which exactly is why we chose to profile her in the new issue of Style.com/Print. Throughout her career, the irreverent icon became renowned for her androgynous appeal, eccentric personality, madwoman-on-a-mission runway walk, and willingness to sacrifice life and limb in pursuit of the elusive perfect picture.
McMenamy was a fixture in the glossies during her nineties heyday (back then, her cropped hair, shaved eyebrows, unconventional features, and sinewy frame made her an ideal poster girl for the grunge movement); she has shot with the likes of Steven Meisel, Richard Avedon, Helmut Newton, Juergen Teller, and Nick Knight, who took the pared-down portraits of her that run in Style.com/Print. Along the way, she has cultivated a support system of designers. “If fashion is her family, then Donatella Versace is her big sister,” writes Jo-Ann Furniss in her profile. That makes Karl Lagerfeld McMenamy’s proverbial father. Lagerfeld did, after all, walk her down the aisle at her ’99 wedding to photographer Miles Aldridge, in addition to casting her in a multitude of campaigns and runway shows.
See them all in our slideshow roundup of McMenamy’s career highlights >
What determines the feminine ideal? Mannequin—Le corps de la mode (“Model: The Body of Fashion”), the latest of Paris’ Musée Galliera’s off-site exhibitions, aims to find an answer. The show, which runs from February 16 through May 19, examines why trends like wasp waists, swan necks, or 5′ 11″ frames (à la Karlie Kloss) have driven women’s aesthetic aspirations since the first models replaced store mannequins in late-nineteenth-century Paris.
Curator Sylvie Lécallier sifted through fashion magazine illustrations, photographs, and videos to chart the jump from one fashionable body type to the next: the twenties knock-kneed flappers, the sixties childlike Courrèges girls “sans hips, waists, or breasts,” the eighties power women who were captured in Helmut Newton’s “Big Nudes,” and beyond. The show includes photos of the earliest It girls, like a series of Nelly Martyl, a star of Paris’ Opéra Comique in the 1910s. She was one of the first stars to be featured as a model in the era’s top fashion magazines. Also on display are iconic images like Corinne Day’s 1990 shot of a topless Kate Moss, Juergen Teller’s 1996 photo of a nude Kristen McMenamy (she has “Versace” painted on her chest inside a red heart), dark surreal works by Guy Bourdin, and more. Continue Reading “Fashion’s Figures: Then And Now” »