91 posts tagged "Kanye West"
The Instagram numbers don’t lie: Kanye and Kim are one of the most influential couples today. With his A.P.C. and Adidas collabs, her custom Givenchy wedding gown, and a Vogue cover, Kanye and Kim are front-row at fashion week, and front and center in the pop culture universe. As August’s GQ cover star, Kanye spoke with the magazine’s Zach Baron about the relationship between celebrity and fashion, being a family man, and the power of influence. Here, ten things we learned about Kanye from his GQ interview.
1. He hasn’t “lost his dinosaur.” Marrying Kim “is the ultimate example of a person never losing his dinosaur. Meaning that even as I grew in cultural awareness and respect and was put higher in the class system in some way for being this musician, I never lost my dinosaur.”
2. He doesn’t “have fangs,” he’s just on the defense. “People have me pinned as a shark or a predator in some way, and in no way am I that. I wouldn’t want to hurt anyone. I want to defend people. I want to help people.”
3. But he’s totally unfazed when his and Kim’s life moments go viral. “My feelings don’t matter anymore.”
4. All he’s asking for is a little respect. “My goal is just to be respected as a man when I walk down the street with my family. I don’t care what your job is, you’re not gonna talk down to me, you’re not gonna try to get a rise out of me.”
5. He loves Carine. “Carine Roitfeld is the Walt Disney of what Tumblr is today. She is the Kanye West of what Tumblr is today. She’s the single most important person to what street style is today. And she was at the wedding seven seats down from Kim, who is one of the number one fashion plates of today.”
6. He understands the relationship between fashion and celebrity. “I guarantee you, I’m more than 50 percent responsible for every Balenciaga shoe they sell…But all honesty, no ego, I have a level of influence, and I have a level of respect for the designers. And we move product on the Barneys floor.”
7. He teaches us that ideas don’t have to be popular to warrant success. “I think Yeezus is the beginning of a completely new era of music. It was all new rules. It just broke every rule possible. None of the ideas were popular ideas.”
8. He’s inactive on Twitter out of respect for Kim. “If you look at half my tweets back then, they were always, like, funny tweets that I wouldn’t be able to say now. It wouldn’t be respectful to my relationship.”
9. He appreciates family values. “Family is super cool. Going home to one girl every night is super cool. Just going home and getting on the floor and playing with your child is super cool. Not wearing a red leather jacket, and just looking like a dad and shit, is like super cool. Having someone that I can call Mom again. That shit is super cool.”
10. He gets it. “The point of life is getting shit done and being happy.”
Spin masters, get ready—VFiles is now accepting applications for its first-ever DJ Championships. The digital fashion community with a cooler-than-thou shop downtown is known for championing up-and-coming fashion labels, (perhaps most notably, Hood by Air), and now it’s applying the same concepts to the music scene with the launch of this project. To participate in the contest, a partnership with Def Jam Recordings, DJs will need to submit an original ten-to-twenty-minute mix, plus related media (images, GIFs, or videos) to the VFiles platform. Entries will be judged by general social media popularity (the more likes it gets, the higher they rank in the standings), as well as top-tier professional opinions. The three finalists will be reviewed by Kyambo “Hip Hop” Joshua, EVP and co-head of A&R at Def Jam (best known for his work with the likes of Kanye West, Lil Wayne, Drake, Jeezy, and other multi-platinum-selling artists), at a live battle at the VFiles Made Fashion party. “For years, Def Jam’s motto has been ‘Respecting the DJs,” says Joshua. “Def Jam’s brand, right down to our logo, is built around the special role the DJ plays in shaping the taste and tone of the culture. VFiles—with their forward-thinking eye for young talent and their unique, central role in street style—is a natural partner for us.”
Click here to apply. Finalists will be announced August 15, and the winner will be named in September during NYFW.
For the second and last season of the A.P.C. Kanye collection, the brand’s proprietor, Jean Touitou, and Mr. West went deep into military archives. What they came up with is an arsenal of cool, comfortable-looking, luxurious casual clothes that are as unique and appealing as they are smart and simple. This will be your last opportunity to own a piece of this collection, as West is moving on to build his sportswear empire with Adidas. So put July 17 on your calendar—that’s the day it goes on sale (and will likely be your only chance, as it will surely sell through fast).
