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July 10 2014

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64 posts tagged "Karlie Kloss"

The Daily‘s Night

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The Daily Front Row First Annual Fashion Media Awards sponsored by Samsung

Friday evening, underneath the massive crystal chandeliers and amid the rococo decor of the Upper East Side’s Harlow restaurant, fashion’s boldfaced names gathered to dole out The Daily Front Row‘s first annual Fashion Media Awards. The vibe was touchingly familiar, with Tim Gunn introducing TV Personality of the Year Heidi Klum (“I met Heidi nine years ago, and I was a trembling, nervous, sweating, sputtering battling wreck—and I sustained that same demeanor for many, many seasons of Project Runway,” he recalled), Marc Jacobs speaking for the Editor in Chief of the Year winner, Grazia UK‘s Jane Bruton (“She’s the perfect combination of smart, bubbly, and fun—and from what I hear, sometimes a little too much fun,” he joked), and Lady Gaga, in a frenetic finale, presenting Stephen Gan with his Fashion Magazine of the Year award.

Carlyne Cerf de Dudzeele introduced Model of the Year, Social Media, Karlie Kloss, and reminisced about their first shoot together with Steven Meisel, while Jessica Biel and Elle‘s Joe Zee (winner of the Creative Director of the Year) joked about their “first time” (i.e., first cover) together in 2007, and the discovery of Zee’s “sick hip-hop dance” moves in the years that followed. Later, Bruce Weber came to the stage to speak for longtime friend and Fashion Scoop of the Year winner Ingrid Sischy, who was recognized for her John Galliano feature in Vanity Fair. He was quick to emphasize the significance of the fact that—in the age of insta-everything—her story took two years to complete.

“I think it’s actually a great thing to do a Fashion Media Awards, because fashion media really are a part of the business of fashion—and really help in shaping and creating the image of fashion,” said Jay Manuel between texts to DVF (“Looking forward to that show!”). “The people who go behind the scenes typically need to have the spotlight shot on them, so people know who is behind the images.”

Photo: Courtesy Photo

Jessica Stam Joins the LPD Dream Team

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LPD's Stam Shirt

What does Jessica Stam have in common with Karl Lagerfeld, Miuccia Prada, Riccardo Tisci, and Dries Van Noten? The model can now claim an LPD New York T-shirt boldly emblazoned with her last name and birth year (’86) in black. Last night, Stam and LPD founder Benjamin Fainlight hosted friends including Jennifer Fisher and Athena Calderone at The Jane hotel to celebrate the launch of the new “Team Stam” collaboration jersey that will benefit the catwalker’s charity of choice, Many Hopes, which invests in sustainable community development in Kenya. One hundred percent of the proceeds from each shirt will go to the foundation. “My friend connected me with Stam and thought there was potential to use LPD and her shared platform to give back to a really great cause,” Fainlight told Style.com.

Over the past year, LPD New York’s novelty tees have developed a cult following with the street-style set, and Fainlight recently expanded beyond designers’ names with the Artist Series, which includes Hirst, Pollock, and Warhol styles. Beginning with Team Stam, we think Fainlight is onto something with models—who wouldn’t want to advertise their allegiance to Team Campbell, Team Moss, or Team Smalls? The designer hinted, “Well, I can’t give away too much, but I might just have that same concept coming out with a prevalent online retailer [chances are it's Net-a-Porter] that has been amazing about supporting the brand and giving us a global stage.” Building off of this idea, Stam suggested, “It would be neat if other philanthropic models like Liya Kebede, Christy Turlington Burns for Every Mother Counts, and Karlie Kloss for FEED got involved in another round of shirts.”

A potential model series isn’t the only project in the pipeline for LPD. On Friday evening, the label will stage its first NYFW concept presentation in conjunction with Conflict of Interest (known for its witty fashion T-shirts splashed with puns like “Ballinciaga” or “Ill Slander”). At the Spring ’14 show, Fainlight will debut a full cut-and-sewn collection including tailored outerwear, knitwear, and trousers that reportedly focuses on unorthodox finishings and treatments. “I really wanted to play with the conventions of streetwear and incorporate high-fashion concepts,” Fainlight said. “I think this new direction will show people that we’re a lot more than a T-shirt brand.”

Photo: Courtesy of LPD NYC

Photo: Courtesy of LPD NYC

Baring It All for the CFDAs

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Michelle Ochs, Carly Cushnie, Michelle Harper, Erin Wasson, and Alexander Wang at the CFDA Awards

There’s a trace of irony in the fact that at last night’s CFDA Awards—a ceremony honoring clothing and accessory design—the standout red-carpet wares were those that were barely there. Skin was in, in a very big way—namely via torso and dorsal cutouts (and in one precariously tall model’s case, a seriously plunging halter). Swarovski Award for Womenswear nominees Carly Cushnie and Michelle Ochs (of Cushnie et Ochs) led the bare-bodied pack, the former arriving in a vermillion gown with an abdominal diamond-shaped cutout, and the latter donning a dress with oblique accenting slashes across the front (naturally, both wore their own designs). “Michelle and I are big fans of the upper midriff, and always have been,” Cushnie told Style.com. “It tends to be an area that a lot of women can feel comfortable showing.” Their date, Karlie Kloss, left little to the imagination—her outfit careened from plexus to navel. All in all, the trio formed a sinewy vision of primary colors, smartly balancing peekaboo highlights with diving cuts.

