56 posts tagged "J.W. Anderson"
Hyundai may be best known as a South Korean car manufacturer, but it also dabbles in fashion through a division called Handsome. During the Paris collections, Handsome jumped into the City of Light’s shopping scene by opening a Marais outpost of Tom Greyhound, its multibrand concept store. (Check out the Seoul outpost here.)
Tom Greyhound. The name sounds like a cartoon character, and the store’s not-so-vaguely Batman-esque design reinforces that impression. One spin through the racks, however, and everything snaps into focus. A savvy mix of emerging and international talent—including Rag & Bone, Peter Pilotto, 3.1 Phillip Lim, J.W. Anderson, Christopher Kane, Thakoon, Opening Ceremony, and A.F. Vandevorst, among others—comes arranged by theme, not by brand, and the cozy, loft-style layout is sure to please men and women trying to track down labels that, until now, have been hard to find in Paris.
Tom Greyhound is located at 19 Rue de Saintonge, Paris, 75003.
We’ve just passed the midway point of fashion month with the Milan shows well under way, and there have been plenty of memorable modeling moments thus far, particularly for newcomers. In general, the top-tier, A-list catwalkers have been more selective with their schedules, leaving room for fresh faces to ascend the ranks. Perhaps the easiest way to break down our favorite rookies is by hair color. By and large, it’s been the season of the platinum blond, with familiar faces Julia Nobis, Ashleigh Good, Juliana Schurig, Sasha Luss, and Devon Windsor making a strong case for bleached tresses (reminiscent of Khaleesi from Game of Thrones). Several new models have been riding Fall’s peroxide wave, too. First is ethereal Polish beauty Ola Rudnicka, who debuted at Prada’s Spring show and landed a spot in the label’s latest campaign. She’s turned up on just about every major runway in each city so far. Rudnicka kicked things off on a high note in New York, walking Jason Wu, Michael Kors, Proenza Schouler, and Marc Jacobs. She went on to do Burberry and Christopher Kane in London, and continued to take Milan by storm, bookending No. 21 on Tuesday in addition to walking Max Mara and Moschino yesterday. Another noteworthy newcomer rocking a flaxen mane is Harleth Kuusik (who currently stars in Proenza Schouler’s Spring ads). In New York, she did turns at Rag & Bone, Victoria Beckham, and Proenza Schouler, then followed those up with J.W. Anderson and Erdem in London. We plan to see a lot more of both Rudnicka and Kuusik next week.
Next up is the fiery-tressed group of redheads led by sophomores such as Lera Tribel and Nika Cole (who can forget her teased-out, lamp-shade ’do from Schiaparelli’s Couture show?). They are joined by Quebec native Sophie Touchet, who made an early impact at Thakoon, 3.1 Phillip Lim, MBMJ (a.k.a. Marc by Marc Jacobs), and Burberry Prorsum, then moved on to open Alberta Ferretti and walk in Fendi yesterday. Finally, we’ve got a mixed bag of brunettes, ranging from Dutch stunner Imaan Hammam (she won the genetic lottery with a Moroccan mother and a father from Egypt, and her exotic looks have helped earn her key spots in top-tier casts including Prada, Proenza Schouler, Narciso Rodriguez, and Fendi) to fierce-looking Ronja Furrer (that strong jawline gave her an edge at Altuzarra, Alexander Wang, Christopher Kane, and more). And how about this season’s most buzzed-about newcomer? Waleska Gorczevski has a hell of a name and a hell of a presence. During NYFW, the Brazilian model was the first girl out at Marc Jacobs. She also opened Yigal Azrouël and bookended Victoria Beckham, and has continued to rack up an impressive show list including Calvin Klein Collection, Hugo Boss, Proenza Schouler, Christopher Kane, and Fendi. No doubt Paris will take to her serene, slightly quirky appeal.