We caught up with Touitou last week as he was preparing to show his Spring/Summer 2015 collection in Paris to chat about this partnership, his outlook on future collaborations, and A.P.C.’s American expansion.
How did the process of working with Kanye evolve over time?
The process was easier the second time because we have learned more from each other, and then also we stopped by the military archive. It was surprisingly easier the second time, except at the end.
What happened at the end?
What happened at the end is exactly what he does to his own records, so I didn’t take it personally—like when it’s something he makes, and ten days before it drops, and then he wants to start from scratch. In music things are so possible, especially with today’s technology, good engineer, good computer, you could stretch time, but in fashion there are so many people involved, from weaving, knitting, choosing the yarn, choosing the color, making the pattern, making the first samples. It’s so much more material, but again, I don’t feel badly about him pushing the limits. So that was the difficulty. But apart from that, it was perfectly easy.
So he wanted to change things—
That happens until, like, sixteen minutes before the presentation, I was changing things.
But at some point you were able to settle on some final decisions?
Oh, of course, of course, because it’s going to be in the stores and online on July 17, and we don’t have a reputation of being late. You have to manufacture all the clothes, and it’s not just virtual, it’s real things. At some point you have to say, “This is what it’s going to be.”
What led you to the military archives? Was that Kanye’s idea?
For a very simple reason: I do have archives where we live in Paris, and one day I wanted to show him what I did for almost twenty-seven years, and you know, there was a lot of my old stuff, a lot of A.P.C., and we started the process of designing from there.
You know, when you design something, you have to start with something, so that’s where we were, at my big archives to start with something. It’s not the process for designing a conceptual collection, but that’s why when we said we want a parka, its nice to see a parka from this army, and this army and that army and make your own design of it.
What was Kanye’s part in the design? For instance, would he have input on every aspect of how the parka was going to be made?
Of course he would decide with me on every part of it. We would choose the fabrics and the color and the proportions, sleeves, shoulders, and there were a lot of fittings. It’s not like we want to do a parka, send the pattern to China, and OK we have the parka and I OK it. It’s not like that at all. We produce a first and second sample, a mock sample, a third sample, and finally the last one is good. It’s like a couture piece for every item.
Was it a more involved process than what you typically do for A.P.C.?
No, it was the same, with being involved and making the patterns. It was exactly the same.
A.P.C. has done a lot of collaborations—Nike, Supreme, Carhartt, and others. What’s your perspective on collaborating with other brands?
I have no perspective. I’m tired of collaborating. I’m tired of it. And there’s not so many people that I want to do anything with.
So you’re feeling like this is the last one?
Kanye has his own line with Adidas now. And we do Nike because we don’t know how to do running shoes and they know how to do it right. I don’t have a major collaborating project. But I’m creating a new brand, and we’re launching Vanessa Seward in March, launching the brand with a new company and everything.
So you’re no longer focusing on collaborations?
Well, if it’s something very interesting to me, I’ll go for it. But I don’t look for collaborations, I just wait until it knocks at my door. I’m not pushing it all, doing something as humongous as creating a brand. Days are only twenty-four hours. And also we opened new stores. We’re not a huge corporation, we’re a small independent company.
The expansion of A.P.C. has really been impressive. Are you planning on continuing to expand?
No, we’re just focusing on America, and France is like the Titanic—still dancing, but it’s going to be at the bottom of [the ocean] soon. So I’m really happy to bring the brand to America.
Unless you’ve been living under a rock for the past week, you’re well aware that Kim Kardashian and Kanye West finally exchanged vows in Florence, Italy, this weekend. And naturally, the pair wore custom Givenchy designs by their fashion-world bestie, Riccardo Tisci. While Kanye opted for a black tux with trousers that resembled biker pants, Mrs. West donned a lacy play on look 11 from the Fall ’11 couture collection. While the gown’s mermaid train and sheer white inserts weren’t quite virginal, the look was a tasteful, almost classic choice for the ever-racy Kim K. Cheers to the happy, designer-decked couple.