And while the Cushnie et Ochs train didn’t stop there (Jenné Lombardo also appeared in a hip-bone-underscoring number from the pair’s Spring ’13 collection), a slew of ladies in other labels turned up with their dermises out. Linda Fargo gunned for a racy noir Michael Kors column cut with triangles across the bust and body. Erin Wasson wore a linear, sheer striped Spring ’13 Alexander Wang piece, and Jessica Hart carried a waist-flaunting Rachel Roy frock to fun and flirty effect. Michelle Harper simply chose to eschew midriff dressing entirely—the provocateur pulled off a vintage Yves Saint Laurent look comprising an ornate black skirt and what we can only describe as a glorified collar.

Photos: BFAnyc.com (Michelle Ochs, Carly Cushnie, and Karlie Kloss; and Erin Wasson and Alexander Wang); Tommy Ton (Michelle Harper)

All That Glitters In Cannes Is Carine Roitfeld’s Gold Fashion Show

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Karolina Kurkova wears Roberto Cavalli at the Ultimate Gold Fashion Show in CannesWhen a good cause (amfAR) and a major industry figure (Carine Roitfeld) come together, it’s a given that the fashion world will line up to lend a hand. And so it was at “The Ultimate Gold Collection” fashion show that Roitfeld staged at the nonprofit’s Cinema Against AIDS Gala at the Cannes Film Festival last night. The show included golden looks from Tom Ford and Thom Browne, Versace and Valentino, Marc Jacobs and Moncler, Dior, Comme des Garçons, Prada, Ralph Lauren, and Rick Owens—a group that becomes even more impressive given that they represent less than one third of the show’s participants. Add in the twenty-two additional jewelry and accessory brands, the glossy Gianvito Rossi heels…

Suffice it to say, with LoveGold.com as one of the evening’s three title sponsors, the theme was pretty much preordained. Having soft-launched around award season earlier this year, LoveGold is being positioned as the creative, community online platform for the World Gold Council. LoveGold helped support the accessory creations, in addition to hosting the Livestream on its homepage.

“For certain designers, the cost of gold is a barrier to entry,” said Sally Morrison, LoveGold’s director of jewelry in the U.S. “We were interested in creating a sort of incubator program where we offered gold loans for jewelers we were interested in to allow them to work in the medium and de-risk it for them. That coalesced very nicely with designers [Carine] wanted to put in the show.”
A gold bangle by Aurora Lopez Mejia is put on backstage
Jeweler Ana Khouri has worked with gold since launching her namesake jewelry line; for her, it’s just an extension of her sculpture background. Khouri represents the new generation of precious-metal designers, one whose mandate is as much about responsible gold sourcing as unconventional multi-finger rings. “I think gold is a universal language; it really connects people. And how amazing it is to get all this talent together with gold as the link,” said Khouri, before taking her architectural cuffs to be paired with a J.W. Anderson ruffled look. Continue Reading “All That Glitters In Cannes Is Carine Roitfeld’s Gold Fashion Show” »

Jobs, Restaurants, and Now a Magazine—It’s Just the Cherry on the Cake

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The tired cliché that fashion doesn’t eat is weakening every day. The latest assault on its reign comes courtesy of Kerry Diamond (by day, PR executive at Coach; by night, partner and co-owner of three bustling Brooklyn restaurants) and Claudia Wu (principal of the graphic design firm Oprhan, founder of Me Magazine) and their new food-meets-fashion biannual, Cherry Bombe. It may have the distinction of being the first culinary journal with a Karlie Kloss cover.

Diamond and Wu (above) are the definition of multi-hyphenate multitaskers, but at Cherry Bombe‘s Jo Malone London-sponsored launch party last night at the Spotted Pig’s semisecret third-floor test kitchen, she shrugged off questions of how she’d managed to put together a full magazine while juggling her other commitments. (Questioner finds his hands full with merely a biannual magazine and Web site to contend with, let alone a second job or a restaurant empire.) “Everyone says that, but it’s not like I’m there cooking or washing the dishes,” she laughed. “My boyfriend works at night. No kids, no pets.” Anyway, she went on, “It really was a labor of love in the truest sense of the phrase. There was also kind of a mission behind this. We really want to help all these great women in the industry get exposed a little bit more, and build a little bit more of a community.” Continue Reading “Jobs, Restaurants, and Now a Magazine—It’s Just the Cherry on the Cake” »