Aside from Fall’s freshman class of catwalkers, we’ve witnessed plenty of noteworthy cameos by old-school veterans, too. For example, Alexander Wang’s finale featured the likes of Angela Lindvall, Bridget Hall, Candice Swanepoel, Caroline Trentini, Anne V., Hilary Rhoda, and Jacquetta Wheeler. Meanwhile, Karen Elson has been going at full throttle this year, and she continued to dazzle at Tom Ford, Donna Karan, and Diane von Furstenberg. On the other hand, we’ve got Karolina Kurkova, who surprised us by opening Cushnie et Ochs and turning up at Christopher Kane (where she was easily the most experienced model in the lineup). Other highlights included: Kirsten Owen opening and closing Mary Katrantzou; Mini Anden at Proenza Schouler; Liberty Ross and Stella Tennant at Tom Ford; and the triple threat of Carolyn Murphy, Frankie Rayder, and Liisa Winkler at Michael Kors. Last but not least was the brilliant cast at Burberry Prorsum, which featured Edie Campbell in addition to her two younger sisters, Olympia and Jean. Mark our words, those Campbell girls are stars in the making. And speaking of stars, you can’t deny that Kendall Jenner was a total natural on the runways at Marc Jacobs and Giles.
Last October, British stylist Charlotte Stockdale announced she was leaving her post at i-D, a pillar of British street and underground fashion, and joining Garage magazine as its fashion director. The über-cool stylist’s first efforts for Dasha Zhukova’s biannual art and fashion mag were unveiled today, when issue six hit newsstands. Garage gave us an exclusive first look at its Nick Knight-lensed covers (above), which feature Karlie Kloss and Cara Delevingne. As evidenced by Garage‘s new snaps, Stockdale can seamlessly transition between high-gloss and grit—a skill that no doubt came in handy during her stints at Dazed & Confused and Harper’s Bazaar, and while styling shows for the likes of Dolce & Gabbana and Fendi. She’s worked with Karl Lagerfeld on the latter’s runway looks and campaigns for the last five years. Here, Style.com caught up with Stockdale to talk about the state of British fashion, leaving i-D, and her vision for Garage.
What drew you to Garage?
Everything about it. I remember the first issue coming out and thinking it was something different, courageous, seriously beautiful, and sometimes quite shocking. It’s not safe and it’s incredibly sophisticated. I talked on and off with Dasha about shooting for her, but it never worked because I was too busy with i-D. Then we met for tea after the summer—I was quite relaxed from holiday—and she said she was looking into a fashion director, and obviously that evolved into a conversation.
Did you feel that i-D was no longer those things—courageous, shocking, and beautiful? Is that why you left?
No, that’s not why I left. Not in the slightest. I enjoy conceptual fashion, and there isn’t a lot of space left for it anymore. Garage is a venue where conceptual fashion is still the right thing. When I started at Dazed & Confused at the beginning, conceptual fashion was the thing. I like exploring it on multilayers, not just mixing jackets and trousers for a good picture.
And how does that translate in terms of your vision for this magazine?
I would like to keep a delicate mix of sophisticated and playful. Humor is very important, but it can’t be silly, and beauty is really important. The art content is serious. I don’t mean serious in a way that it is not amusing. Some of it is very amusing, but they put in heavyweights. The fashion needs to balance that out. I love working with the stylish photographers and new photographers and new designers. So far, most of them are saying “yes.”
On the subject of new designers, who are you particularly excited about right now in London?
It sounds awfully predictable to say, but I am very interested in J.W. Anderson and Christopher Kane. London right now has finally hit its stride. There’s Peter Pilotto, Mary Katrantzou, etc., and they have all found this balance between creativity and the business, which are equally important. That wasn’t so much the case when I was young. Some succeeded and others didn’t—the balance wasn’t correct. I have seen so much talent leave Britain and move to other cities. We have always felt it was such a shame that these kids aren’t back at home building proper brands themselves.
How do you think this momentum with London fashion will progress in the next few seasons?
I think the momentum will continue. With Natalie Massenet at the helm of British Fashion Council, everything has stepped up a few notches. Obviously, she is a lady of no fear. These young designers all have solid bases, and they are building proper businesses. The month is a very crowded month, and it is pretty challenging for [fashion] people like ourselves. London used to be a three-day thing and you could miss it. Now it’s a solid five-day event full of high-class content. It is the most interesting fashion week aside from Paris.
The Fall ’14 menswear collections kicked off in London today, and will be followed by the shows at Florence’s Pitti Uomo, in Milan, and in Paris. Before the new clothes hit the runway, we’ve asked some of the most anticipated names to offer a sneak peek. Per usual, it’s a busy time for all—designers and fashion followers alike—so we’re continuing our split-second previews: tweet-length previews at 140 characters or less. Our entire collection of Fall ’14 previews is available here.
WHO: J.W. Anderson, designed by Jonathan Anderson
WHEN: Tuesday, January 7
WHAT: “Aristocratic biscuits.” —Jonathan Anderson. The designer sent us a sneak peek of his Fall ’14 show space, above.
World of Interiors: Dover Street Market New York’s Designers on the Spaces They Designed for the New York Megastore
Tomorrow, Dover Street Market in New York opens its doors to the public (including that very committed member of the public who has been camped out in a pup tent on the corner, reportedly for days, waiting). The multibrand store, owned by Comme des Garçons, stocks both the full range of Comme des Garçons labels (which are many), and lines that Rei Kawakubo and her team select and buy for the store—with the sphinx-like Kawakubo often doing the buys herself.
The concept of shop-in-shops at multibrand retailers is nothing new, and many department stores have concessions piloted by individual designers and labels. But few give so much freedom to so many as Dover Street Market. (“We don’t go in for brainstorming,” CdG CEO Adrian Joffe put it dryly to Style.com last year) The result is that walking through the seven stories of New York’s Dover Street Market—or riding up in the glass elevator that was commissioned for the space—is a varied, eye-popping, and often surreal experience. Brands are grouped together in unlikely arrangements, decided by Kawakubo. On the seventh floor, Prada sits next to the skate brand Supreme, the Japanese line Visvim, and near André Walker, the cult designer coaxed out of semi-retirement to design a new collection for the store. And because most if not all of the labels are given license to design their own spaces and fixtures, going from one to the next, even over a distance of only a few feet, can feel like traveling between dimensions or falling down the proverbial rabbit hole. (This is not even to take into account the stairway, designed by the architects Arakawa and Gins, which somewhat resembles a birth canal and is reputed, according to a Comme representative, “to reverse your destiny.”) And this is before you account for the artworks commissioned from the space, including three artist-designed pillars that evolve as they cut through the seven floors, a sound art installation, a mural and more.
The result is a store that is completely unlike all of the existing shopping experiences in New York. But for every person disoriented by the experience, there is likely to be another delighted by the creative chaos. “It’s not overthought. I feel sometime shopping environments can be overcalculated—it’s nearly forced, duty-free luxury,” said Jonathan Anderson, who created the first branded space he’s ever done in the history of his J.W. Anderson label for the store. “I don’t think luxury has to be determined in that way. I think luxury is about the arrangement of ideas, not necessarily the finish.”
Style.com spoke with several designers who created their own spaces—and in many cases, exclusive product—for Dover Street Market New York.
Dover Street Market New York opens tomorrow at 160 Lexington Avenue, NYC.
Anderson, the London-based designer who was recently named creative director of Loewe, was inspired to build his space out of children’s foam-rubber play blocks, all in a shade somewhere between sky and Yves Klein blue. He’d seen children playing with them in a park in Venice, where he’d just returned from his first vacation in seven years when Joffe asked him to do a space on DSMNY’s fifth floor. “They’re from America, weirdly,” he said. “The company did them exclusively in different shapes for us. It was quite fun, actually.”
Dover Street has been a longtime patron of Anderson’s collections, which are also stocked in its London and Ginza, Tokyo, stores. Kawakubo herself selects the pieces to carry which often, thanks to her off-kilter eye, end up being exclusive to DSM. “I always like watching her edit. I love her commitment to fashion, buying from other brands. You have to be on a very different plane to able to do that,” he said. “I think that’s what’s so exciting about the relationship between Dover Street and Comme des Garçons. I think it’s such an interesting exercise, and that’s why there’s no compromise in the buy, there’s no compromise in the store shopping experience.”
“Supreme is a hard brand for people to categorize,” said founder James Jebbia. “DSM does a great job at taking the best brands in the world and mixing them in their store without categorizing them.”
All that is to say, Dover Street let Supreme be Supreme: graphic, in your face and immediate. Jebbia commissioned Weirdo Dave (né Dave Sandey, but also known as Fuck This Life) to create a large backdrop mural of found images, which has a Tumblr-ish spark. (A few yards away hangs Visvim’s cozy hanging quilts.) How much interaction did Kawakubo have with the space? “Not much, really,” Jebbia said. “Rei let us design the space how we wanted, but she looks at and approves every detail. If she didn’t like something, she certainly would have told us.”